Soon after Clara moved into the Gosforth home, arrangements were made for her father's funeral. It was a somber event, as funerals tend to be, but it was a testament to her father's good nature how many people had come to pay their respects and offer their sympathies to the grieving daughter. It was only later that Clara learned an anonymous benefactor had paid for the funeral expenses, and no one seemed to know who this benefactor might be. The Gosforths were as supportive as they could be during her time of grief and in the weeks that followed, except for the eldest son who had made himself scarce shortly after the funeral and had not been seen since.
He was not allowed to be absent for too long, however. Two weeks of no Gabriel, and Meg decided to take matters into her own hands. She was one of a very small number who knew exactly where he was, and while she had given him space for a while, she was not prepared to let him become a hermit for no good reason. So, on a day off close to All Hallow's Eve, she made her way across London to the small property Gabe had bought for himself as a place to compose in peace. She let herself in, securely closing the door behind her, and turned to look at the place, her sunny face unusually stern.
At first glance, nothing seemed amiss. The house appeared spotless, thanks to the maid, though starkly furnished. Gabriel had not bought this house as a permanent residence or even for entertaining. It was merely a place where he could go to work on his music without anything to distract him. The sound coming from further inside the house proved that point, though it wasn't the kind of music the composer was best known for. This music was loud, harsh, dark, and disturbing. It was as if the musician was taking his pain and funneling it into his music, as if to exorcise it from his soul.
Just hearing those harsh melodies was enough to tell Meg what her brother was feeling, but he had held himself alone with those feelings for long enough. Hanging her coat on a hook, she made her way up the stairs toward his music room, deliberately stamping her feet out of time with his playing so that he would know someone was coming.
The music that led her up the stairs was hypnotic in a way, drawing her closer, the notes full of pain and anguish. Those notes weren't coming from the piano-forte, but from some other instrument, the sound very different from that of any other instrument. Anyone with an ear for music would recognize it as coming from an organ. Gabriel had discovered that no other instrument known to man could personify pain such as this one. There was no pause in his playing, as if he either hadn't heard her on the stairs or just didn't care.
"Oh, Gabe ..." Meg paused outside the door, her fingers brushing the painted wood, sympathizing with the pain she could hear reverberating from within. "I'm sorry," she whispered. "But this has to stop." And with that, she opened the door, steeling herself to march across the room and still his hands on the keys.
What she saw when she opened that door might give her pause. While the rest of the house was immaculate and mostly empty, this room - the only room he really ever used - was a mess. Half-empty cups and bowls and plates with the remains of whatever he'd only half-eaten littered the room. There was sheet music strewn across tables and lying crumpled on the floor, as if some were worth keeping while others were no mere rubbish. A chair tucked into a corner seemed to be serving as a bed, with a blanket thrown carelessly across it, forgotten. But it was the appearance of the man at the keyboard that was truly alarming. Given that he was supposed to be alone, he had forgone the mask, but it wasn't so much the ruined part of his face that was frightening so much as the haunted look in his eyes. He wore only a shirt and trousers, the shirt open at the front, his hair mussed from too many restless nights in that chair. It was as if something was driving him, haunting him - a demon that wouldn't leave him be until he had exorcised it from his mind.
The mess and smell that surrounded her as she entered gave Meg just a moment of pause, but she was her mother's daughter. She approached her brother, carefully making sure he would see her in his periphery before she came close, bending to cover his hands with her own.
"Enough, Gabe."
Whatever music he'd been playing turned into an explosion of noise as her hands moved to cover his and he slammed his fists against the keyboard. He drew a deep breath, trying hard not to lose his temper - not with her.
"What are you doing here, Meg?" he asked quietly, no anger in his voice, only a sad weariness.
The crash as he slammed his fists down made her wince, but she didn't flinch away. "I've come to bring you home," she told him quietly, crouching beside his seat with his hands in hers. "You don't have to suffer through this loss on your own, Gabe."
He clenched his jaw, as if by doing so would stop him from feeling anything - or at least, would stop her from seeing what it was he was feeling. He didn't realize that by doing so told her more than if he'd just let her see his pain. He said nothing for a long moment. What was he supposed to say, after all" There had been pain and grief when their grandmother had died, but they'd known she was ailing for a long time, and they had weathered it together. This time, it was different for some reason.
"I can't," he murmured quietly.
"Why not?" She wasn't going to let this be. He knew his little sister well enough to know that if she had set her mind to it, he would be coming home today.
He was quiet a long moment, shaking his head as if he couldn't or wouldn't explain, staring at his hands in her smaller ones. "I-I have to finish," he said. That was explanation enough.
"You need to take a break," she answered firmly. "Have a wash, change your clothes, breathe fresher air. Come home, if only for tonight. Mama's worried about you." She studied his face for a moment, deciding not to tell him what else his continued absence had started.
"I can't, Meg. If I leave now ..." He shrugged, worried that if he turned his face back to the light of day and the happier things in life, he'd never finish his composition. "It's-it's a requiem for Charles. Monsieur Peterson," he corrected himself. But if he was honest with himself, it wasn't just the music that was keeping him away.
"You can." It was obvious that he was not hiding himself away just for the sake of the music, which meant she was going to have to tell him what she had only just decided not to. "Clara is threatening to leave, Gabe. She's blaming herself for your absence; she thinks she has caused so much disruption in our home that you cannot bear to go back. You have lost a friend. She has lost a father, the only family she had. Your grief is no more or less important than hers."
He shook his head at something she said. "It's not her fault," he said, his voice harsh with grief and lack of sleep. That much was true. It wasn't her fault at all that he was a coward, but it would be his fault if she left because of him. "All right."
He was not allowed to be absent for too long, however. Two weeks of no Gabriel, and Meg decided to take matters into her own hands. She was one of a very small number who knew exactly where he was, and while she had given him space for a while, she was not prepared to let him become a hermit for no good reason. So, on a day off close to All Hallow's Eve, she made her way across London to the small property Gabe had bought for himself as a place to compose in peace. She let herself in, securely closing the door behind her, and turned to look at the place, her sunny face unusually stern.
At first glance, nothing seemed amiss. The house appeared spotless, thanks to the maid, though starkly furnished. Gabriel had not bought this house as a permanent residence or even for entertaining. It was merely a place where he could go to work on his music without anything to distract him. The sound coming from further inside the house proved that point, though it wasn't the kind of music the composer was best known for. This music was loud, harsh, dark, and disturbing. It was as if the musician was taking his pain and funneling it into his music, as if to exorcise it from his soul.
Just hearing those harsh melodies was enough to tell Meg what her brother was feeling, but he had held himself alone with those feelings for long enough. Hanging her coat on a hook, she made her way up the stairs toward his music room, deliberately stamping her feet out of time with his playing so that he would know someone was coming.
The music that led her up the stairs was hypnotic in a way, drawing her closer, the notes full of pain and anguish. Those notes weren't coming from the piano-forte, but from some other instrument, the sound very different from that of any other instrument. Anyone with an ear for music would recognize it as coming from an organ. Gabriel had discovered that no other instrument known to man could personify pain such as this one. There was no pause in his playing, as if he either hadn't heard her on the stairs or just didn't care.
"Oh, Gabe ..." Meg paused outside the door, her fingers brushing the painted wood, sympathizing with the pain she could hear reverberating from within. "I'm sorry," she whispered. "But this has to stop." And with that, she opened the door, steeling herself to march across the room and still his hands on the keys.
What she saw when she opened that door might give her pause. While the rest of the house was immaculate and mostly empty, this room - the only room he really ever used - was a mess. Half-empty cups and bowls and plates with the remains of whatever he'd only half-eaten littered the room. There was sheet music strewn across tables and lying crumpled on the floor, as if some were worth keeping while others were no mere rubbish. A chair tucked into a corner seemed to be serving as a bed, with a blanket thrown carelessly across it, forgotten. But it was the appearance of the man at the keyboard that was truly alarming. Given that he was supposed to be alone, he had forgone the mask, but it wasn't so much the ruined part of his face that was frightening so much as the haunted look in his eyes. He wore only a shirt and trousers, the shirt open at the front, his hair mussed from too many restless nights in that chair. It was as if something was driving him, haunting him - a demon that wouldn't leave him be until he had exorcised it from his mind.
The mess and smell that surrounded her as she entered gave Meg just a moment of pause, but she was her mother's daughter. She approached her brother, carefully making sure he would see her in his periphery before she came close, bending to cover his hands with her own.
"Enough, Gabe."
Whatever music he'd been playing turned into an explosion of noise as her hands moved to cover his and he slammed his fists against the keyboard. He drew a deep breath, trying hard not to lose his temper - not with her.
"What are you doing here, Meg?" he asked quietly, no anger in his voice, only a sad weariness.
The crash as he slammed his fists down made her wince, but she didn't flinch away. "I've come to bring you home," she told him quietly, crouching beside his seat with his hands in hers. "You don't have to suffer through this loss on your own, Gabe."
He clenched his jaw, as if by doing so would stop him from feeling anything - or at least, would stop her from seeing what it was he was feeling. He didn't realize that by doing so told her more than if he'd just let her see his pain. He said nothing for a long moment. What was he supposed to say, after all" There had been pain and grief when their grandmother had died, but they'd known she was ailing for a long time, and they had weathered it together. This time, it was different for some reason.
"I can't," he murmured quietly.
"Why not?" She wasn't going to let this be. He knew his little sister well enough to know that if she had set her mind to it, he would be coming home today.
He was quiet a long moment, shaking his head as if he couldn't or wouldn't explain, staring at his hands in her smaller ones. "I-I have to finish," he said. That was explanation enough.
"You need to take a break," she answered firmly. "Have a wash, change your clothes, breathe fresher air. Come home, if only for tonight. Mama's worried about you." She studied his face for a moment, deciding not to tell him what else his continued absence had started.
"I can't, Meg. If I leave now ..." He shrugged, worried that if he turned his face back to the light of day and the happier things in life, he'd never finish his composition. "It's-it's a requiem for Charles. Monsieur Peterson," he corrected himself. But if he was honest with himself, it wasn't just the music that was keeping him away.
"You can." It was obvious that he was not hiding himself away just for the sake of the music, which meant she was going to have to tell him what she had only just decided not to. "Clara is threatening to leave, Gabe. She's blaming herself for your absence; she thinks she has caused so much disruption in our home that you cannot bear to go back. You have lost a friend. She has lost a father, the only family she had. Your grief is no more or less important than hers."
He shook his head at something she said. "It's not her fault," he said, his voice harsh with grief and lack of sleep. That much was true. It wasn't her fault at all that he was a coward, but it would be his fault if she left because of him. "All right."