Lerida helped herself into the car, slamming the door behind her. Rust red and dusty, it has hurtled her through hell and back numerous times, and like it, she'd come out with only a few more scars and burns than last time, but still resilient and old noted; the blues sung her, not the other way round. She was a hymn, a spiritual, something both swamp and cornfield echoed on a hot afternoon when the sky looked like it ought to fall and cover the world in wicked ozone, when the old trees told stories with their leaves and sometimes a fortune, when the moon was a tarot war for a weary, dreamer, traveler.
She spun out the side of the road, gravel kicked up behind back wheels as she went skidding and howling down the road, some hellion woman who belonged on a motorbike, on a horse, a stage coach not a hulk of metal, a beast, a rugged machine. But it was her home as much as a vessel and so to it she stayed close and kept herself locked in of a night, eye cocked to that fortune-tellin' planet while she loaded and unloaded bullets in the back seat, peering out at the desert through a paisley curtain strung up along the ceiling of the car, and kept so by tucking out of the windows and winding them till they trapped the seam in place. She would then curl up and in a hot car that smelt of loneliness and long stretches of naked road, she slept.
This was her life.
Hunting for kidnappers, liaisians with skeletons, troubadors, outlaws, that wasn't her game anymore, wasn't where she tread. Now it was the open road and her, and just the two of them, the highway and its philosopher bandit queen, her who stole away across the sand, writing her signature in the stones.
Something sacred, and silent, like a painting of Georgia O'Keefes pristine, sullen land, like bones.
She spun out the side of the road, gravel kicked up behind back wheels as she went skidding and howling down the road, some hellion woman who belonged on a motorbike, on a horse, a stage coach not a hulk of metal, a beast, a rugged machine. But it was her home as much as a vessel and so to it she stayed close and kept herself locked in of a night, eye cocked to that fortune-tellin' planet while she loaded and unloaded bullets in the back seat, peering out at the desert through a paisley curtain strung up along the ceiling of the car, and kept so by tucking out of the windows and winding them till they trapped the seam in place. She would then curl up and in a hot car that smelt of loneliness and long stretches of naked road, she slept.
This was her life.
Hunting for kidnappers, liaisians with skeletons, troubadors, outlaws, that wasn't her game anymore, wasn't where she tread. Now it was the open road and her, and just the two of them, the highway and its philosopher bandit queen, her who stole away across the sand, writing her signature in the stones.
Something sacred, and silent, like a painting of Georgia O'Keefes pristine, sullen land, like bones.