Friday, 15th January
Rhy'Din Nights had, thus far, been a total success. Mataya had made certain to be there for the last day of filming, and just as certain to whisk Jon away before he could start over-thinking and trying to schedule more filming in to re-do scenes that were already in the can. She loved her best friend, but she did know him, after all. So it was that he found himself ushered off the set and into the nearest cafe for a good lunch, the bubbly theater owner bouncing him along whether he really wanted to go or not. "So," she declared merrily as she thumped down into a seat, "it's all in the edit now!"
Jon knew better than to argue with his "work wife", even if he didn't always agree with her. She knew him well enough to know he was a compulsive perfectionist and that he'd never be finished with the film if someone didn't drag him away from the set and assure him he'd done all he could. "Thanks for reminding me!" he said, dropping sarcasm as he dropped into a seat opposite her. "I just hope we did the book and the script justice."
She rolled her eyes at him, smiling fondly. "You're so charming today, Jonny boy," she teased, raising her eyes to the nearest waiter. She and Jon were in here so regularly that there was no need to order drinks - their usual order was already on its way over to them. "You've done a good job," she reminded her friend. "No arguments, no trouble on set, no backtalk from anyone. Elena says Michael is a little overwhelmed by how much trust you've put in him to keep you on the right track. Now it's just you and him, and the editor, to cut together the film into the order and narrative that you both decided on. You did good."
"Think so?" he asked, not so sure himself. It was no secret that Jonathan Granger was the most confident when he was on stage reciting lines in front of an audience, though he was in no way egotistical. This was his first attempt at directing, and he wasn't too sure he'd done the job right.
"Yes, I think so," she nodded firmly. "Stop over-thinking it. You wouldn't have moved on from each scene unless you were sure you had the take you wanted each time. I trust you - more importantly, Michael trusts you. I'm sure he would have said if he thought you were making mistakes with his story. Not to mention the fact that I've heard no complaints against you at all, from the cast or the crew."
She got a small smile from him with her reassuring compliments. "So, you think I did good, huh' Should I add director to my resume, then?" he teased, though he wasn't sure he wanted to direct again anytime soon. It was a lot easier acting and leaving the decision-making to someone who had a little more experience at it.
"Well, duh," was the less than polite response, but Jon and Mataya could get away with a lot when they were around each other. Even Vicki and Max had given up trying to follow some of their conversations. "You better add it to your resume, dude, or I'm gonna get Liv to do it for you. I have the power over her now - promise her a child-free evening, and she'll do anything."
"And she's still on maternity leave, so there!" Jon replied, sticking his tongue out at his best friend and looking not only immature but a little bit smug. She could certainly try it with Sol, and she might even succeed, but Sol wasn't Liv.
Mataya laughed, sticking her tongue right back at him much to the amusement of the cafe owner, who brought their menus over himself. "She still has access, I'll bet," 'Taya grinned, taking one of the menus as she smiled up at the man. "Thank you, Jaq."
"Okay, okay, I'll add it to my resume!" Jon told her with a chuckle. He was going to add the movie to his resume anyway, but he wasn't so sure he wanted to be directing anything again anytime soon. He had enjoyed the process, and he'd learned a lot, but it had been a lot of work. "I don't think Ludo has anything to worry about from me anytime soon," he remarked, smiling his thanks as he, too, took one of the menus.
"Well, you're back to acting in a couple of weeks," she pointed out with a grin. She'd deliberately chosen the next Repertory production based on his last audition. "Hope you won't mind not having the lead, but your Doolittle is too good not to show it off."
"Doolittle?" Jon echoed, searching his memory for his audition piece. "Oh, you're not going to cast me as a drunkard, are you?" he laughed. "I'll have to be more careful what I choose for next year's audition," he said, though he had never once complained about a part he was given. He was made to be a leading man, but he didn't mind sharing the limelight.
"It's been too long since you did a plain bit of tragic comedy, and that's exactly what Alfred Doolittle is," 'Taya pointed out with a gentle smile. "Besides, the next Rep afterward is The Tempest, and we all know perfectly well who you'll be playing in that. You're a good leading man, Jon, but I'm going to make you stretch your wings in character a little this year."
"We do, eh' And who's that' Let me guess ..." Jon tapped a finger against his chin as he pretended to consider, unable to hide a small smirk from his face. "Prospero?" he guessed, though it was perfectly obvious from the hint she had given him. "That isn't exactly an easy part." But maybe that was the point of it. He'd been playing leading men for years; what he really wanted were some roles he could sink his teeth into.
She snickered as he played along. "Well, I never said that being part of the Shanachie would be easy, did I?" she pointed out. Her pitch to him years ago had been more along the lines of begging and pleading with a healthy dose of financial bribery thrown in.
"If it was easy, there wouldn't be much point, would there" But this film ..." He blew out a breath. "Now, that was a challenge. Next time you want me to do something like that, give me a bit of a heads' up first!" On the contrary, she'd hardly ever had to beg him to do anything - except maybe dress in drag. She'd yet to make him do that, unless swapping bodies with his wife counted.
"If I'd given you a head's up, you would have talked yourself out of doing it," she reminded him cheerfully, her eyes skimming the menu. "Admit it, you enjoyed it. All of it, even the pressure. It's a good feeling, getting a film accomplished in little bits until suddenly there's nothing left to do, I'm told."
"To be honest," he started, as he, too, perused the menu, though he knew it by heart, "I'm a little sad it's over. I mean, don't get me wrong - I'm relieved, too! It was a daunting experience. It was a lot of work, but honestly, I think it was one of the most rewarding experiences of my life. We'll see if I feel the same when the finished product comes out and the reviews start coming in."
"I have every faith in you," Mataya insisted. "You started with a great script, and there's no way to make a bad film from a great script. That, and you're a great director. You talk and you listen, that's not to be sniffed at, you know."
"That's true. It's hard to screw up a good script, but wasn't that how I got into this in the first place?" he pointed out. If Frederick Lee had just stuck to Michael's story, he might not have gotten himself fired and replaced by Jon. "Michael seems happy with it so far, and that's all that really matters, isn't it?"
Rhy'Din Nights had, thus far, been a total success. Mataya had made certain to be there for the last day of filming, and just as certain to whisk Jon away before he could start over-thinking and trying to schedule more filming in to re-do scenes that were already in the can. She loved her best friend, but she did know him, after all. So it was that he found himself ushered off the set and into the nearest cafe for a good lunch, the bubbly theater owner bouncing him along whether he really wanted to go or not. "So," she declared merrily as she thumped down into a seat, "it's all in the edit now!"
Jon knew better than to argue with his "work wife", even if he didn't always agree with her. She knew him well enough to know he was a compulsive perfectionist and that he'd never be finished with the film if someone didn't drag him away from the set and assure him he'd done all he could. "Thanks for reminding me!" he said, dropping sarcasm as he dropped into a seat opposite her. "I just hope we did the book and the script justice."
She rolled her eyes at him, smiling fondly. "You're so charming today, Jonny boy," she teased, raising her eyes to the nearest waiter. She and Jon were in here so regularly that there was no need to order drinks - their usual order was already on its way over to them. "You've done a good job," she reminded her friend. "No arguments, no trouble on set, no backtalk from anyone. Elena says Michael is a little overwhelmed by how much trust you've put in him to keep you on the right track. Now it's just you and him, and the editor, to cut together the film into the order and narrative that you both decided on. You did good."
"Think so?" he asked, not so sure himself. It was no secret that Jonathan Granger was the most confident when he was on stage reciting lines in front of an audience, though he was in no way egotistical. This was his first attempt at directing, and he wasn't too sure he'd done the job right.
"Yes, I think so," she nodded firmly. "Stop over-thinking it. You wouldn't have moved on from each scene unless you were sure you had the take you wanted each time. I trust you - more importantly, Michael trusts you. I'm sure he would have said if he thought you were making mistakes with his story. Not to mention the fact that I've heard no complaints against you at all, from the cast or the crew."
She got a small smile from him with her reassuring compliments. "So, you think I did good, huh' Should I add director to my resume, then?" he teased, though he wasn't sure he wanted to direct again anytime soon. It was a lot easier acting and leaving the decision-making to someone who had a little more experience at it.
"Well, duh," was the less than polite response, but Jon and Mataya could get away with a lot when they were around each other. Even Vicki and Max had given up trying to follow some of their conversations. "You better add it to your resume, dude, or I'm gonna get Liv to do it for you. I have the power over her now - promise her a child-free evening, and she'll do anything."
"And she's still on maternity leave, so there!" Jon replied, sticking his tongue out at his best friend and looking not only immature but a little bit smug. She could certainly try it with Sol, and she might even succeed, but Sol wasn't Liv.
Mataya laughed, sticking her tongue right back at him much to the amusement of the cafe owner, who brought their menus over himself. "She still has access, I'll bet," 'Taya grinned, taking one of the menus as she smiled up at the man. "Thank you, Jaq."
"Okay, okay, I'll add it to my resume!" Jon told her with a chuckle. He was going to add the movie to his resume anyway, but he wasn't so sure he wanted to be directing anything again anytime soon. He had enjoyed the process, and he'd learned a lot, but it had been a lot of work. "I don't think Ludo has anything to worry about from me anytime soon," he remarked, smiling his thanks as he, too, took one of the menus.
"Well, you're back to acting in a couple of weeks," she pointed out with a grin. She'd deliberately chosen the next Repertory production based on his last audition. "Hope you won't mind not having the lead, but your Doolittle is too good not to show it off."
"Doolittle?" Jon echoed, searching his memory for his audition piece. "Oh, you're not going to cast me as a drunkard, are you?" he laughed. "I'll have to be more careful what I choose for next year's audition," he said, though he had never once complained about a part he was given. He was made to be a leading man, but he didn't mind sharing the limelight.
"It's been too long since you did a plain bit of tragic comedy, and that's exactly what Alfred Doolittle is," 'Taya pointed out with a gentle smile. "Besides, the next Rep afterward is The Tempest, and we all know perfectly well who you'll be playing in that. You're a good leading man, Jon, but I'm going to make you stretch your wings in character a little this year."
"We do, eh' And who's that' Let me guess ..." Jon tapped a finger against his chin as he pretended to consider, unable to hide a small smirk from his face. "Prospero?" he guessed, though it was perfectly obvious from the hint she had given him. "That isn't exactly an easy part." But maybe that was the point of it. He'd been playing leading men for years; what he really wanted were some roles he could sink his teeth into.
She snickered as he played along. "Well, I never said that being part of the Shanachie would be easy, did I?" she pointed out. Her pitch to him years ago had been more along the lines of begging and pleading with a healthy dose of financial bribery thrown in.
"If it was easy, there wouldn't be much point, would there" But this film ..." He blew out a breath. "Now, that was a challenge. Next time you want me to do something like that, give me a bit of a heads' up first!" On the contrary, she'd hardly ever had to beg him to do anything - except maybe dress in drag. She'd yet to make him do that, unless swapping bodies with his wife counted.
"If I'd given you a head's up, you would have talked yourself out of doing it," she reminded him cheerfully, her eyes skimming the menu. "Admit it, you enjoyed it. All of it, even the pressure. It's a good feeling, getting a film accomplished in little bits until suddenly there's nothing left to do, I'm told."
"To be honest," he started, as he, too, perused the menu, though he knew it by heart, "I'm a little sad it's over. I mean, don't get me wrong - I'm relieved, too! It was a daunting experience. It was a lot of work, but honestly, I think it was one of the most rewarding experiences of my life. We'll see if I feel the same when the finished product comes out and the reviews start coming in."
"I have every faith in you," Mataya insisted. "You started with a great script, and there's no way to make a bad film from a great script. That, and you're a great director. You talk and you listen, that's not to be sniffed at, you know."
"That's true. It's hard to screw up a good script, but wasn't that how I got into this in the first place?" he pointed out. If Frederick Lee had just stuck to Michael's story, he might not have gotten himself fired and replaced by Jon. "Michael seems happy with it so far, and that's all that really matters, isn't it?"