Topic: Little Women

Mataya

Date: 2016-10-23 10:18 EST
Cast

Jo March - Annabeth Caldwell Meg March - Kiri Calderon Beth March - Leah Fuller Amy March (young) - Mairead Harker Amy March (older) - Phyllis Miller Marmee - Mataya De Luca Theodore Laurence - Marcus Spencer John Brooke - Dorian Hadley Professor Friedrich Bhaer - Aristotle Kruger Allen Aunt March - Helen Payne Mr. Laurence - Laurence Hale Mr. March - Byron Warren

Mataya

Date: 2016-10-23 10:19 EST
Synopsis

Act 1

The play focuses on the March sisters: beautiful Meg, tempestuous Jo, tender Beth, and romantic Amy, who are growing up in Concord, Massachusetts during and after the American Civil War. With their father away fighting in the war, the girls struggle with major and minor problems under the guidance of their strong-willed mother, affectionately called Marmee. As a means of escaping some of their problems, the sisters revel in performing in romantic plays written by Jo in their attic theater.

Living next door to the family is wealthy Mr. Laurence, whose grandson Theodore, nicknamed "Laurie", moves in with him and becomes a close friend of the March family, particularly Jo. Mr. Laurence becomes a mentor for Beth, whose exquisite piano-playing reminds him of his deceased daughter, and Meg falls in love with Laurie's tutor John Brooke.

Mr. March is wounded in the war and Marmee is called away to nurse him. While Marmee is away, Beth contracts scarlet fever from a neighbor's infant. Awaiting Marmee's return, Meg and Jo send Amy away to live in safety with their Aunt March. Prior to Beth's illness, Jo had been Aunt March's companion for several years, and while she was unhappy with her position she tolerated it in the hope her aunt one day would take her to Europe. When Beth's condition worsens, Marmee is summoned home and nurses her to recovery just in time for Christmas. Mr. Laurence gives his daughter's piano to Beth, Meg accepts John Brooke's proposal and Mr. March surprises his family by returning home from the war.

Act 2

Four years pass; Meg and John marry, and Beth's health is deteriorating steadily. Laurie graduates from college, proposes to Jo and asks her to go to London with him, but realizing she thinks of him more as a big brother than a romantic prospect, she refuses his offer. Jo later deals with the added disappointment that Aunt March has decided to take Amy, who is now sixteen, with her to Europe instead of her. Crushed, Jo departs for New York City to pursue her dream of writing and experiencing life. There she meets Friedrich Bhaer, a German professor who challenges and stimulates her intellectually, introduces her to opera and philosophy, and encourages her to write better stories than the lurid Victorian melodramas she has penned so far.

In Europe, Amy is reunited with Laurie. She is disappointed to find he has become dissolute and irresponsible and scolds him for pursuing her merely to become part of the March family. In return, he bitterly rebukes her for courting one of his wealthy college friends in order to marry into money. He leaves Amy a letter asking her to wait for him while he works in London for his grandfather and makes himself worthy of her.

Jo is summoned home to see Beth, who finally dies of the lingering effects of scarlet fever that have plagued her for the past four years. Grieving for her sister, Jo retreats to the comfort of the attic and begins to write her life story. Upon its completion, she sends it to Professor Bhaer. Meanwhile, Meg gives birth to twins Demi and Daisy.

A letter from Amy informs the family Aunt March is too ill to travel, so Amy must remain in Europe with her. In London, Laurie receives a letter from Jo in which she informs him of Beth's death and mentions Amy is in Vevey, unable to come home. Laurie immediately travels to be at Amy's side. They finally return to the March home as husband and wife, much to Jo's surprise and eventual delight.

Aunt March dies and she leaves Jo her house, which she decides to convert into a school. Professor Bhaer arrives with the printed galley proofs of her manuscript but when he mistakenly believes Jo has married Laurie he departs to catch a train to the West, where he is to become a teacher. Jo runs after him and explains the misunderstanding. When she begs him not to leave, he proposes marriage and she happily accepts.

((As always, my lovelies, here is where you can post your reactions. Respect the setting and have fun!))

Kruger

Date: 2016-10-23 17:09 EST
Accents, they can be a difficult thing to master. It was fortunate for Kruger that he had so much help. Friedrich Bhaer however was someone easy for him to understand, motivationally speaking. There before him a young woman whose mind was as appealing as her face, how could he not fall for her even as he challenged her to write with a greater purpose"

Jo: Friedrich, this is what I write. My apologies if it fails to live up to your high standards. Friedrich Bhaer: Jo, there is more to you than this. If you have the courage to write it.

But, he was old and far from good looking, what chance would he ever have to catch such a girl's attention' Yet he would give her his thoughts and advice. He would marvel at her passion, and her potential. More importantly perhaps, he would miss her when she was gone. She would be gone, there was little chance that she would feel anything for him. Sure he was mildly funny, even silly at times. These were definitely things that Kruger understood. Much of Friedrich was an open book to him including the end where he misunderstands about Jo being married. With her explanation given, and the idea that he still might never see her again, what could he do but put it out there for her to decide.

Prof. Bhaer: Oh, please, please....just, just one moment, before....I have a wish to ask you something. Would you....Oh, I-I....I have no courage to think that....but, but, but, could I dare hope that....I" I....I know I, I shouldn't make so free as to ask. I have nothing to give, but my heart so full and....and these empty hands.

He had been there, alone and empty handed, all the while wanting more than he ever deserved. Hasn't every man?

Annabeth Caldwell

Date: 2016-11-07 21:34 EST
Annabeth loved playing Jo. It was so easy for her to slip into the character, to become Jo March for a few hours every night. Especially opposite Kruger for the second act.

She would laugh a bit every time Kruger proposed, take his hand as Jo would reassure Friedrich of her affections and her intentions. Jo knows exactly what she wants with her life at this point.

Annabeth envies her that.

Mataya

Date: 2016-11-12 08:42 EST
It wasn't often Mataya took to the stage these days, but some roles she just couldn't resist. Little Women was heavy on female roles, to the point where Ludo had been seriously contemplating asking someone from the Theater Company to take the role of Marmee, but word had got to Mataya in time. She loved the books, and she had the perfect role model to base her portrayal of Marmee on - her own mother, Rosita.

Mataya's Marmee was capable and warm, sometimes a little distant when she was distracted, but always there for her daughters whenever they needed her. She never treated them like children, even when they were small; she supported their decisions, even when she didn't wholly agree with them. Her devastation at Beth's death was deep and heartfelt, but touched with relief that her weakest child would no longer have to suffer in this world.

And, of course, she was the matriarchal center of the March girls' world, given free reign to hand out hugs and kisses whenever the scene seemed to require it. Even Marcus and Dorian were subjected to Marmee's affection from time to time, but Kruger wasn't in any scenes with her. He was probably thankful for that, given what had happened during A Midsummer Night's Dream. But Kiri, and Annabeth, and Maggie and Phyllis, and Leah ....they were all fair game for the warm, loving Marmee Mataya tried so hard to put across, and that, in itself, lead to her favorite moment of their adaptation.

A painful part of the story in Act One, every character represented but Professor Bhaer, who was not yet in their circle. The March household up in arms, working hard to prepare for Marmee's journey to Washington in order to nurse their father who has been wounded in battle. Jo's open sacrifice of her glorious hair, coupled with the kindnesses shown by their friends and neighbors, broke Mataya's Marmee open just for a few moments as she said her goodbyes. Drawing on her own mother's warmth, she drew the girls into her arms all at once, each of them stilling in a tableau that had made it onto the posters by the end of the first week.

It was almost a throwaway line, not given any weight when the scene was heavy enough in itself. But Mataya meant every word of it as she gathered her surrogate daughters to her under the watchful eyes of two men who would one day be her sons-in-law. Her hands touched each head - the black curls that were Kiri, the red that was Annabeth's wig in that moment, Leah's yard-stick straight brunette, and Maggie's soft abundance of deep brown - holding each of them close, promising each of them in her own way that she would preserve and protect them, no matter how far away she was., as she named them her "little women".

All right, so the Shanachie wasn't made up of entirely women, but Mataya meant that promise each and every night. Her casts, her crew, everyone who touched her life and the lives of her people in some way ....they were all her people, and she would do whatever she could to keep them on an even keel. They might not be little women, but they were hers.

Dorian Hadley

Date: 2016-11-13 11:29 EST
It was a little strange to be up on the stage - a real stage in a real theater - not a makeshift stage set up in a park or empty lot somewhere. It was strange to be settled and staying in one place after so many years of drifting from place to place, but it was a good kind of strange.

Dorian had taken to the role of John Brooke, despite the fact that he was as different from the character as night and day. He wasn't quiet and shy like John Brook - just the opposite, in fact - but that was what acting was all about, after all - pretending to be someone you weren't. Pretending to love someone you didn't.

He was lucky to have a good partner in Kiri Calderon. He'd previously only known her by reputation alone. He knew she was an experienced and accomplished actress, and yet, those first few rehearsals had been nerve-wracking for both of them. At least, until he'd learned how to make her laugh. Things got better after that, and they fell into their roles of John and Meg with ease.

It certainly was a lot different than being part of the Starlight Traveling Theater. He couldn't help admitting that he missed his friends, but by the time the show had reached its end, he'd made friends with most of the cast, including Kiri's boyfriend Marcus, who was playing Laurie. Why the man hadn't been cast as John alongside Kiri, Dorian wasn't sure, nor did it really matter.

Though the role of John was more a supporting role than a starring one, Dorian knew that each and every member of the cast was important, no matter how small or large their part.

It didn't hurt that he had his own little cheering section in the audience, and he often wondered how long it would take before Neville and Demi and Seren got tired of watching the same play night after night. He'd have to assure them that they didn't really need to show up night after night to show their support.

Eventually, he hoped he'd get his own chance to shine and make his mark on the Shanachie and Rhy'Din and show them what he was really capable of. Until then, he was content to play whatever role was given him.

For Dorian, it wasn't about being a star, like Jonathan Granger or Mataya De Luca or anyone else. It was about following his passion and his dream, and just doing what he loved for a living. What more was there to ask for than that?