Topic: Pygmalion

Mataya

Date: 2016-01-30 11:45 EST
Cast

Henry Higgins - Jonathan Granger Eliza Doolittle - Annabeth Caldwell Colonel Pickering - Aristotle Kruger Allen Mrs. Higgins - Phyllis Miller Mrs. Pearce - Helen Payne Alfred Doolittle - Laurence Hale Freddy Eynsford-Hill - Byron Warren

Mataya

Date: 2016-01-30 11:46 EST
Synopsis

Act One

'Portico of Saint Paul's Church (not Wren's Cathedral but Inigo Jones Church in Covent Garden vegetable market)' " 11:15 p.m.

A group of people are sheltering from the rain. Among them are the Eynsford-Hills, superficial social climbers eking out a living in "genteel poverty", consisting initially of Mrs. Eynsford-Hill and her daughter Clara. Clara's brother Freddy enters having earlier been dispatched to secure them a cab (which they can ill-afford), but being rather timid and faint-hearted he has failed to do so. As he goes off once again to find a cab, he bumps into a flower girl, Eliza. Her flowers drop into the mud of Covent Garden, the flowers she needs to survive in her poverty-stricken world. Shortly they are joined by a gentleman, Colonel Pickering. While Eliza tries to sell flowers to the Colonel, a bystander informs her that a man is writing down everything she says. The man is Henry Higgins, a professor of phonetics. Eliza worries that Higgins is a police officer and will not calm down until Higgins introduces himself. It soon becomes apparent that he and Colonel Pickering have a shared interest in phonetics; indeed, Pickering has come from India to meet Higgins, and Higgins was planning to go to India to meet Pickering. Higgins tells Pickering that he could pass off the flower girl as a duchess merely by teaching her to speak properly. These words of bravado spark an interest in Eliza, who would love to make changes in her life and become more mannerly, even though, to her, it only means working in a flower shop. At the end of the act, Freddy returns after finding a taxi, only to find that his mother and sister have gone and left him with the cab. The streetwise Eliza takes the cab from him, using the money that Higgins tossed to her, leaving him on his own.

Act Two

Higgins' house " Next Day.

As Higgins demonstrates his phonetics to Pickering, the housekeeper, Mrs. Pearce, tells him that a young girl wants to see him. Eliza has shown up because she wishes to talk like a lady in a flower shop. She then tells Higgins that she will pay for lessons. He shows no interest in her, but she reminds him of his boast the previous day. Higgins claimed that he could pass her for a duchess. Pickering makes a bet with him on his claim, and says that he will pay for her lessons if Higgins succeeds. She is sent off to have a bath. Mrs. Pearce tells Higgins that he must behave himself in the young girl's presence. He must stop swearing, and improve his table manners. He is at a loss to understand why she should find fault with him. Then Alfred Doolittle, Eliza's father, appears with the sole purpose of getting money out of Higgins. He has no interest in his daughter in a paternal way. He sees himself as a member of the undeserving poor, and means to go on being undeserving. He has an eccentric view of life, brought about by a lack of education and an intelligent brain. He is also aggressive, and when Eliza, on her return, sticks her tongue out at him, he goes to hit her, but is prevented by Pickering. The scene ends with Higgins telling Pickering that they really have got a difficult job on their hands.

Act Three

Mrs. Higgins' drawing room.

Higgins bursts in and tells his mother he has picked up a "common flower girl" whom he has been teaching. Mrs. Higgins is not very impressed with her son's attempts to win her approval because it is her 'at home' day and she is entertaining visitors. The visitors are the Eynsford-Hills. Higgins is rude to them on their arrival. Eliza enters and soon falls into talking about the weather and her family. Whilst she is now able to speak in beautifully modulated tones, the substance of what she says remains unchanged from the gutter. She confides her suspicions that her aunt was killed by relatives, and mentions that gin had been "mother's milk" to this aunt, and that Eliza's own father was always more cheerful after a goodly amount of gin. Higgins passes off her remarks as "the new small talk", and Freddy is enraptured. When she is leaving, he asks her if she is going to walk across the park, to which she replies, "Walk? Not bloody likely!" (This is the most famous line from the play, and, for many years after the play's debut, use of the word 'bloody' was known as a pygmalion; Mrs. Campbell was considered to have risked her career by speaking the line on stage) After she and the Eynsford-Hills leave, Henry asks for his mother's opinion. She says the girl is not presentable and is very concerned about what will happen to her, but neither Higgins nor Pickering understand her thoughts of Eliza's future, and leave feeling confident and excited about how Eliza will get on. This leaves Mrs. Higgins feeling exasperated, and exclaiming, "Men! Men!! Men!!!"

Mataya

Date: 2016-01-30 11:48 EST
Act Four

Higgins' home.

The time is midnight, and Higgins, Pickering, and Eliza have returned from the ball. A tired Eliza sits unnoticed, brooding and silent, while Pickering congratulates Higgins on winning the bet. Higgins scoffs and declares the evening a "silly tomfoolery", thanking God it's over and saying that he had been sick of the whole thing for the last two months. Still barely acknowledging Eliza beyond asking her to leave a note for Mrs. Pearce regarding coffee, the two retire to bed. Higgins returns to the room, looking for his slippers, and Eliza throws them at him. Higgins is taken aback, and is at first completely unable to understand Eliza's preoccupation, which aside from being ignored after her triumph is the question of what she is to do now. When Higgins does understand he makes light of it, saying she could get married, but Eliza interprets this as selling herself like a prostitute. "We were above that at the corner of Tottenham Court Road." Finally she returns her jewellery to Higgins, including the ring he had given her, which he throws into the fireplace with a violence that scares Eliza. Furious with himself for losing his temper, he damns Mrs. Pearce, the coffee and then Eliza, and finally himself, for "lavishing" his knowledge and his "regard and intimacy" on a "heartless guttersnipe", and retires in great dudgeon. Eliza roots around in the fireplace and retrieves the ring.

Act Five

Mrs. Higgins' drawing room, the next morning.

Higgins and Pickering, perturbed by the discovery that Eliza has walked out on them, call on Mrs. Higgins to phone the police. Higgins is particularly distracted, since Eliza had assumed the responsibility of maintaining his diary and keeping track of his possessions, which causes Mrs. Higgins to decry their calling the police as though Eliza were "a lost umbrella". Doolittle is announced; he emerges dressed in splendid wedding attire and is furious with Higgins, who after their previous encounter had been so taken with Doolittle's unorthodox ethics that he had recommended him as the "most original moralist in England" to a rich American founding Moral Reform Societies; the American had subsequently left Doolittle a pension worth three thousand pounds a year, as a consequence of which Doolittle feels intimidated into joining the middle class and marrying his missus. Mrs. Higgins observes that this at least settles the problem of who shall provide for Eliza, to which Higgins objects " after all, he paid Doolittle five pounds for her. Mrs. Higgins informs her son that Eliza is upstairs, and explains the circumstances of her arrival, alluding to how marginalized and overlooked Eliza felt the previous night. Higgins is unable to appreciate this, and sulks when told that he must behave if Eliza is to join them. Doolittle is asked to wait outside.

Eliza enters, at ease and self-possessed. Higgins blusters but Eliza isn't shaken and speaks exclusively to Pickering. Throwing Higgins' previous insults back at him ("Oh, I'm only a squashed cabbage leaf"), Eliza remarks that it was only by Pickering's example that she learned to be a lady, which renders Higgins speechless. Eliza goes on to say that she has completely left behind the flower girl she was, and that she couldn't utter any of her old sounds if she tried " at which point Doolittle emerges from the balcony, causing Eliza to relapse totally into her gutter speech. Higgins is jubilant, jumping up and crowing over her. Doolittle explains his situation and asks if Eliza will come with him to Freddy's wedding. Pickering and Mrs. Higgins also agree to go, and leave with Doolittle and Eliza to follow.

The scene ends with another confrontation between Higgins and Eliza. Higgins asks if Eliza is satisfied with the revenge she has brought thus far and if she will now come back, but she refuses. Higgins defends himself from Eliza's earlier accusation by arguing that he treats everyone the same, so she shouldn't feel singled out. Eliza replies that she just wants a little kindness, and that since he will never stop to show her this, she will not come back, but will marry Freddy. Higgins scolds her for such low ambitions: he has made her "a consort for a king." When she threatens to teach phonetics and offer herself as an assistant to Nepomuck, Higgins again loses his temper and promises to wring her neck if she does so. Eliza realizes that this last threat strikes Higgins at the very core and that it gives her power over him; Higgins, for his part, is delighted to see a spark of fight in Eliza rather than her erstwhile fretting and worrying. He remarks "I like you like this", and calls her a "pillar of strength".

Mrs. Higgins returns and she and Eliza depart for the wedding. As they leave, Higgins incorrigibly gives Eliza a number of errands to run, as though their recent conversation had not taken place. Eliza disdainfully explains why they are unnecessary and wonders what Higgins is going to do without her (in another version, Eliza disdainfully tells him to do the errands himself; Mrs. Higgins says that she'll get the items, but Higgins cheerfully tells her that Eliza will do it after all). Higgins laughs to himself at the idea of Eliza marrying Freddy as the play ends.

((And there we have it, my lovelies! As always, this is where you can add your responses to the show, if you have them. Whatever you do, respect the setting, and have fun with it!))

Annabeth Caldwell

Date: 2016-02-11 17:38 EST
Draped in an over patched dress and a flowered hat that's seen better decades, a basket of phony posies on her arm, Annabeth prepared for her entrance. She saw Jonathan and Kruger in the other wings and winked. She wouldn't be tripping this time around.

Was she nervous about playing the lead this time around" A bit. She'd played leads before, in school or in church. Never as a professional though. Well, unless you counted those local commercials. It still humbled her to be part of this cast of professionals - this family that had welcomed her.

She was prepared though, focused, her lines and cues second nature at this point. The accents, both of them, down pat and fluid. Everything was clicking just as if it were meant to be. Annabeth glanced heavenward and said a silent thanks.

The curtain swished open, and it began. The bump into Freddy to start things off, and then she was Eliza. Her job at that point wasn't cues or accents or lines. Now her one and only duty was to work with Jonathan, Kruger, and the others to immerse the audience into Shaw's story. Tonight it must live before their eyes, in their minds. It must be as real as the dinner they had before coming, or the argument from the night before. As a performer, that was her raison d"etre this night and every night.

She wasn't nervous now, she was in the water again. Tonight was her night.

As long as those blasted slippers flew toward Jonathan's stomach and not his head?.

Kruger

Date: 2016-02-13 15:05 EST
PICKERING. Higgins: I'm interested. What about the ambassador's garden party' I'll say you're the greatest teacher alive if you make that good. I'll bet you all the expenses of the experiment you can't do it. And I'll pay for the lessons.

LIZA. Oh, you are real good. Thank you, Captain.

HIGGINS It's almost irresistible. She's so deliciously low'so horribly dirty"

LIZA Ah"ah"ah"ah"ow"ow"oooo!!! I ain't dirty: I washed my face and hands afore I come, I did. (2.76-9)

https://dramaisopposites.files.wordpress.com/2014/01/00a.jpg

It had come to those words again, but this time Kruger wondered of Annabeth was thinking about his confession of the night before at the ball. Did she remember at all that it was those words that had him wondering if he were like Pickering" real good" He searched her face, but the performance mask she'd figuratively donned was impenetrable. His eyes darted to Jonathan who seemed to detect that something was different about tonight's performance. Kruger's lip twitched, the only indication that he'd been about to flash that Anvil epic grin at Jon. It was also the extent of the breach from character.

Kruger re-schooled himself faster than than a delighted firefly backing into a fan. It did still bother him though, the rest of the performance it would keep its own candle burning. That candle would show itself at the oddest of times. Maybe Annabeth was right' He could talk to Ludo and see if he could play the villain in whatever was next on the schedule. Would that be enough for him though' If it happened, when it happened, would that satisfy the need to do something great but terrible" He didn't know and he wasn't sure why he was feeling this way either.

That he could do something villainous was a given in his mind. If the conditions were correct, Kruger would follow his own simple moral code over the ethics of the masses. His core, those he deemed important, They were worth more to him than the entire city. If that sentimentality could be corrupted further, then maybe he'd act before there was a need. He'd act on the rumor of a need, or worse on the perception that such need might come to be. The worst part of all would be that Kruger would feel justified in whatever action he took no matter how devastating it became.

He was lying to himself, wasn't he" Maybe he did know where these thoughts came from. Maybe he hated the fact that sometimes there were things he could do nothing about. Things that tore his soul apart leaving him empty and hurting. He clamped that wall down again and refocused himself into Pickering again before entering the stage area for another scene with Jon. The man knew there was something going on in Kruger's head. Jon called him Aris, but that didn't make him any less insightful. The time was probably ripe, Kruger would let Jonathan know what was going on in his head and in his life away from the theater. Most of his life was an open book, but there were things that would still surprise everyone about him.

The decision freed him from the tiny candle. It would be tonight, after the final curtain fell and before the after show mixer. He was looking forward to that this time honestly, though the leading lady hadn't gotten back to him on his invitation yet, unless he'd missed a signal. Another quick look at Eliza" nope still nothing breaking her out of character.

Image Credit: Photo was taken from This Site!

Jonathan Granger

Date: 2016-02-14 15:45 EST
It wasn't until the final night of Pygmalion that Jonathan finally had a chance to corner Kruger and find out what was going on with the man. He had noticed the other actor had been acting strangely, his performance night after night almost buoyant and jovial. Jon had assumed it was just Kruger enjoying the role, but it seemed there was more to it than that. He couldn't help but admit the two of them played well off each other, and over the course of the last year or so, Jon liked to think they'd become friends, though neither was exactly an open book.

What Kruger - or Aris, as Jon liked to call him - revealed to him only surprised him a little. Whatever tough guy image it was Kruger might have been trying to uphold, Jon knew deep down the man had a good heart. He promised to keep Kruger's secret for now, until the man was ready to reveal it himself, if he ever was. In the meantime, he had a few connections of his own and one of those connections was Mataya De Luca, whose brother Tony directed the Shanachie Ballet. Jon promised to put in a good word for his friend and pass the message along to the ballet director that he wanted to get in touch.

If Jonathan Granger was anything, he was a man of his word. The rest was up to Kruger.

Annabeth Caldwell

Date: 2016-02-15 21:14 EST
Annabeth — as she had a tendency to do — had slipped very deep into character, and so, while she was acting, Kruger's words from the night before were millions of miles away.

However, she'd be lying if she tried to say that she hadn't dwelt on them at all. Before she'd drifted off to sleep, before the matinee, after the matinee. She had a feeling that he was struggling with something. She wasn't quite sure if he was struggling with showing some inner good or some inner evil or both. Or maybe he wasn't even sure what he was struggling with or how to express it. Lord knows Annabeth didn't have a clue about the details, just the hints that he had let out.

As the curtain closed and she slid off the stage toward the wings his words came back to her. She smiled to him as they got ready for their curtain calls, and she winked at him. "Give 'em 'ell, Kruger" she said in her Cockney Eliza.

Then she prepared for the curtain calls.

Kruger

Date: 2016-02-16 09:31 EST
Hell had been called for, and that call by Annabeth was answered in the wink of a wheat colored eye. Curtain calls, they were as much a part of the play as the lines scripted. They were as important as the stage directions that told the actors when to enter and leave, what their emotional level should be. The curtain call was the thing that let the actors know that the performance was over, and their efforts appreciated.

Give em hell? He didn't know any other way! Kruger entered the stage adjacent Jonathan, his excitement was bubbling over and no amount of waving or hand raising could contain him. The pair of them bowed in unison, and gave a half turn. They backed away just slightly so that Annabeth could make her appearance and come to stand between them. There were more cheers, if possible they had gone louder. The three of them bowed once more, then again as the entire company came from the wings to join them.

Kruger took the time to dole out back slaps and hugs to his fellow performers. Words of encouragement whispered into ears, along with his favorite part of their performance. The end could be a drug so addictive that is danger isn't felt until you realize that this is the last ending. The lack of that heady feeling would be felt and missed. The cure would come with the next show.

Kruger gave Annabeth's hand a quick squeeze, then indicated his need to talk to John some place a little quieter. He revealed a lot, and Jonathan wasn't nearly so surprised as Kruger expected. He listened to the things Jon was saying, and an anticipatory tingle seemed to fill him. "Thanks Jonathan. Suddenly I can't wait to do....everything!"