It always seemed to take a minor ice age for the operator to connect to Earth, and of course, Tony wasn't exactly known for picking up his phone as soon as it rang. But Mataya knew her big brother well - even if he was busy at the moment the phone rang, he'd call back eventually. She'd rather he picked up now, of course, but still ...
As it so happened, Mataya was lucky enough to catch him at a good time, while he was in between rehearsals, catching a bite at a local eatery. Tony De Luca was a creature of habit. He always took lunch at the same time every day, and he always ate at the same place. He had just ordered lunch at his favorite hangout - a local deli that had the best prosciutto in the city, as far as he was concerned. He was a regular there, and they knew him by name. But of course, they knew him by name. He was a good Italian boy from Brooklyn who'd made his family proud, but to those who knew anything about the ballet, he was Anthony De Luca, the principal dancer for the New York City Ballet.
Tony greeted those he knew before taking a seat at his usual table - the one everyone knew was reserved for him and only him every day promptly at noon. He lifted his cup of coffee for a sip, the aroma enticing, the blend the best the city had to offer. No Starbucks for him. He knew what good Italian caffe was supposed to taste like, and nothing less would do. It was then that he felt his cell phone vibrate from inside his coat pocket and he set the cup down to see who was calling, frowning when he read the name on the display. Well, he couldn't avoid them forever, could he" He pressed the button to accept the call and set the phone against his ear. "This isn't bad news, is it?" he asked, before even greeting his sister on the other end.
"Hey, hey, ballerino," was the cheerful response to his suspicious greeting, Mataya conveniently overlooking any and all allusions to the current source of bad news in their family. She leaned back in her chair and kicked her shoes off. "What, I'm not allowed to call my big brother and see how his twinkle toes are doing these days?"
Tony switched ears so that he could enjoy his lunch while it was still warm and still talk to his sister, who he knew had called from a very long distance. He still wasn't quite sure how that worked and wasn't sure he wanted to know. Ignorance was bliss, after all, and he had enough of his own problems to worry about. "My twinkle toes, as you so call them, are just fine. How's the theater" How's Max" Is he still behaving himself or do we need to have a chat?" The smirk on his face could almost be heard in the tone of his voice. His sister knew him well enough to know he was teasing, though as far as he was concerned, the jury was still out on her choice of mates.
'Taya laughed. A few years ago, no one would have dared to tease her about Max; these days, it was perfectly safe territory. She had her fiance firmly under her thumb, after all. "Max is cool," she assured her big brother with a cheerful sigh. "He's more concerned with being all over-protective daddy to Juno than he is with getting all dominant with me these days. Seriously, I swear she's taking advice from El just to watch him change color." She snickered, though she knew it probably wasn't wise to mention their youngest sister to Tony right now. "Actually," she went on, sitting up to lean on her desk, "I wanted to talk to you about my theater. If you have the time, you know, in your busy schedule to help your little sister out." Now who was teasing"
Whatever smile had graced that chiseled face that had more than once been compared to a youthful Adonis faded at the mention of their youngest sibling, the problem child and often the source of grief and conflict between himself and the rest of the family. It wasn't that he didn't love Elena; it was that he loved her too much. Juno, on the other hand, was another source of confusion. Though Mataya had tried to explain the situation, he found the explanation more confusing than the questions and had stopped asking, taking her at her word. He mentioned neither Juno or Elena when he spoke again, pushing those concerns aside for now as too troubling to think about. He took a sip of his coffee as he listened to her talk, wondering what it was she was trying to get at. She wanted something; he just had to figure out what. "I've got time. Talk," he replied shortly, as he picked up his sandwich for a bite. She had precisely an hour - the time it took him to eat his lunch - to come to the point of her phone call.
One thing Mataya was very good at was getting to the point. It had taken her years to work out how to do it, but now she had the hang of it, she didn't let the opportunity pass her by. "Well, you remember you told me a few years ago that what you really want to do is set up a ballet company attached to a school and become a renowned choreographer?" He hadn't, but another thing 'Taya never did was let an inaccurately remembered conversation let her down. "Today's your lucky day, ballerino! I have a dance studio, I have a theater, I want to make a ballet company, and you're it! Possibly. If you want it."
"Uh..." It wasn't often that Tony De Luca found himself dumbfounded, but this was one of those rare occasions. "I never told you that," he pointed out, though it had occurred to him on occasion that he wouldn't be able to dance forever. At some point, he was going to have to make some serious decisions about his own future, and becoming a director and choreographer had always seemed the logical choice, but he was only thirty and felt he still had plenty of time to make those choices. "Are you putting words in my mouth again, 'Tay?" he teased. "The last time you did that, I ended up on a blind date with a blond who could barely string a sentence together without giggling."
"I didn't hear you complaining," his sister countered with the easy confidence that had always come at her beck and call, even when she was at her lowest. "You got laid, didn't you?" Her laughter was decidedly suggestive at that point, but she pulled herself under control fairly quickly. "Okay, so you might not have actually said it, but you know it makes sense. You're gonna give out at some point in the next twenty years, and wouldn't it be great to have a ballet studio and a company to turn your whole attention to when it happens?"
He scowled on the other end of the phone. He had no real answer to that, except one. "She drooled. You set up me up with a bimbo and a drooler. I was on penicillin for a month, just to be on the safe side!" But he had lost his virginity, and at least, that was something. "Twenty years is a long time, 'Tay. What's the rush?" He took another bite of his sandwich, furrowing his brows as a thought occurred to him. "Is this a bribe?" he asked around a mouthful of prosciutto.
As it so happened, Mataya was lucky enough to catch him at a good time, while he was in between rehearsals, catching a bite at a local eatery. Tony De Luca was a creature of habit. He always took lunch at the same time every day, and he always ate at the same place. He had just ordered lunch at his favorite hangout - a local deli that had the best prosciutto in the city, as far as he was concerned. He was a regular there, and they knew him by name. But of course, they knew him by name. He was a good Italian boy from Brooklyn who'd made his family proud, but to those who knew anything about the ballet, he was Anthony De Luca, the principal dancer for the New York City Ballet.
Tony greeted those he knew before taking a seat at his usual table - the one everyone knew was reserved for him and only him every day promptly at noon. He lifted his cup of coffee for a sip, the aroma enticing, the blend the best the city had to offer. No Starbucks for him. He knew what good Italian caffe was supposed to taste like, and nothing less would do. It was then that he felt his cell phone vibrate from inside his coat pocket and he set the cup down to see who was calling, frowning when he read the name on the display. Well, he couldn't avoid them forever, could he" He pressed the button to accept the call and set the phone against his ear. "This isn't bad news, is it?" he asked, before even greeting his sister on the other end.
"Hey, hey, ballerino," was the cheerful response to his suspicious greeting, Mataya conveniently overlooking any and all allusions to the current source of bad news in their family. She leaned back in her chair and kicked her shoes off. "What, I'm not allowed to call my big brother and see how his twinkle toes are doing these days?"
Tony switched ears so that he could enjoy his lunch while it was still warm and still talk to his sister, who he knew had called from a very long distance. He still wasn't quite sure how that worked and wasn't sure he wanted to know. Ignorance was bliss, after all, and he had enough of his own problems to worry about. "My twinkle toes, as you so call them, are just fine. How's the theater" How's Max" Is he still behaving himself or do we need to have a chat?" The smirk on his face could almost be heard in the tone of his voice. His sister knew him well enough to know he was teasing, though as far as he was concerned, the jury was still out on her choice of mates.
'Taya laughed. A few years ago, no one would have dared to tease her about Max; these days, it was perfectly safe territory. She had her fiance firmly under her thumb, after all. "Max is cool," she assured her big brother with a cheerful sigh. "He's more concerned with being all over-protective daddy to Juno than he is with getting all dominant with me these days. Seriously, I swear she's taking advice from El just to watch him change color." She snickered, though she knew it probably wasn't wise to mention their youngest sister to Tony right now. "Actually," she went on, sitting up to lean on her desk, "I wanted to talk to you about my theater. If you have the time, you know, in your busy schedule to help your little sister out." Now who was teasing"
Whatever smile had graced that chiseled face that had more than once been compared to a youthful Adonis faded at the mention of their youngest sibling, the problem child and often the source of grief and conflict between himself and the rest of the family. It wasn't that he didn't love Elena; it was that he loved her too much. Juno, on the other hand, was another source of confusion. Though Mataya had tried to explain the situation, he found the explanation more confusing than the questions and had stopped asking, taking her at her word. He mentioned neither Juno or Elena when he spoke again, pushing those concerns aside for now as too troubling to think about. He took a sip of his coffee as he listened to her talk, wondering what it was she was trying to get at. She wanted something; he just had to figure out what. "I've got time. Talk," he replied shortly, as he picked up his sandwich for a bite. She had precisely an hour - the time it took him to eat his lunch - to come to the point of her phone call.
One thing Mataya was very good at was getting to the point. It had taken her years to work out how to do it, but now she had the hang of it, she didn't let the opportunity pass her by. "Well, you remember you told me a few years ago that what you really want to do is set up a ballet company attached to a school and become a renowned choreographer?" He hadn't, but another thing 'Taya never did was let an inaccurately remembered conversation let her down. "Today's your lucky day, ballerino! I have a dance studio, I have a theater, I want to make a ballet company, and you're it! Possibly. If you want it."
"Uh..." It wasn't often that Tony De Luca found himself dumbfounded, but this was one of those rare occasions. "I never told you that," he pointed out, though it had occurred to him on occasion that he wouldn't be able to dance forever. At some point, he was going to have to make some serious decisions about his own future, and becoming a director and choreographer had always seemed the logical choice, but he was only thirty and felt he still had plenty of time to make those choices. "Are you putting words in my mouth again, 'Tay?" he teased. "The last time you did that, I ended up on a blind date with a blond who could barely string a sentence together without giggling."
"I didn't hear you complaining," his sister countered with the easy confidence that had always come at her beck and call, even when she was at her lowest. "You got laid, didn't you?" Her laughter was decidedly suggestive at that point, but she pulled herself under control fairly quickly. "Okay, so you might not have actually said it, but you know it makes sense. You're gonna give out at some point in the next twenty years, and wouldn't it be great to have a ballet studio and a company to turn your whole attention to when it happens?"
He scowled on the other end of the phone. He had no real answer to that, except one. "She drooled. You set up me up with a bimbo and a drooler. I was on penicillin for a month, just to be on the safe side!" But he had lost his virginity, and at least, that was something. "Twenty years is a long time, 'Tay. What's the rush?" He took another bite of his sandwich, furrowing his brows as a thought occurred to him. "Is this a bribe?" he asked around a mouthful of prosciutto.