Topic: Rhy'Din Nightmares

Elena

Date: 2015-12-06 19:20 EST
((What happened when Michael went home after this.))

Eighteen weeks, not even halfway, and already it was becoming a chore to keep Rosita De Luca out of her youngest daughter's apartment. Thanks to the intervention of her sisters, Mama De Luca had been convinced to at least take a day off and get on with her Christmas shopping, which had given Elena - and Michael - a break from her loving mama routine.

As Michael returned from parts unknown, however, Elena's voice made it quite clear that Rosita had not forgotten them. "....no, Mama," she was saying, half laughing, and half exasperated. "Honestly, I'm fine. I'm not throwing up anywhere near as often anymore. Really. Just have a good day, all right' Michael is more than capable of looking after me. He married me, remember?"

By the time Michael got back, snow was falling outside, and he was covered in a dusting of the white flakes that were just starting to melt. Though they were perfectly safe at Luks Condos, both Michael and Elena had a habit of locking the door against intruders, and it took him a minute to slide the keycard into the slot and get the door open, allowing Elena time to hear him coming.

Glancing toward the door as she heard the keycard, Elena smiled. "Yes, Mama ....Look, I gotta go, Michael's back," she informed her mother, propping the phone between her ear and shoulder as she moved to make her husband a more than decent cup of coffee. "I will. Ti amo, mama. Ciao!"

Michael didn't exactly slam the door behind him, but stalked silently into the apartment, quick enough to catch Elena bidding her mother farewell. He drew a deep breath as he shrugged off his coat and tossed it carelessly across a chair before making his way through the apartment in the direction of his wife's voice. He didn't want to lay his problems at her feet when she was having enough trouble dealing with the pregnancy, and yet, he really had no one else to talk to about it.

Just the rhythm of his footsteps was enough to warn Elena that it had not been the best of days for her husband. Dropping the phone back into the cradle, she set the coffee to brew - the old-fashioned way, on the stove - as she turned to greet him. "Hey," she smiled gently, leaning up onto her toes to kiss him. "You okay?"

"Yeah, fine. How's my best girl?" he asked, as he slid his arms around her waist and buried his face in her neck, his nose probably cold enough to give her a start. He'd ended nowhere - just circling the neighborhood and letting his feet take him where they would, until they took him back here to her.

She squeaked as he pressed his nose against her neck, giggling softly as her arms wrapped about him, the gentle curve of their eighteen week bump pressed between them comfortably. "Making coffee for my man," she told him, drawing her fingers through his hair as she kissed his cheek affectionately. "Only threw up twice this morning, too. Today is a good day."

"Only?" he echoed, a worried expression on his face. "El, that's not right. You're far enough along that you shouldn't be getting sick anymore. It worries me." So much for his own problems, which seemed insignificant compared to this. There was nothing and no one as important to him as his wife and child. His career could go to hell for all he cared, so long as they were safe and well.

She stroked her hand against his face tenderly. "Baby, you know what the doctor said," she reminded him in a gentle voice. "It's this condition I've got. It means I'm more sensitive to smells and tastes than most women are as they get further along. The morning sickness has almost completely cleared up. I got a whiff of something that my stomach decided it didn't like, that's all. I'm keeping food down now. You don't need to worry so much."

"It's my job to worry," he told her, well aware of the growing bump between them that was their son or daughter, as well as of what the doctor had told them. He'd lost her once - he wasn't taking any chances this time around. "Why don't you sit down" I can get my own coffee," he told her, drawing her toward a chair. The pregnancy hadn't really slowed her down much, except for the illness. She was still showing up at the cafe everyday to make sure things were going as they should, and then she'd come home and cook for him, too.

To be fair, though, she wasn't actually doing any of the cooking at the cafe, and some days she just turned straight around and came home again. But Elena wasn't made to sit around doing nothing, no matter how much her loved ones tried to make her. Michael was the only one who could get her to take it easy with just a word, though. "All right," she smiled, conceding his point as she eased down into the chair he steered her toward. "But only if you tell me what?s bothering you."

"Would you like something?" he asked, once she was seated in the chair, turning to take down a mug for himself and pausing to see if she wanted anything. He knew coffee wasn't good for the baby, but the doctor hadn't objected to an occasional cup of tea and it seemed to help settle her tummy woes. Whether he was purposely ignoring her question or was just distracted by the coffee was uncertain, but he clearly hadn't answered yet.

"I'm all right," she smiled a little cheekily. "I'm saving myself for cocoa later, when we're all snuggled up on the couch after dinner. You're in luck, by the way - I think I can handle cooking something more exciting than fish tonight."

"Oh' What are we having instead" Chicken?" he teased with a grin. It didn't much matter to him what they had - her cooking was always delicious, even if she was running out of different ways to make fish. He poured himself a cup of coffee, black, and joined her at the table. "How was work?" he asked, knowing she'd spent the morning at the cafe.

She stuck her tongue out at him, laughing at his tease. "Actually, I was thinking more along the lines of steak, but if you'd rather have chicken ..." she countered his tease fondly, letting him avoid the subject a while longer. He'd talk to her, sooner or later. He always did. "Not too bad," she answered his question. "Liza's got the new cooks so scared of her, they practically wet themselves in relief when I walk in these days." Elena laughed, genuinely enjoying being an owner of and occasional cook in her own business finally. "We're still working on the specials for the season, though. I refuse to go Starbucks and do spiced pumpkin lattes."

"Oh, no! Steak is good! I'm fine with that!" he replied with a chuckle as he took a seat at the table, laughing at the mention of Starbucks. "I don't know, El. Back home, people pay like seven bucks a crack for a latte. It's a big moneymaker," he teased, knowing she hadn't opened the cafe just for the money, though it was definitely a business.

"I like to think we're a little more original than Starbucks," she groaned cheerfully. "We're working on a couple, though. White chocolate and gingerbread cappuccino, that kind of thing." She prided herself on the quality of the caffe she served, not to mention the fact that her family would be mortified if she offered less than stellar options.

Elena

Date: 2015-12-06 19:21 EST
Strong black coffee was good enough for him. He didn't really understand why people needed to make coffee into a fancy dessert-like beverage. Coffee was good for one reason and one reason alone, and that was the caffeine. A hot cup of java had kept him going plenty of nights when the muse wasn't ready to let him sleep yet. "Warm milk is for babies and the elderly," he remarked, sharing his opinion of latte and completely failing to see the artistry involved in creating it.

"Not when it has a shot of espresso in it," she pointed out with a chuckle. "Definitely not when it has a shot of my espresso in it." Tucking her hair back behind her ear, she considered him for a moment. "How about spiced apple cocoa" Any thoughts?"

He made a face, which told her what he thought of that idea, but she was the expert, not him. "I won't tell you how to cook, and you don't tell me how to write. Deal?" he asked, a teasing smile on his face. If anyone could pull him out of a foul mood and make him smile and laugh, it was Elena.

She laughed at his expression, leaning over to gently caress his cheek. "Deal," she promised. "Just don't spit things out when I test them on you."

"I don't recall that being part of our wedding vows," he teased further, smiling softly as she touched his cheek. He was perfectly happy to be her guinea pig, so long as she didn't mind his honest critiques of her creations.

"It's the unspoken part," she grinned. "I, Michael, do solemnly swear not to spit my food, or Elena has free rein to spank me with a duster while I clean it up again." She liked that he was so honest with her; trial and error were a part of cooking, and until she had something exactly the way he liked it, she wouldn't even consider replicating the recipe for her cafe.

"Is that how it goes?" he asked, chuckling. They'd come a long way since his unexpected arrival in Rhy'Din, both of them growing into responsible adults their families would be proud of with the help of the other. He reached over to tangle his fingers with hers. "I love you, you know," he told her quietly, for no apparent reason.

Her smile softened as their fingers tangled together. "I love you back," she promised him softly, her other hand rising to brush his hair back from his forehead with a tender touch. "I'm always here for you, whatever you need. Always."

"I know," he replied, his smile wavering. "That goes double, you know," he added for good measure, needing her to know that he was as there for her as she was for him, but he was still unsure if he should share what was bothering him. It wasn't like there was anything she could do about it, except to listen and maybe bolster his confidence. There had been plenty of problems with the first film, but no one had ever come close to suggesting he leave the set.

Her eyes narrowed, just a little, at the wavering of his smile, and she knew whatever was bothering him had cut deeply, no matter how he might try to make it seem less on the surface. "Tell me," she said softly, gathering his hands into her own.

He shrugged as if it was nothing, averting his eyes to gaze into his coffee cup, even as she took hold of his hands. He wasn't sure what it was he'd done wrong, but for some reason, he was feeling like all of this was somehow his fault. It was his book, after all, that had gotten this whole thing started - a book that had been based on his and Elena's struggles to overcome their problems and find their happy ending. "I'm beginning to think the movie is a mistake."

She eyed him thoughtfully. He had been so enthusiastic about the movie, even going so far as to write the script for it himself, and yet now he was second-guessing that excitement. She knew what it could be like on movie sets, but hadn't thought it would be quite so cutthroat for Michael as the creative mind behind everything they were doing. "What's happened?" she asked him, her voice still soft, suggesting he tell her, rather than demanding.

"I don't know. It's supposed to be about us, but it isn't, really. I mean, I don't have a best friend, and you mostly have your sisters." But that wasn't it, either. That was the way he'd written the book, which was only loosely based on their lives and experiences. There was more to it than that.

"Sweetie, whatever it is, it's got nothing to do with the story you wrote," she told him gently. "You wrote an amazing book, a book whose sales haven't dropped since it was released. People enjoy your writing. Whatever's going on here, it's not to do with the writing. So what happened on set?"

He frowned at her, unsure how to explain everything that had been bothering him lately. It was more than just the problems with the movie, really; it went deeper than that. "I'm not wanted," he blurted out, honestly and maybe just a little too bluntly. He wasn't talking about her, of course. She was the one thing in his life that was going right. "They told me to leave, that I was getting in the way. It might have been my book and my script, but it's not my movie, Elena. Not anymore. It's not my story."

The look on her face told him in no uncertain terms that whoever had told him to leave was entirely in the wrong. "Balls to that," was her abrupt response. "Who told you to leave, the director" He can't do that, Michael. You're an integral part of the vision of this story; it's your story. Not to mention, you were invited to consult on the movie by the producers! He can't throw you off the set, sweetie, he really can't."

"He didn't really throw me off the set exactly," Michael explained further. "More like he strongly suggested I go home and find something else to do." And then, there was the cast and all the gossip in the papers. Sure, gossip was free publicity, but the wrong kind of gossip could hurt the movie, and he had no way of knowing what was true and what had been fabricated. "The lead actress - the one playing you - has been photographed partying and carrying on. I don't really care what she does in her free time, but the story is about redemption. It's about two people finding each other and falling in love and helping each other conquer their demons. How is anyone supposed to take it seriously if the cast and the director don't?"

She scowled at the idea of anyone making Michael feel unwanted, but was derailed from those thoughts as he offered further worries. "Yasmin, right?" she clarified before going on, silently thanking her sister in the back of her mind. "It's a stunt to promote the movie. Mataya warned me, just in case Yasmin wants to talk to me about the part. She's not turning to drink, and she will give it everything she's got, 'Taya's certain of it. I don't know Yasmin, but I trust Mataya. If she was worried, she'd let me know."

"A stunt?" he echoed, brows lifting. "You knew about this?" he asked further, wondering why no one had seen fit to inform him - or maybe they had, and he just hadn't listened or understood. It wouldn't be the first time that had happened. "You trust her, then?" he asked further, knowing the woman was involved with the Shanachie and had a reputation for being something of a diva, though he didn't really put much trust in rumors and gossip.

Elena

Date: 2015-12-06 19:21 EST
"Easy." Elena spread her hands innocently. "Mataya only called me this morning. If I'd known sooner, I'd have told you, you know that. Yasmin's good in 'Taya's books; she likes to promote anything she feels strongly about, and she uses shock tactics to do it. It isn't the method I, personally, would have been happy to see her use, but it's her choice. But she'd never jeopardize what she's got at the Shanachie, or disappoint Mataya. They're friends."

"Okay," Michael replied, visibly relaxing a little, trusting her and Mataya's judgment, but that still didn't solve his problem with the director. "That makes sense, I guess."

"And I bet 'Tay would be really interested to know that the director is an asshole," Elena went on. She didn't need to say it out loud for her husband to know that, no matter what came out of this conversation, Mataya and Jonathan were going to learn all about their current director's bad attitude. "Look, baby, the cast knows you. Hell, most of them have read your book, if not all of them. Don't be surprised if they stand up for you, okay' We creative types tend to stick together."

"Stand up for me?" he echoed, those brows arching upwards again. No one had ever stood up for him before - at least, not very often. No one except maybe Elena, and it had taken years for him to gain that kind of trust with her. "They're under contract, El. There's nothing they can do. There's nothing anyone can do." Except maybe the producers. Oh, sure, the cast could walk out if they wanted, but it would only end in a big mess delaying production of the movie and costing the studio more money. "I should have insisted on more creative control, but what the hell do I know about making a movie?"

"You don't need to know about making the movie," she told him. "You know your story, you know your characters, you wrote the script. You know more about the vision on paper than any director could possibly put together, and if this director isn't listening to you, then I think the producers should find someone who will."

"The opening is next month, Elena!" he pointed out, looking on the brink of panic. While he didn't want the director screwing up the story, he didn't want a lawsuit on his hands either, if the movie was delayed because he was being uncooperative.

"Mischa!" She raised her voice to cut through the tide of his panic, glad that - for all her movie career was behind her - she knew exactly what she was talking about. "Release dates get pushed all the time," she told him confidently. "There is no need to panic. Trust me. At most, you'll get a release at the end of February, beginning of March, with a change of director, maybe sooner if what?s been shot so far isn't too bad. Okay?"

He drew a deep breath, as he tried to push the panic away, focusing on her voice and on what she was telling him. He nodded his head as the panic slowly receded, though he was still looking pretty worried. "Do you really think it's not too late to change directors?" And what would the current director say or do if he did get fired" Would he spread rumors that Michael was difficult to work with' Would he make it hard for him to get a studio to produce any future projects he might want to work on' Or was he worrying for nothing" He knew in the entertainment world - whatever the media - it usually came down to the bottom line, which was profit.

"They've only been shooting for what, two weeks, at most?" Elena pointed out. "It's a six week shoot, with a break for Christmas. If directors get switched out now, they can get a couple of weeks shooting in, and finish off in January. Then it goes to editing, which doesn't take as long as people think. End of February, your story's out there again, with your input."

"Right," he said, as he considered her words. He knew enough about making a movie to know she was right. This wasn't his first day at the rodeo, after all. He'd been through this once before, and the first movie hadn't gone off without a few hitches either. "Okay, so what do we do?" Not I, but we because whether it was his story or not, they were in this together.

"We go to the producers," she told him with a faint smile. It wasn't like Mataya was particularly intimidating, but she could be a force of nature on a movie set, especially a movie in which she was involved. "They're the ones who invited you to be a creative consultant on set, and if their wishes aren't being honored, then it's their problem."

"Jon and Mataya," he said, more for his own benefit than for hers, just trying to get it all straight in his head. She was right - it was the producers who really called the shots on a film, not the director or even the screenwriter. If Jon and Mataya believed enough in the story to produce it, then they'd want it done right. Of course, it didn't hurt than one of them was Elena's sister, but that was beside the point. "So, who do we get to direct at such short notice?"

That was a tricky one. Elena paused for a moment, considering what options they had there. There was, really, only one. "Well ....Jon," she said with half a shrug. "'Tay says he's been wanting to direct, and ....it's a perfect opportunity for him. Not to mention the fact that he will listen to you, he's read your books, and he knows the majority of the cast as colleagues already. I bet Mataya could talk him into it. She's very persuasive when she wants something."

"Mataya could talk a dog off a meat wagon," Michael remarked with a chuckle. It was an old saying - one that was older than he was most likely - but it described Mataya's persuasiveness perfectly. Even if Jon didn't want to direct the movie, Mataya would find a way to talk him into it. "Do you really think he'd do it?"

Elena smiled as she nodded. "Yeah, I think he would," she said warmly. "He'll be nervous about it, but between you, and the cast, and 'Taya, and his wife ....I don't think it's an offer he can say no to." Her smile deepened as she stroked her hand against her husband's cheek. "Better?"

"It could work," he mused thoughtfully, turning his face into her hand. Though Jon was untrained as a director, he was a veteran of stage and screen and knew how things were done. He and Mataya had strayed into producing, and it was likely only a matter of time before he tried his hand at directing, so why not' What did they have to lose, after all" He couldn't possibly do any worse than the current director, and she had a point in that most of the cast members already knew him and trusted him. "Okay, I'll leave it to you to talk to your sister."

She leaned close, brushing a tender kiss to his lips. "So ....what do you want on your steak?" Talking to Mataya would be easy, she knew; all she'd have to do would be to mention the director's attitude, and that would be that. The hard part would be persuading Jon to take the reins, and that was 'Taya's problem.

"I would say you, but that wouldn't be very practical," he replied, smiling at last, now that all that was off his shoulders. "You're the best, you know that?" he told her, leaning in to touch another kiss to her lips.

Elena

Date: 2015-12-06 19:22 EST
She giggled, glad to see him smiling again as he kissed her. "Unless you want me lightly toasted on one side and sizzling on the other, you're gonna have to get more creative," she informed him affectionately. "Or should I surprise you?"

"I trust you with everything. Since when haven't I trusted you with my dinner?" he countered, the smile on his face widening. "What can I do to help?" he asked, eager to repay her for helping him and unafraid to get his hands dirty in the kitchen.

She chuckled. It had taken a while, but finally Elena had started to trust Michael in the kitchen, especially during those first weeks when the sight and smell of just about everything made her gag. "You can manhandle the meat," she told him with a grin. "And decide what vegetables you're prepared to eat tonight."

"Vegetables," he repeated, scowling like a boy forced by his mother to eat something he considered disgusting. It made him look more like the young man she had met on the set of his first movie, rather than the tormented man he had later become. "Have you been taking lessons in persuasion from your sister?" he teased.

"What, you think this doesn't come naturally?" she teased him in return, nuzzling close once again. "I'll make you real popcorn if you eat broccoli tonight." How was that for persuasion"

"Real popcorn!" he echoed with a grin. "What's the occasion' Are we going to watch Princess Bride again?" he teased. It was a personal favorite of theirs and one they never seemed to tire of, quoting lines back and forth to each other through the entire movie, like a couple of loons.

"Do I need an occasion?" she laughed, drawing her fingers through his hair. "My baby needs some lovin', and I just happen to know exactly how to do it." She didn't often just treat him out of the blue, but he needed it today. He'd been all about her and the pregnancy for a few months now; it wasn't much to ask to give him one night that was all about him.

"No," he replied with a grin, as she drew her fingers through his hair. "You can spoil me anytime you want, Mrs. Donnelly," he told her, reaching for her hand and drawing it to his lips for a kiss. Whatever was bothering him before no longer seemed to be bothering him now. He was confident Mataya would sort everything out.

After all, she was good at that sort of thing.

((Stay tuned for the fallout! :grin: ))

Mataya

Date: 2015-12-06 21:47 EST
What happened next ....

Except for a few minor glitches, the Shanachie's current run of A Christmas Carol was going pretty well. Of course, that was part of the magic of theater - you never really knew what was going to happen during any given performance, and each performance, no matter how well practiced, was always just a little bit different from the last. It was what made live theater so entertaining. It wasn't at all like watching a film, where the finished product had been sliced and diced and edited into perfection.

There was nothing like performing in front of a live audience, hearing the applause firsthand and knowing without a doubt that you had been a part of something magical, if only for one night. Jon had purposely asked for supporting roles this season, not only to allow some of the other actors to enjoy their time in the spotlight, but so that he could spend more time with his family and pursue other interests, like teaching in the STARS program, but he could have never predicted the turn of events that had recently taken place and the opportunity that was about to knock on his dressing room door.

Or would have knocked, if it hadn't been borne by the effervescent bubble that was Mataya De Luca. Without much regard for whether he was naked or not, 'Taya swept into Jon's dressing room and planted herself on the couch, grinning over at her friend. "Heya, Jonny. Got a minute?"

It wouldn't have been the first time she'd seen him naked, but thankfully, he was already dressed as Bob Cratchit and was just finishing up his makeup. "Anyone ever teach you how to knock, 'Tay?" he asked, smirking at her in the mirror as he powdered his face.

"Aw, c'mon, it's not like you haven't got anything I haven't seen before," she chuckled, winking at him from her comfortable sprawl. "Besides, half the company isn't even dressed yet. You and your obsessive tendencies."

"May I point out that ..." He sighed, knowing he was fighting a losing battle, so why bother arguing the point' "I'm not obsessive. I just have to set a good example for the others," he said with a shrug, which was as good an excuse as any. Okay, so maybe he was a little obsessive, at least when it came to the theater, but no one was perfect!

"Which you do to perfection." Mataya pushed herself up from her sprawl on the couch, and moved to lean her backside against his makeup counter, watching him putting his face on. "You know you said you wanted to give directing a go sometime?"

He paused momentarily in the powdering of his face to glance over at the woman sprawled beside him and the close up he had of her rather curvaceous backside - a backside that belonged to another man, as he belonged to another woman. Another man might have felt a little awkward with the way she made herself comfortable around him, but this was Mataya. Despite the gossip and rumors, there was nothing romantic between them. Though there might have been once, they had moved past that to become close friends - so close they were almost like siblings.

He eyed her suspiciously, knowing she had something up her sleeve, but he wasn't sure what. "Out with it, 'Tay. What exactly are you trying to wheedle me into now?"

She smirked. "You always could see straight through me, Jonny," she complimented him, laughing at how quickly he decided to drag her around to the point of her unexpected visit. She sighed gustily, drumming her fingers on the counter at her back. "I want to sack the director of Rhy'Din Nights, and I think you're the perfect replacement for him."

If she had been hoping to get a rise out of him, she succeeded. His mouth dropped open, as he stared at her in disbelief, not saying a thing for several heartbeats before breaking into laughter. "Me?" he asked, clearly doubtful. "That's a good one, Mataya. You almost had me there for a minute."

"C'mon, Jonny," she wheedled in her sweetest tone of voice. "I know you can do it. You know the source material, you know the actors, you can work with Michael to get it on screen in the best possible way. You'd be amazing at it, I just know it."

Jon set down the brush he'd been powdering his face with and turned to face her head on, not just her reflection in the mirror. "You're serious," he said, frowning, knowing her well enough to know she wouldn't joke or tease him about something like this. "What happened" I thought they already started filming."

Her smile faded, and there was an expression not many people often saw on Mataya's face. It was rare to see her without a smile, but there it was ....the businesslike solemnity that told anyone who knew her that she meant every word. "They've been shooting for about eight days," she told him. "But the director is ....Well, Elena called him an asshole. He "strongly advised" Michael to leave the set, and Michael has severe reservations about the man's ability to bring the story to the screen. Added to that, I'm hearing rumors about creative differences on set between the director and the actors, and I think he should go. He obviously doesn't understand the story he's filming, and he just as obviously doesn't intend to abide by our rules, one of which was the direct involvement of the author."

"Okay," Jon said, taking all of that in. He and Mataya were producing the movie and had the final say regarding who stayed and who went, and it was important to them that the film stayed true to the book and to the author's vision. "But why me, 'Tay' I've got my hands full with the STARS program and the theater. Directing a film ....That's a full time job. Are you asking me to give one of those up so I can focus on directing or can it wait?" Dickens would be over in another week or so and STARS classes were only on Saturdays, but juggling all three, along with a family, would be next to impossible.

"Because you would be amazing at it, Jon," she told him simply. "Look, I've got it worked out, okay' The STARS only really have one more Saturday of actual rehearsal, and then on the nineteenth it's their first show, so that morning will be spent mostly polishing with them so they can perform for their parents. Dickens finishes up on the twelfth, so you can start filming with the movie crew from the fourteenth to the eighteenth, break for Christmas and New Year, and pick it up again in January. We'll push the release date back to, I don't know, the beginning of March, and work the filming around your commitments. With any luck, you'll be finished by the end of January, and I can work with the editor to get the film cut together. All worked out, see?"

"Good grief," he muttered, taking up a pencil to outline his blue eyes dramatically for the stage. "How long have you been thinking about this?" he asked, wondering if this was something sudden and unexpected or if she'd been considering it for a while. The way she'd outlined it, her plan was certainly feasible; the real question was whether he'd go along with it.

She gave him a slightly guilty look. "Max talked me through it when I was huffing about whether to talk you into directing to begin with," she admitted. "He said there was no way you'd take it on when we had other options around, but he helped me work out a timetable in case this came up. You're not mad, are you?"

"Other options?" he asked, quirking a brow, unsure what she meant by that. Was she talking about other options for a director or other options to free up his schedule so he could do it"

Mataya

Date: 2015-12-06 21:48 EST
"You know, other directors," she shrugged. "Before we got the contracts signed and everything decided, we had a few directors we could have gone with. Now those guys are out of the picture, and ....Well, I should have asked you right away, I know."

He'd finished lining his eyes with the kohl pencil while she was explaining and he set the pencil on the tray in front of him that held his makeup. He turned in his chair so that he could face her. As she had pointed out, he was obsessive about the theater and had plenty of time to finish getting ready before the first curtain call. "I don't know, 'Tay," he told her, frowning worriedly. "It means a lot to Michael and to the cast. What if I screw it up?"

"You won't screw it up," she told him firmly. "Jonny, I know you don't have a lot of faith in your own ability when you're trying new things, but trust me. You have a lifetime of experience in performance, whether it's on stage or on screen, and I think this would be good for you. You know the cast, and they know you, so no one's going to be intimidated on set. If you get lost in the vision, you'll have Michael right there to put you back on track. And on screen, it's one scene at a time. You can do this, Jonny."

"I have been thinking about trying my hand at directing, but I had thought it would be a smaller project. Some small indie film or something hardly anyone would ever see or care about, just to get my feet wet." Then again, it wasn't really like him to wade into new projects slowly, so much as to plunge right in head first. "Let me talk to Vicki first?"

Mataya's lips twitched, but she managed to hold back her smile. If Jon wanted to talk to Vicki about it, then he was going to do it. He just needed his wife to make him feel as though he'd been convinced. "All right ....but not too long," she warned him. "I really want to sack this guy."

"Oh," he said, as if just remembering that and chuckling to himself. "That bad, huh' Go ahead and sack him, then. We'll work things out without him." Which was as good as saying yes, though he still wanted to talk to Vicki about it before he officially decided or the news became public knowledge. "What's he like, Michael" He seems quiet."

She squealed happily, stopping herself from embracing her friend only because he was currently wearing a decent layer of stage makeup and she had a black top on. "Michael" He's a sweetie," she told Jon cheerfully. "He's a little under-confident, and he's not very good at making it clear that he has something to say. His stories are his babies, he's very protective of them. I think, so long as you give him plenty of opportunity to offer his opinion, you and he will work together just wonderfully."

"A sweetie, huh' Sweeter than me?" he asked, smirking at her. He would have liked nothing better than to hug her and smudge some of his stage makeup on her clothes as payment for cajoling him into this whole thing, but he couldn't deny he was a little excited by the prospect of directing his first film, just hoping he could do it the justice it deserved. "I'll have to find my copy of the book and give it another read. I think Humphrey had it last."

"Elena's in love with him, that should tell you all you need to know," she pointed out with a low chuckle. "Here." Taking up a brush from the counter in front of him, she turned his face toward hers, working gently on adding a few extra crinkles. Bob Cratchit was a downtrodden Victorian worker, after all, not a gorgeous modern day actor. "If you need another copy, let me know. Juno's got her own copy, mine's somewhere in my office."

"Has everyone in Rhy'Din read the thing?" he asked, closing his eyes briefly so she could add the finishing touches to his face. If they had, they just might have a success on their hands, before the movie was even finished filming. "We should put out a press release before the papers get hold of the rumors. We can just cite creative differences and leave it at that," he suggested. When he and Mataya worked together, there was no end to what they could accomplish. It was why they made such a good team.

"Seems like it," she mused, artfully smudging some of those lines with a gentle fingertip. Any actor who worked on stage got very good at applying makeup over the months and years. "He's a very popular author, even if he doesn't believe that's true." Sitting back, she considered his face for a moment before declaring him as done as he was going to get. "I'll get Des to put together a press release and a confidentiality document before I go Hitchcock on the dude."

Des. The half-brother Jon and Lena had never known they had until a few years ago. Jon had never blamed Desmond for his father's philandering - no one had - and he'd been welcomed by his long lost family with open arms. He was a lawyer by trade and was employed with GrangerGuild Conglomerate as the company's attorney, but he had been called upon a few times by the Shanachie, as well. "Well, if this movie does half as well as Allison, he's about to become a lot more popular."

"I'll warn Sol ahead of time, too," Mataya promised Jon with a smile. "Should I warn Liv, as well" What with her whole new baby big family issues right now?" She tilted her head teasingly as she grinned at her friend.

"I think Liv has enough to worry about right now, but she'd probably kill me if she found out through the press." He frowned again, looking very much like a man who held the worries of the world on his shoulders, not unlike Cratchit, but it was probably the makeup. "I hope Vicki's okay with it. We've been talking about a visit to see her father over the holidays."

"I'm not taking your holidays away from you, Jonny boy," 'Taya laughed, easing up onto her feet. "I'll make sure Liv knows, okay' All you need to do is chat to Vicki and let me know when we are go. Everything else is in my sticky little fingers." She winked at her friend, bending to kiss his curls teasingly. "Try not to break a leg literally this time, okay?"

"Are you doing this for me or for Michael?" he asked suddenly, out of the blue, even as she affectionately kissed his curls, which were really far too pretty for Cratchit. He winced at her remark, remembering all too well how he'd managed to do just that not too long ago on this very stage.

"Both of you," she told him warmly. "Don't forget to dust your hair tonight, it doesn't look right without a little gray in it under the lights." Making her way to the door, she flashed him a last wink. "Have a good show, Jonny."

"Yes, dear," he replied with a chuckle, wondering not for the first time if he had two wives, though Mataya was more like a sister than a lover. "And don't forget to swing by for tea sometime this week. Bring Juno with you. Elle has been badgering Vicki to invite you over to tea for a while now. Just watch your purse. She's a thief, you know." He grinned, knowing the woman was an ex-thief, but he thought he'd warn her just the same.

She laughed. "Oh, don't you worry, I'll descend on you with all of my brood, dogs included," she threatened cheerfully. "Tell Vicki I said hi, okay?" Blowing him a kiss, she drew the door shut behind her, finally letting herself grin widely at her triumph. Now all she had to do was manage the fallout, and Rhy'Din Nights would be back on track. Just so long as she could head off the Yas tantrum in quick quick time.

((Keep your eyes on the Rhy'Din Nights thread for the fallout, lovelies!))