Despite the often unsocial hours of work at the Shanachie, office hours were pretty much the same as usual. The offices were, of course, out of the way of the performance and rehearsal spaces, but still easily accessed. Charles and Alex were sharing an office while one of the others was outfitted for Alex's needs, but the one thing no one even considered was the possibility of the De Luca siblings sharing an office. Nothing would ever get done if Mataya and Tony were allowed to sit less than six feet from one another all day. Which was why it was necessary for Mataya to get up and walk down the hall to reach her big brother's office, a stack of papers in her hand as she knocked on his door. "Hey, ballerino, we got more pledges in today ....what are you doing?"
The door was open a crack, and Tony was hunched over his desk, a cup of coffee and a half-eaten sandwich close at hand, while he mulled over the details for the next ballet, which wouldn't open until November. Still, he needed to sort out the details, especially where certain dancers were concerned so Irina could be sure they'd be ready. He glanced up from his work at the sound of his sister's voice and smiled a greeting her way. "More pledges?" he asked. "How much is that now?"
She rubbed her forehead, a little staggered by the generosity of the people of Rhy'Din. "I think we're over the fourteen million mark here," she admitted, wandering into his office to make herself comfortable. "Not to mention promises of building supplies and labor. You know almost six hundred thousand of that is exclusively for the ballet, right?"
He dropped the pen he was holding, his jaw dropping open. Thankfully, he didn't have the cup of coffee in his hand at the time or he'd have spilled it all over his paperwork. "Fourteen ....Did you say million' Is that Rhy'Din Dollars or creds or what?" He couldn't have heard her right. Fourteen million was a lot of money, and much more than they could have ever imagined. Even six hundred thousand was a lot. What the hell were they going to do with it all"
"Well, we've had offers in dollars, nobles, gold pieces, but it works out at a little over fourteen million in Rhy'Din dollars," she said, setting down the financial report in front of him. "Roughly one million split over the three companies and STARS, and about thirteen in the general fund. We had a couple of specifics entailed on the money - thirty thousand specifically for covering costumes, which I think the ballet will eat up more than the others, and a request that we use one donation to fund free trips to the theater for the local groups. Bristle Crios reached out and suggested a partnership, too - they're offering their drama center as a next step from STARS, and considering implementing diplomas in Performing Arts and Theater Arts, with provision in the Shanachie for work experience and performance experience."
"Buon Dio," Tony muttered under his breath. When he and Mataya had discussed the possibility of sponsors, neither had anticipated such an overwhelmingly enthusiastic response. It was a lot of money to be responsible for. He didn't bother to offer his sister a chair, knowing if she wanted to sit, she'd do so without any invitation from him. "I like that idea," he replied, regarding Bristle Crios. The rest he had to think on a minute. "I don't think costumes will be a problem with thirteen million in the general fund."
"And offering free trips to the local youth groups won't be an issue, either," she agreed, perching on the corner of his desk. "Hell, we've even got supplies and labor for the annual maintenance month being offered up here. I-I-I-I ....no words. Speechless. Seriously." She shrugged helplessly. "I had no idea people wanted to see us keep going so badly."
On the other hand, maybe he should offer her a seat before she passed out. "'Taya, sit down," he told her, gesturing to the chair. "Well, we probably would have kept going, but we might have had to cut expenses and raise ticket prices. That won't be a problem now." He frowned a little, knowing the ballet was mostly to blame for any money woes. "You took a big chance asking me to start a ballet troupe," he told her, a serious look on his face. "I never would have forgiven myself if the ballet had caused the theater to close." Though it seemed that was no longer a problem.
She shook her head as she dropped down into the other seat. "Show-business runs on a knife edge, we both know that," she pointed out. "We had a good run - first few years were just musicals and dramas, we built up a good fund. And it's not like the ballet is draining money, it's just ....breaking even isn't enough." She actually looked apologetic about that. "But we were getting by. Not that I don't appreciate all this ..." One hand gestured toward the financial report. "It's kind of overwhelming, you know?"
"It's definitely that. So ..." A grin touched his lips, a hint of mischief in his dark eyes. "Just what are we gonna do with all that money?" he asked, though he had a few ideas of his own. He was envisioning more elaborate sets and costumes, but there was also the very real need for theater maintenance and upkeep.
"No, you can't have real reindeer pulling a sleigh on stage," she countered with a grin, rolling her eyes at her brother. He was as enthusiastic as she was, but she'd had a few more years of this business schtick than he had. "First, I'm putting a third of the general fund into a high interest account so we have a safety net. Agreed?"
He couldn't help but chuckle at her suggestion, even if she was only teasing. "No reindeer. Promise," he told her, touching a hand to his heart, though he doubted it would cost that much money to rent a reindeer for a few weeks. "It's your theater, 'Tay," he reminded her, not wanting to step on her toes or presume too much. She'd worked hard to make it a success, and it was only at her invitation that he'd become part of it. "But I agree that's a good idea," he added.
"Well, I need to talk to Jon and Kaylee about what we're gonna do with the STARS money, but I think that's probably gonna go on costumes and the full performance experience for the kids at the end of each semester. If we keep getting money there, I might even have a trust fund for helping with tuition if they wanna go on and study drama or whatever." That said, she found her eyes focusing on the sheet of paper between them once again. "We have three exclusive funds, one for each company. I mean ....you could use the ballet one to commission a composer, or have unique costumes made, or ..." She sighed, running a hand through her hair as she looked at her brother ruefully. "I think it's time everyone got a pay rise."
"Hmm," he murmured as he mulled over all she was telling him. "Pay raises would be good," he agreed with a smile, and he wasn't referring to himself. "When was the last time they got one?" he asked, merely curious. He thought the dancers and actors would definitely appreciate a raise, but his mind was going in another direction, as well. It was something she'd said about commissioning a composer that had done it.
"Uh ..." Taya had to think about that one rather hard. "I think just after the ballet started up," she managed eventually. "Yeah, they're due. And I need to restructure the pay for the chorus and corps, anyway. We have senior members in both who deserve a little extra for their long-term commitment to this theater over any other. Victoria Granger is going to hit me with her pay packet next month, though. Probably around the face."
Tony nodded in agreement. If they were going to give the principal actors and dancers a raise, it was only fair that the chorus and corps benefited, as well. He'd already heard some grumbling among the corps about wanting bigger parts. All that aside, her last statement made him curious. "Why's that?" he asked. He didn't know Victoria Granger all that well, and had no idea if the woman thought she was being paid too much or too little.
Mataya chuckled. "She already thinks I pay her too much," she grinned. "And she complains like a dragon every time she has to take maternity leave. She actually complains about being paid to take time off and spend it with her family, can you believe that?"
The door was open a crack, and Tony was hunched over his desk, a cup of coffee and a half-eaten sandwich close at hand, while he mulled over the details for the next ballet, which wouldn't open until November. Still, he needed to sort out the details, especially where certain dancers were concerned so Irina could be sure they'd be ready. He glanced up from his work at the sound of his sister's voice and smiled a greeting her way. "More pledges?" he asked. "How much is that now?"
She rubbed her forehead, a little staggered by the generosity of the people of Rhy'Din. "I think we're over the fourteen million mark here," she admitted, wandering into his office to make herself comfortable. "Not to mention promises of building supplies and labor. You know almost six hundred thousand of that is exclusively for the ballet, right?"
He dropped the pen he was holding, his jaw dropping open. Thankfully, he didn't have the cup of coffee in his hand at the time or he'd have spilled it all over his paperwork. "Fourteen ....Did you say million' Is that Rhy'Din Dollars or creds or what?" He couldn't have heard her right. Fourteen million was a lot of money, and much more than they could have ever imagined. Even six hundred thousand was a lot. What the hell were they going to do with it all"
"Well, we've had offers in dollars, nobles, gold pieces, but it works out at a little over fourteen million in Rhy'Din dollars," she said, setting down the financial report in front of him. "Roughly one million split over the three companies and STARS, and about thirteen in the general fund. We had a couple of specifics entailed on the money - thirty thousand specifically for covering costumes, which I think the ballet will eat up more than the others, and a request that we use one donation to fund free trips to the theater for the local groups. Bristle Crios reached out and suggested a partnership, too - they're offering their drama center as a next step from STARS, and considering implementing diplomas in Performing Arts and Theater Arts, with provision in the Shanachie for work experience and performance experience."
"Buon Dio," Tony muttered under his breath. When he and Mataya had discussed the possibility of sponsors, neither had anticipated such an overwhelmingly enthusiastic response. It was a lot of money to be responsible for. He didn't bother to offer his sister a chair, knowing if she wanted to sit, she'd do so without any invitation from him. "I like that idea," he replied, regarding Bristle Crios. The rest he had to think on a minute. "I don't think costumes will be a problem with thirteen million in the general fund."
"And offering free trips to the local youth groups won't be an issue, either," she agreed, perching on the corner of his desk. "Hell, we've even got supplies and labor for the annual maintenance month being offered up here. I-I-I-I ....no words. Speechless. Seriously." She shrugged helplessly. "I had no idea people wanted to see us keep going so badly."
On the other hand, maybe he should offer her a seat before she passed out. "'Taya, sit down," he told her, gesturing to the chair. "Well, we probably would have kept going, but we might have had to cut expenses and raise ticket prices. That won't be a problem now." He frowned a little, knowing the ballet was mostly to blame for any money woes. "You took a big chance asking me to start a ballet troupe," he told her, a serious look on his face. "I never would have forgiven myself if the ballet had caused the theater to close." Though it seemed that was no longer a problem.
She shook her head as she dropped down into the other seat. "Show-business runs on a knife edge, we both know that," she pointed out. "We had a good run - first few years were just musicals and dramas, we built up a good fund. And it's not like the ballet is draining money, it's just ....breaking even isn't enough." She actually looked apologetic about that. "But we were getting by. Not that I don't appreciate all this ..." One hand gestured toward the financial report. "It's kind of overwhelming, you know?"
"It's definitely that. So ..." A grin touched his lips, a hint of mischief in his dark eyes. "Just what are we gonna do with all that money?" he asked, though he had a few ideas of his own. He was envisioning more elaborate sets and costumes, but there was also the very real need for theater maintenance and upkeep.
"No, you can't have real reindeer pulling a sleigh on stage," she countered with a grin, rolling her eyes at her brother. He was as enthusiastic as she was, but she'd had a few more years of this business schtick than he had. "First, I'm putting a third of the general fund into a high interest account so we have a safety net. Agreed?"
He couldn't help but chuckle at her suggestion, even if she was only teasing. "No reindeer. Promise," he told her, touching a hand to his heart, though he doubted it would cost that much money to rent a reindeer for a few weeks. "It's your theater, 'Tay," he reminded her, not wanting to step on her toes or presume too much. She'd worked hard to make it a success, and it was only at her invitation that he'd become part of it. "But I agree that's a good idea," he added.
"Well, I need to talk to Jon and Kaylee about what we're gonna do with the STARS money, but I think that's probably gonna go on costumes and the full performance experience for the kids at the end of each semester. If we keep getting money there, I might even have a trust fund for helping with tuition if they wanna go on and study drama or whatever." That said, she found her eyes focusing on the sheet of paper between them once again. "We have three exclusive funds, one for each company. I mean ....you could use the ballet one to commission a composer, or have unique costumes made, or ..." She sighed, running a hand through her hair as she looked at her brother ruefully. "I think it's time everyone got a pay rise."
"Hmm," he murmured as he mulled over all she was telling him. "Pay raises would be good," he agreed with a smile, and he wasn't referring to himself. "When was the last time they got one?" he asked, merely curious. He thought the dancers and actors would definitely appreciate a raise, but his mind was going in another direction, as well. It was something she'd said about commissioning a composer that had done it.
"Uh ..." Taya had to think about that one rather hard. "I think just after the ballet started up," she managed eventually. "Yeah, they're due. And I need to restructure the pay for the chorus and corps, anyway. We have senior members in both who deserve a little extra for their long-term commitment to this theater over any other. Victoria Granger is going to hit me with her pay packet next month, though. Probably around the face."
Tony nodded in agreement. If they were going to give the principal actors and dancers a raise, it was only fair that the chorus and corps benefited, as well. He'd already heard some grumbling among the corps about wanting bigger parts. All that aside, her last statement made him curious. "Why's that?" he asked. He didn't know Victoria Granger all that well, and had no idea if the woman thought she was being paid too much or too little.
Mataya chuckled. "She already thinks I pay her too much," she grinned. "And she complains like a dragon every time she has to take maternity leave. She actually complains about being paid to take time off and spend it with her family, can you believe that?"