Topic: The Comedy of Errors

Mataya

Date: 2014-04-06 10:16 EST
Cast

Solinus - Tom Stone Egeon - Randal Cummings Emilia - Judith Lloyd Antipholus of Ephesus/Antipholus of Syracuse - Jonathan Granger Dromio of Ephesus/Dromio of Syracuse - Emmett Wheeler Adriana - Juno De Luca Luciana - Lucia Schmidt Nell/Luce - Miranda Ford Balthazar - Raymond Cohen

Please note - The Shanachie Theater employs true magic to create the illusion of identical twins in this production. Jonathan Granger does not have a real twin; neither do Emmett Wheeler, or Miranda Ford.

Mataya

Date: 2014-04-06 10:18 EST
Synopsis

Because the law forbids merchants from Syracuse to enter Ephesus, elderly Syracusian trader Egeon faces execution when he is discovered in the city. He can only escape by paying a fine of a thousand marks. He tells his sad story to Solinus, Duke of Ephesus. In his youth, he married and had twin sons. On the same day, a poor woman also gave birth to twin boys, and he purchased these as slaves to his sons. Soon afterwards, the family made a sea voyage, and was hit by a tempest. Egeon lashed himself to the main-mast with one son and one slave, while his wife was rescued by one boat, Egeon by another. Egeon never again saw his wife, or the children with her. Recently, his son Antipholus of Syracuse, now grown, and his son's slave Dromio of Syracuse, left Syracuse on a quest to find their brothers. When Antipholus of Syracuse did not return, Egeon set out in search of him.

The Duke is moved by this story, and grants Egeon one day to pay his fine.

That same day, Antipholus of Syracuse arrives in Ephesus, searching for his brother. He sends Dromio of Syracuse to deposit some money at The Centaur, an inn. He is confounded when the identical Dromio of Ephesus appears almost immediately, denying any knowledge of the money and asking him home to dinner, where his wife is waiting. Antipholus, thinking his servant is making insubordinate jokes, beats Dromio of Ephesus.

Dromio of Ephesus returns to his mistress, Adriana, saying that her "husband" refused to come back to his house, and even pretended not to know her. Adriana, concerned that her husband's eye is straying, takes this news as confirmation of her suspicions.

Antipholus of Syracuse, who complains "I could not speak with Dromio since at first I sent him from the mart," meets up with Dromio of Syracuse who now denies making a "joke" about Antipholus having a wife. Antipholus begins beating him. Suddenly, Adriana rushes up to Antipholus of Syracuse and begs him not to leave her. The Syracusans cannot but attribute these strange events to witchcraft, remarking that Ephesus is known as a warren for witches. Antipholus and Dromio go off with this strange woman, the one to eat dinner and the other to keep the gate.

Antipholus of Ephesus returns home for dinner and is enraged to find that he is rudely refused entry to his own house by Dromio of Syracuse, who is keeping the gate. He is ready to break down the door, but his friends persuade him not to make a scene. He decides, instead, to dine with a courtesan.

Inside the house, Antipholus of Syracuse discovers that he is very attracted to his "wife's" sister, Luciana of Smyrna, telling her "train me not, sweet mermaid, with thy note / To drown me in thy sister's flood of tears." She is flattered by his attentions, but worried about their moral implications. After she exits, Dromio of Syracuse announces that he has discovered that he has a wife: Nell, a hideous kitchen-maid. He describes her as "spherical, like a globe; I could find out countries in her". Antipholus jokingly asks him to identify the countries, leading to a witty exchange in which parts of her body are identified with nations. Ireland is her buttocks: "I found it out by the bogs". He claims he has discovered America and the Indies "upon her nose all o'er embellished with rubies, carbuncles, sapphires, declining their rich aspect to the hot breath of Spain; who sent whole armadoes of caracks to be ballast at her nose." (This is one of Shakespeare's few references to America.) The Syracusans decide to leave as soon as possible, and Dromio runs off to make travel plans. Antipholus of Syracuse is apprehended by Angelo of Ephesus, a goldsmith, who claims that he ordered a chain from him. Antipholus is forced to accept the chain, and Angelo says that he will return for payment.

Antipholus of Ephesus dispatches Dromio of Ephesus to purchase a rope so that he can beat his wife Adriana for locking him out, then is accosted by Angelo, who tells him "I thought to have ta'en you at the Porpentine" and asks to be reimbursed for the chain. He denies ever seeing it, and is promptly arrested. As he is being led away, Dromio of Syracuse arrives, whereupon Antipholus dispatches him back to Adriana's house to get money for his bail.

After completing this errand, Dromio of Syracuse mistakenly delivers the money to Antipholus of Syracuse. The Courtesan spies Antipholus wearing the gold chain, and says he promised it to her. The Syracusans deny this, and flee. The Courtesan resolves to tell Adriana of Syracuse that her husband is insane. Dromio of Ephesus returns to the arrested Antipholus of Ephesus, with the rope. Antipholus is infuriated. Adriana, Luciana and the Courtesan enter with a conjurer named Pinch, who tries to exorcise the Ephesians, who are bound and taken to Adriana's house. The Syracusans enter, carrying swords, and everybody runs off for fear: believing that they are the Ephesians, out for vengeance after somehow escaping their bonds. Adriana reappears with henchmen, who attempt to bind the Syracusans. They take sanctuary in a nearby priory, where the Abbess resolutely protects them.

Suddenly, the Abbess enters with the Syracusan twins, and everyone begins to understand the confused events of the day. Not only are the two sets of twins reunited, but the Abbess reveals that she is Egeon's wife, Emilia of Babylon. The Duke pardons Egeon. All exit into the abbey to celebrate the reunification of the family.

((As always, my lovelies, this thread is open to anyone who'd like to add their own experiences of the play in question. Please respect the setting, and have fun with it!))