Topic: The Glass Menagerie

Mataya

Date: 2017-05-22 13:56 EST
Cast

Amanda Wingfield - Annabeth Caldwell Tom Wingfield - Marcus Spencer Laura Wingfield - Kiri Calderon Jim O'Connor - Aristotle Kruger Allen

Mataya

Date: 2017-05-22 13:56 EST
Synopsis

The play is introduced to the audience by Tom, the narrator and protagonist, as a memory play based on his recollection of his mother Amanda and his sister Laura. Because the play is based on memory, Tom cautions the audience that what they see may not be precisely what happened.

Amanda Wingfield, a faded Southern belle of middle age, shares a dingy St. Louis apartment with her son Tom, in his early twenties, and his slightly older sister, Laura. Although she is a survivor and a pragmatist, Amanda yearns for the comforts and admiration she remembers from her days as a f"ted debutante. She worries especially about the future of her daughter Laura, a young woman with a limp (an after-effect of a bout of polio) and a tremulous insecurity about the outside world. Tom works in a shoe warehouse doing his best to support the family. He chafes under the banality and boredom of everyday life and struggles to write, while spending much of his spare time going to the movies " or so he says " at all hours of the night.

Amanda is obsessed with finding a suitor (or, as she puts it, a "gentleman caller") for Laura, whose crippling shyness has led her to drop out of both high school and a subsequent secretarial course, and who spends much of her time polishing and arranging her collection of little glass animals. Pressured by his mother to help find a caller for Laura, Tom invites an acquaintance from work named Jim home for dinner.

The delighted Amanda spruces up the apartment, prepares a special dinner, and converses coquettishly with Jim, almost reliving her youth when she had an abundance of suitors calling on her. Laura discovers that Jim is the boy she was attracted to in high school and has often thought of since " though the relationship between the shy Laura and the "most likely to succeed" Jim was never more than a distant, teasing acquaintanceship. Initially, Laura is so overcome by shyness that she is unable to join the others at dinner, and she claims to be ill. After dinner, however, Jim and Laura are left alone by candlelight in the living room, waiting for the electricity to be restored. (Tom has not paid the power bill, which hints to the audience that he is banking the bill money and preparing to leave the household.)

As the evening progresses, Jim recognizes Laura's feelings of inferiority and encourages her to think better of herself. He and Laura share a quiet dance, in which he accidentally brushes against her glass menagerie, knocking a glass unicorn to the floor and breaking off its horn. Jim then compliments Laura and kisses her. After Jim tells Laura that he is engaged to be married, Laura asks him to take the broken unicorn as a gift and he then leaves. When Amanda learns that Jim is to be married, she turns her anger upon Tom and cruelly lashes out at him ? although Tom did not know that Jim was engaged. In fact Tom seems quite surprised by this, and it is possible that Jim was only making up the story of the engagement as he felt that the family was trying to set him up with Laura, and he had no romantic interest in her.

As Tom speaks at the end of the play, he says that he left home soon afterward and never returned. In Tom's final speech, he bids farewell to his mother and sister, and asks Laura to blow out the candles as the play ends.

((Here we go, my lovelies, the place to post if you feel the urge. Please respect the setting, and have fun, however you do it!))

Kiri Calderon

Date: 2017-06-01 09:42 EST
Laura Wingfield was a world away from any role Kiri had ever played before. She'd grown up on television, in a way, in a variety of sit-coms that had honed her comedic instincts before she'd even reached puberty. In adulthood, she'd been drawn to roles that were more dramatic, but definitely lightweight, resulting in her long tenure on Horizons, a medical daytime soap opera that aired five days out of seven on Rhy'Din's domestic channels. She'd auditioned for the guest spot at the Shanachie as a means to ensure that she would still have work if her role was written out, as the producers were wont to do with long-term characters the writers were running out of ideas for, but she'd never expected it to be so challenging. Or so much fun.

Of course, it was tricky, balancing her daily filming schedule with the evening - and afternoon - performances at the theater, but what was really challenging was the necessity of shedding Dr. Joanna Stafford's cool confidence and bubbly personality in order to assume Laura Wingfield's delicate sensibilities and shy outlook on the world around her. They were polar opposites in character, and Kiri lived in a paroxysm of terror that one was going to bleed into the other.

Her castmates at the theater helped enormously. Annabeth seemed to have some idea of how great the difference was between performing to a camera and performing to a live audience, and Kiri found herself hanging on her every word, just in case they held a kernel of advice she could crack open and absorb. Kruger was a dichotomy in himself - the brash, confident wrestler; the loving father; the sometimes uncertain, but always sensitive actor. Despite the underlying tension natural in a company around the point of some break-up or break-down, both were professional and calm. Kiri had a great deal of respect for both of them in the first place, and her estimation of them rose considerably during The Glass Menagerie.

And then there was Marcus. Playing your fiance's sister was never the easiest thing in the world. Love between siblings is expressed differently to love between a couple, but Marcus had honed his craft far better than she ever had. If she slipped, he caught her up on it, correcting her mistake with good humor but never straying over the line from professionalism at work. It was after work he demonstrated the differences, something that usually ended with a lot of giggling in bed. He kept her whole and sane during these hectic two weeks, far better at keeping his energy under control in order to sleep when the day was done. Mind you, he didn't have much to do on the wedding arrangement side, either. She was battling with his mother and hers over that, but she was determined to win.

Ironic, perhaps, that she was in such a good, settled place in her life, and Laura Wingfield was too afraid to take those first steps out of her mother's shadow and embrace the world around her. A challenge, indeed.

Annabeth Caldwell

Date: 2017-06-04 16:16 EST
Amanda Wingfield. It was one of those parts you dream about as an actress. And even in her part of the south she'd met plenty of women just like her to draw from. She could even feel some of the ashes in the woman's mouth at times playing the role.

The best part of the three weeks though was working with Kiri. They weren't too far apart in age, less than two years, and they both seemed to enjoy working on camera or on stage. Where Kiri had grown up on television, Annabeth had done most of her work on stage. So the two of them shared stories, advice, and honed each other.

There had been some tension, but nothing unbearable. She used it to focus rather than let it distract her. In the end, Annabeth's love for performing carried her through just as it always had.