Synopsis

Act I

The scene opens in Venice with 24 farm girls declaring their passionate love for a pair of gondoliers, Marco and Giuseppe Palmieri. These two gondoliers are so gallant and peerless in their manly beauty that the maidens are waiting for them to select brides before they can consider other suitors. A large group of merry gondoliers enter, saying that they adore the girls, but the ladies explain that the two brothers must choose first. When the Palmieri brothers enter, the ladies present them with flowers. The two gondoliers amiably offer to pick their brides in a game of blind man's buff. They appear to be cheating by peeking out from under their blindfolds, however. Eventually, from the crowd of maidens, Giuseppe picks Tessa, and Marco picks Gianetta " "Just the very girl I wanted!" (although the two then politely offer to switch girls). All leave to go to church for the double wedding.

His Grace the Duke of Plaza Toro (Count Matadoro, Baron Picadoro), Her Grace the Duchess, their beautiful daughter Casilda, and their drummer, Luiz, now arrive in Venice from Spain. They have come to meet Don Alhambra del Bolero, the Grand Inquisitor of Spain. As Luiz goes to announce the Duke's presence, the Duke and Duchess tell their daughter a secret that they have kept for twenty years " when she was only six months old, she was married to the infant son and heir of the King of Barataria. She is indignant, since the union was conducted without her consent. The infant prince was taken from his home by the Grand Inquisitor, after the king of Barataria became a Wesleyan Methodist "of the most bigoted and persecuting type", and taken to Venice. The King of Barataria was recently killed in an insurrection, and the hidden prince is now king. As the wife of the new king, Casilda is now the reigning queen of Barataria, and her parents have brought her to meet with the Grand Inquisitor to be introduced to her husband. We soon discover, however, that Casilda is secretly in love with Luiz. Left alone together, she tells him of her infant marriage, and they resign themselves to a life forever apart, with only their happy memories to comfort them.

When the Grand Inquisitor arrives, he explains that the prince was raised incognito by Baptisto Palmieri, a humble gondolier, who had a young son of his own about the same age. The gondolier was a drunkard and eventually forgot which boy was his own son and which boy was the prince of Barataria. The two boys (Marco and Giuseppe) grew up and now are both gondoliers themselves. Fortunately, the nurse who took care of the infant prince (and who happens to be Luiz's mother), is now living in the mountains, married to "a highly respectable brigand". Don Alhambra says that he has located her and that she will be able to reveal which of the two gondoliers is the lost prince. If not, he says, "then the persuasive influence of the torture chamber will jog her memory."

In the next scene, the two gondoliers have married Tessa and Gianetta, and as they are extolling the virtues of marriage, Don Alhambra arrives and informs them that one of them is the King of Barataria, but no one knows which. Despite being Republicans, the gondoliers and their new wives are delighted, and agree to go to Barataria at once, acting as one individual until the actual king is identified. The Grand Inquisitor tells them, however, that ladies are not admitted until the actual king is identified, and then each couple can be reunited. The Grand Inquisitor neglects to mention that the King is married to Casilda, fearing that it would cause the men to refuse to leave their new wives. As the two wives are imagining what it will be like to be a queen, their friends enter, and Marco and Giuseppe announce their discovery and promise to reign in a Republican fashion. They announce that in their kingdom, "All shall equal be? and will create new posts such as "the Lord High Coachman on the Box, the Lord High Vagabond in the Stocks". All the men then set sail for Barataria, leaving their wives behind in Venice.

Act II

In Barataria, the gondolier-courtiers are all enjoying living under "a monarchy that's tempered with Republican equality". Marco and Giuseppe have been doing all the work around the palace for the past three months - it is the privilege of royalty! They are happy enough with this arrangement, except that they are worried about having to share a single portion of rations between the two of them, and they miss their wives. Soon, however, all the ladies arrive, having risked the long sea voyage from Venice ? they could no longer stand the separation. In delight, the reunited couples have a magnificent banquet and a dance (a cachucha).

The Grand Inquisitor arrives at the ball to find that the Republican gondoliers have promoted everyone to the nobility. He explains that there must be a distinction between commoners and those of rank, warning that "when everyone is somebody, then no-one's anybody". He then breaks the news that one of the gondoliers had married Casilda when a baby and therefore is an unintentional bigamist. The gondoliers attempt to console their wives, who are distraught to discover that neither one will be queen, and that one married someone who is already married.

The Duke and Duchess of Plaza Toro soon arrive with the beautiful Casilda. They are now dressed in style, and the Duke explains how he was applied for by the public under the Limited Liability Company Act, and how they now earn a very good living. Appalled, however, at the lack of pomp and ceremony with which they were received, he attempts to educate the two monarchs in proper royal behaviour. After a lesson in etiquette, the two Palmieri brothers are left alone with Casilda. She agrees to be an obedient wife, but warns them that she is "over head and ears in love with someone else." Seizing this opportunity, the two men introduce their wives. The three ladies and two men sing a quintet about their unprecedented predicament.

Don Alhambra brings in the nurse who had tended the infant prince of Barataria twenty years ago. She reveals that when the Grand Inquisitor came to steal the prince, she had loyally hidden him away, and given Don Alhambra her own young son instead. Thus, the king is neither Marco nor Giuseppe, but her own son, Luiz. This resolves the romantic entanglements to everyone's satisfaction. Casilda finds that she is already married to the man she loves, Luiz. The two gondoliers surrender their crown to Luiz and, though a bit disappointed that neither will be a king, they can return happily to Venice with their wives. There is a final dance for the full company, reprising the gondoliers' Act I duet and the cachucha.

((Here we are, the place to post if you fancy it! The Gondoliers is a good show, but it's a slow starter - if you find it and want to get to the engaging bit, skip about 20 minutes in. The best one I've seen is Opera Australia's version from 1989! Enjoy, respect the setting, and have fun!))

Though hardly the diva that Yassidy was, Asher was a method actor by his own right. As such, this translated into wearing a very powdered, poofy and curly wig regardless of whether he was on stage or not for the entire run of The Gondoliers. The costume could stay or go, period clothing always had a way of making him itch after all, but the wig" Always on. And if something didn't meet Yas's demands, Asher was more than happy to take it off the poor stage crew's hands. Waste not, want not, right"

Brend had managed, in a short time, to amass a wealth of goods simply by telling delivery people that whatever Yasmin - Yassidy, whatever her name was now - wouldn't accept, he would.

His favorite item so far was a 50 lbs. of strawberry seeds. He'd heard her throw a fit over that one, someone had really gotten their order screwed up. As the delivery person, handler, or whoever he was had been leaving, Brend had beckoned him over. After hearing the story, he'd accepted the bag of seeds. Before the man managed to get away, however, Brend asked if it would he could get him some seedless sunflower seeds. He'd had to close the door to his dressing room quickly to avoid a hurled clipboard.

It wasn't the first item hurled at him during the production, either.

He'd picked up three complimentary tickets to the show, and when idly asked who they were for, he explained that they were for his girlfriend, fiance, and wife. At first the comment had been taken as some humorous in character portrayal. When they learned he was serious, however, he'd had to dodge a stapler.