Topic: A Storm Sky Shows Magenta

velvet lovetunnel

Date: 2012-10-03 01:25 EST
(Being parts of an SL played in room and AIM with the incomparable woman behind Audrey Horne et al)

Magenta is home alone with Susie, an event unusual enough in its own right. Audrey lingers over paperwork at a separate location, and Tina is roaming the streets of WestEnd attempting to deal with the guilt that she wears like a second skin. In contrast to her usual dramatic wardrobe, the blonde is in simple black sweats and a matching tee, the latter inscribed in blue, "We're all pawns on Benjamin Linus' chess board," to the eternal confusion of her spouse. The babe is asleep, clutching tightly to Arts' old tee shirt, her constant companion, and Magenta is worrying her way through The Hobbit, an unexpectedly unprurient tome, when the doorbell rings.

The little white rabbit Chester knows to give the blonde a wide berth lest he end up boiling away in a pot. He stays in his small bedroom, curled into an overblown cotton ball on his race car bed, a Victoria's Secret Catalog opened in front of him. He scans each page with his beady blue eyes, his little V-slit nose twitching with every breath.

She calls out, "I got this bunnyboy, you can put your paws back under the blankets." Barefoot, the blonde pads to the door, despite her height and the unlikely thrust of her bosom, she could be any young housewife dragged from a literary reverie by the intrusion of the real world. Still, she is cautious enough to touch the sandlewood-scaled stepping razor tucked in her panties, and hesitates by the door, considering, before she slips on a pair of oversized Audrey Hepburn sunglasses left on a table there for just this purpose.

Chester wasn't going to move anyway, not when Magenta could be standing outside of the door with a knife. But he is Audrey's little shadow, and he slowly pours himself from the side of the bed and crawls to the door to eavesdrop, his hind legs little more like little flippers to cover the clackity clack of his claws against the hardwood.

Somehow she knows who is there before she swings the door, barring it with a bare foot as she lets it crack open. The orange haired apparition stands there, grinning, black-painted lips spread wide. "You know the drill, blondie," she says, "you don't really have to invite me in, but it would be polite, after all." Magenta pauses, and then removes her foot and lets the door gape wide, taking a step back to position herself between her visitor and the crib.

The rabbit pokes his head through the wide cotton flaps of his doggy door and watches the exchange, the sudden spike of anxiety to wash over him all his own. The orange haired girl, the one causing all of the trouble - because he hears—of course he does— is standing right there in the living room. Their living room. He should dart out and find Audrey, but he finds he can barely even move.

"Chez Horne at last," Velvet breathes, lazy and soft, "It's so nice to finally see where Rhy'din's celebrated couple lives." She gives Magenta a sly grin, stepping across the threshhold. "And 'lives' is the operative word, isn't it, poor darling" You do know that whatever clever weapon you have tucked against your private parts isn't gonna cut it, right?"

There is no reason to hide the razor any longer, so Magenta slips it free, flicks it open with a practiced gesture, quick as the flush of a grouse. "What do you want, Velvet. There's nothing for you here."

If he could move one paw then he could do it, but Chester is a rabbit and they are not built to deal well with calamity. His breathing increases and eyes the same shade of blue as Audrey's nearly pop out of his skull from fear.

Velvet scans the blonde's tee, and looks back up at her, a smile of delight bowing her black mouth. "Oh but there is, pretty thing. Perhaps you're just a pawn of Velvet Lovetunnel's chessboard, hmmm?" She swings the door shut behind her.

The rabbit flinches, one length of cotton curtain laying between his ears and turning the world green. He shakes his head and frees himself of the strange, impromptu headdress and moves one paw forward.

The orange-haired girl fixes Magenta with her child-blue eyes, it is a gaze calculated to steal the heart and the will, to destroy all loyalty to Audrey and enchain the blonde in passion for her guest. But Magenta learned, during her time in Alma Stuart's seraglio, of the unlikely efficacy of tinted glass in diluting such vampiric seductions. She produces a low groan (and the blonde knows well enough how to simulate passion) and steps forward as if enthralled.

The rabbit's ears prick up at the sounds of the blonde's deception and he pauses, only to start belly crawling a moment later. Quiet, quiet. Just a dust ball rolling out from beneath the couch and nothing more than that.

Velvet opens her arms to receive her victim, oversized ball gown loose on her body, teetering on misfit heels, and the blonde drifts toward her as if reeled in on a string of lust. The other's baby blue eyes sparkle with greed, and just as she is about to close her arms around her apparently willing victim, the blonde sweeps her razor in a quick arc, thumb steadying the silver anodized blade, tempered in mother's blood, hard and deep across the other's gowned bosom.

A squeak. The rabbit brain fights past all of that learned pseudo-humanity and Chester's heart starts beating so fast that he thinks he's having a heart attack. But the blood isn't Magenta's and he settles down just enough to force himself to a new hiding spot behind the couch, his unspoken cheers directed towards the blonde.

Velvet's eyes go wide in surprise, at first only at the subterfuge, and then wider still as her body learns the nature of the cut and sends a panicked message to her brain. Magenta swings again, aiming for the hateful face, desperate to leave a mark that can't be hid. She is fast, for what she is, but she might as well have been swinging through water for all it avails her against the orange-haired girl's speed. "You bitch!", Velvet hisses, and smashes her delicate looking fist into Magenta's face, a blow fit to break a neck.

Chester squeals and it's the sound of a rabbit caught in the clutches of an enemy and he tries to push himself beneath the couch, his large hind legs pushing and kicking and at the expense of the fur and some skin on the top of his skull he finally manages to squeeze by.

The blonde staggers, blood blooming from her mouth, a tooth spit away. Her sight narrows and flickers, sparks and lights dance, and she flirts with unconsciousness. But she cannot, will not, allow herself to do so. Wobbly, she finds her feet and, holding the razor in front of her like a cross, spits out the words, slurred by blood and the ruin of her pretty mouth. "Surprised, huh' I got a million of 'em."

The furry lump beneath the couch arches his back as much as the piece of furniture will allow and he digs his little paws into the thin sheets of cotton protecting the more important foam until a hole is made. His head slip through the perfect sphere of a spring and soon he's burrowing for all that he has.

Magenta does not have a million surprises, of course, the only one worth mentioning already used. She back away from the silent crib, begging her assailant to follow. Velvet matches her step for step, silently willing her damaged body to heal, damn it. "I should have known you'd be tricky," she hisses, the weak always are."

A cushion moves as Chester surfaces, hidden away with all of the lost change and pocket shrapnel that the couch attracts. He watches the two fighters with what may very well be a hopeless look on his otherwise emotionless mug, his eyes as wide as sockets will allow.

The blonde answers, with a strangely emotionless logic despite the damage to her mouth, "weak, huh' How come I'm not the one trying to hold my tits together?"

And it's true, Velvet's , gown is black with spilt blood, and her every step pains her as the wounds open and close their gory mouths.

''C'mon, Blondzilla..." That one chant slips free but Chester is so far gone that he doesn't care. He closes his eyes tight, his ears flopped back on his head like a ponytail on a bobby soxer and he continues with his hopeless, all-too-Audrey hope. "Kick her ***, woman. Knock that orange mop off of her damned head."

If the girl hears the rabbit's belated cheerleading she gives no sign. Infuriated, Velvet is upon the blonde in a rush, too fast for Magenta to respond, One delicate hand grabs the razor-holding wrist and the other closes on the elegant column of the blonde's neck, lifting her of the ground as if she were a doll, and squeezing.

He's useless and he knows it and he stares helplessly from his hiding place, frozen in place and suddenly silent.

There is nothing Magenta can do, the light goes from her eyes, and she recognizes that she is going to die here, She has one last ploy and, while strength remains, lets herself go prematurely limp, lets her assailant taste a victory not yet earned, and Velvet, eager for this death, takes the bait, releases the captured wrist. And using all her love and all her hate to drive her arm, the blonde whips the razor up and cuts across the other's cheek, gaping it, opening tongue and teeth to the air.

The rabbit pisses himself and for once he's not worried about the damned couch, Chester. He tries to scream or shout but nothing comes out but strained squeals and strange, strangled little yips.

Velvet screams with rage, grabbing the blonde's chin with her free hand she forces it up and back, twists until she feels the wet, vegetable pop of the spine's surrender, throws the almost corpse to the floor. "I was just going to kill you, bitch," she whispers, cheek flapping obscenely. "But you have breath in you yet so I'll repay you especially nicely. I'm going to make you over in my image, I'm going to give you eternity to remember that you couldn't really do anything at all." She slips her teeth free, and kneels next to the unconscious woman.

And then the screaming starts. From the crib it comes, not a wail of hunger or loneliness, but a pure and unappeasable anger, rising until it fills the room and the very glass seems to flow within its frames. Velvet covers her ears, stumbles, barely manages to drop the antique pocket watch she's pilfered from her mistress, and stumbles into the night. On the floor, as life leaves it softly, Magenta's body summons up a final smile.

Chester crawls out from his hiding place finally and just drops onto the floor. A wild, frantic scutter places him away from Magenta's corpse and muscles begin to pull, skin absorbs the fur, bones crack and lengthen until a dark haired, blue eyed young man stands by the door with tears running down his boyish cheeks and a quick grab for a coat by the door, a sudden slip into it will have to do and then he's off to find the widow.

Audrey Horne

Date: 2012-10-07 22:05 EST
By the time Chester had reached his poor little mistress, the blue eyed boy had once against reverted back to the terrified little cotton ball he had been during all of the chaos back home. Forgetting Edith, forgetting to lock the door to her quaint little office, Audrey takes off in a blind run down the WestEnd's day warmed streets, her face stricken with panic that seems to grow by the minute. She hopes it's some horrible joke, some prank collaborated on by her wife and the little creature, but she knows better.

Something, a little voice that rises into a howl so great that it reverberates off of the inside of her skull like gospel in a cathedral, tells her that nothing about what she's going to find is funny at all. She makes it to the house, her lungs screaming for her to stop and at least breathe and the cast iron gate is thrown open, a high heel and the bunny left just on the outside of it. The little brunette doesn't pause at the door and won't remember opening it. She won't remember much but the silhouette of the broken blonde laying there and that will stick with her until the day that she closes her eyes for the last time.

"Magenta?" Her voice is a weak little squeaky thing, still riddled with doomed hope. "Mags" Why are you taking a nap on the floor?"

There is no answer, no sound but Susie's fitful little cries from the crib. The blonde all unmoving in her sweats and black tee, its pop-culture slogan there to mock the little brunette silently.

Susie is crying. Susie is crying so Magenta can't be dead. She's just playing, isn't she" She'll wake up and reveal her deception to her wife and Audrey will laugh until there are tears in her eyes. Audrey promises all of that as she stands there, though her lips move no more than is necessary to breathe. With her shoulders rising and falling, misty eyes promise- Dear God please, I promise- that she won't scream at the blonde for being so thoughtless. Without warning her knees give out from beneath her, sending her falling to the floor with force so great that wonderfully useless pain catapults through her little body.

There's blood, lots of it and it doesn't immediately occur to her that most of it doesn't belong to her Blondish. Audrey bends forward and places two trembling fingers against the artery hidden behind the soft skin and strong muscles of Magenta's neck. There's something in the way that her head lolls to one side, rigor mortis yet to stake its claim, that traps newborn breaths in Audrey's lungs. No pulse. Not even the ghost of one.

Meek, childlike, she whispers as her eyes travel along her wife's still form. "Where did you go?"

Magenta would laugh now, if she still could, would leap up and hug her darling and hoot at the success of her deception. But there is no laughter, only a silence deep as the Pacific and the little gull-cries of the child's whimpering. On the floor next to the blonde (still warm to the touch but cooling, soon to be as chilly as her former state), lies an antique watch on a chain.

Audrey's lips snap together, her nostrils flared from the power of a breath forced elsewhere and eyes that were on the verge of an unholy tempest of tears catch a blurry glimpse of the watch. With one hand refusing to leave Magenta's throat, she reaches for it with the other and tangles its chain through her fingers.

"Don't cry, baby. Little Mommy's here. Shhh," she brokenly croons to Susie. "Everything will be alright."

But it feels like someone has hit her in the torso with a rock. She raises the bloodied watch into the air and watches as it innocently dangles there, its cracked face catching Magenta in reflection.

"Abby..." Then sorrowful, the first of many tears rolling down her cheeks, she turns back to her wife. "Why would she do this to you? Oh Blondish. We'll...we'll get you some help, okay' I promise. I just need..I need..I just need to find the phone."

No "pocketa" announces Tina's approach, though it is unlikely Audrey would notice it if it did. The girl still wears her tennis togs; white as denial, but of late she has replaced the racquet with two feet of steel rebar, one end wrapped with black electrical tape to form a crude handle. Where she has prowled and what she has done there she would probably not tell, but she is terribly confused by the influence Velvet had subjected her to, both guilty for attacking the woman and guilty for not ending her. There is nothing in her scant experience that has prepared her for such emotions, and so she wanders home, toward the only lifelines that she knows.

Unaware, Audrey stands- for such a thing is an adventure in and of itself right now- her arms falling uselessly at her sides as her fingers curl and uncurl into tightly balled fists. The watch hangs between the stark white of her knuckles and she looks about the room for the phone. She finds it there on that damned end table and yet she still doesn't move, can't move and the teen's approach outside still doesn't register.

"We'll get you some help and then you'll be okay. I promise Blondish."

The gate unclosed, the door open, portents for Tina to read if she can. Before she reaches the latter, she catches the smell of blood, delicious and sickening in the same breath. Her tanned sportsgirl's legs have never rushed the net to return a drop shot as rapidly as they take her to the open doorway. And there she is confronted by a tableau that she cannot process.

A thing that is and yet cannot be. The rebar slips from her hand to clang and rattle on the floor. So much blood. But she takes hope from Audrey's words, from the thought that Magenta is not beyond help (though she has seen death enough to recognize its calling cards). It is all she can do to get the name out, and if it sounds petulant it is only because she doesn't dare give it the voice it screams for.

"Audrey...?"

There is nothing so sinister as time. It has a knack for flying by the good and a sadistic talent for crawling so slowly during the horrible bits of life; the ones that shape and skew and tear free the seams stitched throughout the hearts of those who can still claim such a thing. Audrey comes to understand this as she stands there as still as if a spell has been cast upon her. Her own heart breaks into a million pieces and she looks at Tina as if her friend can fix it, can take it all away.

"She's sick, Tina. She's sick and she needs help."

She wants the girl so badly to reinforce those words for her, to take everything her mind is telling her back. Audrey wants to twist everything around so that what she's saying is true and her wife is just ill and not lying dead at her feet and by God, how worthless am I" I can't even make to the damned phone and maybe if I just stopped working once in awhile then this would have happened and geez, how pathetic am I that I can't even quiet my own kid"

Tina stands there, mouth wide, and it all washes over her; the terrible knowledge and the worse choices. Silently she steps over to the crib, avoiding even the smallest splatters of blood. She picks Susie up in one arm and cuddles her close. Wordless still, teen and babe walk over to the little brunette and Tina clings to her fiercely with her free arm.

"I love you, Audrey." It's such a tawdry gift but Tina can think of nothing else to say.

I love you too, Tina, she thinks but the words never make it to her drawn, pale as cigarette ash lips. Audrey is trying to steel herself against reality, her fists dug into the sparse meat of her hips. It doesn't matter how useless the effort it is, because maybe she can succeed where Tina had unknowingly failed. Maybe she can soften the blow so that when it hits then her world won't crumble completely down. Of course she's seen Magenta, of course she's seen the blood, so how strange it is that Tina's embrace is the very thing that brings everything into crystal clear, painful panoramic.

"She's dead, isn't she" Tina, she's dead. Magenta is dead. Magenta is dead. Magenta is d-e-a..I don't..I don't know. No, please Tina. Nononononono?"

The adult act that Audrey had so perfected is shattered then and there, leaving behind a terrified and lonely child in her place, her entire body shaking beneath the tennis player's embrace. Tina doesn't dare speak, she only nods, her own tears wetting Audrey's shoulder, dripping onto Susie's face and this only causes the child to frown. It's an expression far older than her months can explain. They stand there for moments, an unlikely trio, shuddering against each other.

Audrey continues speaking, her voice alternating between soft, tear staggered whispers to a trembling thing always on the verge of hysterics.

"This isn't funny, is it' We're not on Earth though. I can fix it after I find Abby, after I deal with her. I'll find a way to fix it, Tina, but what do we do with the b?"

She pauses, her wide eyes defying physics.

?"What do we do with her" Tina" What do I do?"

Suddenly she's sobbing with such force that she can barely keep the sniffles from her voice and she turns to Tina and her daughter.

Something then takes shape in Tina's brain, like a picture revealing itself in a cloud. She has no idea how to answer the questions, but offers the first thought to come to her head, ignoring a lifetime of disappointments and daring to hope again.

"Mother, call mother," Tina says, and then the picture becomes clear to her; the blood and its scents and the watch still dangling forgotten from Audrey's hand and she adds," It wasn't her."

"It wasn't her," parrots Audrey. "It wasn't Abby."

It's then that she finds that she can still move and the old Bakelite phone by the couch is scoped out just to make sure and an unsteady path is carved out to it. Her steps are far from graceful and possessed of that unique stiff legged march belonging to those who don't entirely trust their own legs. With her back mercifully turned to the scene but the picture already burned into her brain, Audrey picks up the receiver and begins to turn the little plastic sphere, her fingertips recalling each and every number by heart.

Meanwhile the athlete just mumbles, blood in her nose and in her mind; blood loved and blood remembered. "It wasn't Abby. It was that Velvet. Most of this is hers. Magenta hurt her, Audrey. She hurt her lots."

But Audrey is barely listening and the moment the dull chime of a phone ringing disappears, she begins to babble. Despite what she knows, what she's seen, she still speaks of the blonde as if she were sitting next to her on the couch.

"So we need help and there's Velvet because Abby didn't do it but I don't know and I just..we just...please. Please come over. Make it right..." Then she adds a finishing touch, her voice so small that it's barely audible. "...please?"

Tina has been down before, facing break point in the third, and self pity never won one of those matches for her. Shock and sorrow she herds up and locks into the closets she reserves for anything other than the path to victory. When she speaks, her voice is almost normal. "She's coming" Mother is?"

"I don't know. I think so. I hung up." At least she thinks she had.

There's a mechanical, highly annoying beeping on the other end of the line and Audrey just drops the receiver, trusting its fate to the length of its Curly Q cord. Susie is still crying and she should hold her, but Audrey should do a lot of things. Her eyes are still wide, the lids red and puffy, the tears stopped for a brief moment. She refuses to look at Magenta and turns instead to face the hallway.

"I should go get some clothes, shouldn't I?"

Clothes" Why would they need clothes" But it gives Audrey something to do and action is their friend right now so Tina only nods in agreement and scans the floor for her dropped rebar and marks its spot.

"She'll come. She'll help. She knows a lot."

Audrey nods her head despite there being no way for Tina to see. She needs to keep busy until the world makes sense again. She had already come out of the end of her fledgling grief- however temporary- and straight into the awful No Man's Land of shock. The hall is darker than she remembers it, colder too and when she makes it to the bedroom she pauses and just stares at the dark, nonsensical paintings that ancient stain had once upon a time brought out of the woodwork.

"I'll have to find Saffron too," says the brunette to the door.

Arts will come. Tina said so and Abby hadn't killed Magenta. It's still hard to shake.

And come she does. If Artsblood had run the whole way (and certainly she must have to arrive so quickly) there is no sheen of sweat on her chill features, no dishabille. She stalks in, all skinny limbs, as if it were her home and her crisis. She scoops up the child from Tina's arms, Susie immediately quieting in her embrace, and kneels next to Magenta's body, touching her forehead briefly and frowning.

"I had hoped it would not be this late and that I could sire her again. This is beyond my kin, Miss Audrey. If there is to be any hope at all, for whatever necromancy you might dare, we must keep her cool."

Tina only pauses to watch her mother take command, hero worship clear in her huge grey eyes, and then she stoops to scoop up the tape-wrapped rebar and flees, a picture of adolescent fury.

Necromancy. Audrey hates that word and what it means. She traces the doorknob with a fingertip as if she's never seen such a thing before.

"Keep her cool," she repeats softly, sadly, little broken record girl.

The world is too quiet without Susie's howling. A shake of her head, a twist and a jiggle and the door opens slowly.

"Geist. Geist. Geist can keep her cool."

She steps into the chilly room and the scents that greet her only add to her misery. The blonde is everywhere in there, from the messy pile of bed linens to the Alice costume hanging on the closet door. Audrey stands a few feet away from freedom and just stares.

Artsblood's little voice is soft, the child gurgling softly in her arms, "That is your first imperative, darling, to chill the tissue...." She pauses, with awkwardness as unlikely on her pale features as a firefly on a glacier. "Do what you must, Missy Audrey, and I shall help in any way that I can. It occurs to me that I might have neglected to tell her how very proud I am of her."

Anger should never shake hands with grief.

"Go ahead," she thinks, her nails digging into the doorjamb. "Tell her, Arts. Tell her how damned proud of her you are. Too little too late."

With her lips drawn taut, Audrey ghosts further into the room, into the scents and the sights that greet her with deceptively familiar cheer. She stops by the bed and looks at the side where her lover had so recently slept, her head c*cked in thought. While Arts waits for Audrey she notices the outlandish Audrey Hepburn sunglasses where they landed when Magenta fell, and picks them up, hanging them by one earpiece from the neck of her little black dress.

"We must hurry, missy dear," she says, with an infuriating practicality.

(Taken from play with Her Awesomeness.)