The great car hugged the twisting dirt roads, as if its weight and that of the earth were French kissing each other, its mighty V8 wound up to a moaning foghorn bellow, Little Richard shouting counterpoint on the radio. Behind it, a grey-brown tornado of dust rose, coating the lower branches of the Douglas firs that loomed on both sides.
Magenta drove, snugged into an iron-grey skirted power suit with padded shoulders, matching heels. She wore a scarf on her head and oversized Audrey Hepburn sunglasses. Audrey looked tiny on the bench front seat beside her, dozing, perhaps, or lost in thought. The back seat and trunk were Tetris-packed with luggage; including shoeboxes, hatboxes, and a timeworn leather portmanteau containing legal and illegal pharmaceuticals in a volume and variety that might have intimidated even the legendary Dr. of Journalism Raoul Duke.
A 1953 Caddy (Magenta liked to call it a L'Esprit de L'Escalier, after one of her bride's favorite phrases), the convertible was long and low, all black and chrome, resplendent on its whitewall tires. The women had made good time, making a last stop at the Lamplighter Inn, on Highway Two near Lewis Fork, to top up the hungry Caddy and indulge in ceremonial slices of cherry pie.
The blonde scanned the scenery with a mixture of curiosity and her usual ferocious protectiveness. The mountains and evergreens, rivers and ferns were strange to her, an old and vibrant life that nagged at her like a fled memory. As they rounded a corner she saw the sign ahead, quaint, hand-painted. Magenta tapped the brake and turned the wheel hard, sending the big car into a powerslide that ended only feet from the billboard. Road dust settled soft around them like an ugly snow. She turned to Audrey, lifted her sunglasses atop her scarf.
"Ta da." She said.
"Welcome to Twin Peaks," the sign read
Magenta drove, snugged into an iron-grey skirted power suit with padded shoulders, matching heels. She wore a scarf on her head and oversized Audrey Hepburn sunglasses. Audrey looked tiny on the bench front seat beside her, dozing, perhaps, or lost in thought. The back seat and trunk were Tetris-packed with luggage; including shoeboxes, hatboxes, and a timeworn leather portmanteau containing legal and illegal pharmaceuticals in a volume and variety that might have intimidated even the legendary Dr. of Journalism Raoul Duke.
A 1953 Caddy (Magenta liked to call it a L'Esprit de L'Escalier, after one of her bride's favorite phrases), the convertible was long and low, all black and chrome, resplendent on its whitewall tires. The women had made good time, making a last stop at the Lamplighter Inn, on Highway Two near Lewis Fork, to top up the hungry Caddy and indulge in ceremonial slices of cherry pie.
The blonde scanned the scenery with a mixture of curiosity and her usual ferocious protectiveness. The mountains and evergreens, rivers and ferns were strange to her, an old and vibrant life that nagged at her like a fled memory. As they rounded a corner she saw the sign ahead, quaint, hand-painted. Magenta tapped the brake and turned the wheel hard, sending the big car into a powerslide that ended only feet from the billboard. Road dust settled soft around them like an ugly snow. She turned to Audrey, lifted her sunglasses atop her scarf.
"Ta da." She said.
"Welcome to Twin Peaks," the sign read