Hidden inside him
Music for the dark
They say if you press your ear to a tree in a storm, you can hear the storm howling inside it. Madison had never done so, but she could hear and feel the peals of the Dead Tower in the burning city whenever she got close to Perpetual Misery. In fact, any bell tower bore the same effect on the woman. A bone-thudding tolling, that rang right through her upon sighting the structure.
But, she likened the feeling to the feeling of wrongness. How it too could roll through the bones. How she felt, this very night. How she had, since the outlaw had made his way from Redemption. And as she walked to the bell tower, she recalled other times the bells of warning had wailed through her soul. She recalled the stories after Elijah had been found hung from the clock. How the whole of West End was cast in fear and an unspeakable pall. How Shylah had reacted when Andy Jacob made his slant-wise recommendation that the woman turn her eyes high. Elijah had been missing for a time and the Norse was worried. Madison had wondered often of that tale; whether Shy had ever had a hunch that something had gone wrong, and what passed through the old rancher's head in the minutes for his death.
They'd never spoken her and he, so it was by mere association that Madison felt the prickling discomfort that lingered in the wake of his death - seeing the look of Shy's face. There was no name for that emotion. It was its own breed. Like there is no name or emotion to wholly capture the crushing, unimaginable terror and pain and world-destroying, soul-slaying of a child's death.
Madison had seen that look on Shy's in her own face, on that day in the yard when the missive came with the sheriff that Elijah Donaldson was dead. Her husband, who she'd been waiting on faithfully; not only in his fidelity, but his life. She hadn't ever sensed he was gone, but how could she doubt the words? There was no reason to devalue what had been delivered. To deny it was to deny the death, and he, she told herself. But then he'd walk back into her life years later, as alive as a man could be - skinnier, his hair almost as long as hers, and wild and the colour of sunlight, and his eyes looked like eyes that had seen something they hadn't forgot. She thought of those eyes, and Shylah's face, because she had seen those expressions in the mirror countless times.
So when she opened Douglas' note to meet him at the tower, it was with the same unsayable, assailing mood and instinct that the haggard hound was indeed a thing of substance. It said, that with this path, was a probable ending. Madison wasn't afraid of his pulling the trigger. She wasn't afraid of his denying her again. Her love for him was hers, and even he couldn't take that away, even as every day passed saw the outlaw as a ghost and less a being of flesh and blood, of compassion and affection. She had been there, where he stood - a different road to be sure, but she'd been there. Spectral, faded, mad. Ardently, she had tried to forget. Really, she had only been scared. She saw it beneath his actions. It was simply the reason why she could not let go - love, or not.
At long last, the desert, the dust, the dreams behind her, old boots drew up in the cold-stone shadows. Passers-by would see Madison had come dressed as a woman might should she be wandering into some innocent meeting, some summer-evening stroll - in jeans, a cameo-pink short sleeved blouse that tied into a bow at the collar, and lace-up elk-skins. Gloves and a thin leather jacket warmed her against the West End's chill, and some buffer should anything become ugly. All this observed, most curious of all, was the absence of iron. Just meeting a friend. Nothing on her to speak of smoke and death. Her eyes burning against the dark, as she sought out his face in its reaches. Her shadow hadn't followed her here, though it stretched wide and strong in the light of day. But here, in the gloom, it was scarce. Her hat askew, she righted it, pinching the age-smooth brim between gloved fingers as she turned a circle. "Round and round you turn, Glenn Douglas." His name a frayed whisper in the night.
His letter, like her eyes, burned in the back pocket. Words had the power to scold, to set alight, to burn a woman alive. Suppose it was that Glenn Douglas might be the last man she love, and yet the first to love her and threaten her death. Yet there was a likeness, to the ash & cinder history. Why was it that time stretched like a line until it curved back again. Was Glenn sentenced the same pattern to run the lines of his soles against, to travel along, like her? Dust scattered in the wind.
"Come out, come out..."
She looked up along the facade of the tower to its peak. The moon sat just behind, its pure silver reflecting off the surface. It was quiet. Too-still. She breathed out. Lowered her eyes. Listened for the stir of steps. The song of scales. The presence of a dead man.
Quick round every turn
Within your frame
My sister
They are endless three
Yet in the mirror of the knife
I see only me
((lyrics transcribed from Cowhawkin Road, D.E.E))
Music for the dark
They say if you press your ear to a tree in a storm, you can hear the storm howling inside it. Madison had never done so, but she could hear and feel the peals of the Dead Tower in the burning city whenever she got close to Perpetual Misery. In fact, any bell tower bore the same effect on the woman. A bone-thudding tolling, that rang right through her upon sighting the structure.
But, she likened the feeling to the feeling of wrongness. How it too could roll through the bones. How she felt, this very night. How she had, since the outlaw had made his way from Redemption. And as she walked to the bell tower, she recalled other times the bells of warning had wailed through her soul. She recalled the stories after Elijah had been found hung from the clock. How the whole of West End was cast in fear and an unspeakable pall. How Shylah had reacted when Andy Jacob made his slant-wise recommendation that the woman turn her eyes high. Elijah had been missing for a time and the Norse was worried. Madison had wondered often of that tale; whether Shy had ever had a hunch that something had gone wrong, and what passed through the old rancher's head in the minutes for his death.
They'd never spoken her and he, so it was by mere association that Madison felt the prickling discomfort that lingered in the wake of his death - seeing the look of Shy's face. There was no name for that emotion. It was its own breed. Like there is no name or emotion to wholly capture the crushing, unimaginable terror and pain and world-destroying, soul-slaying of a child's death.
Madison had seen that look on Shy's in her own face, on that day in the yard when the missive came with the sheriff that Elijah Donaldson was dead. Her husband, who she'd been waiting on faithfully; not only in his fidelity, but his life. She hadn't ever sensed he was gone, but how could she doubt the words? There was no reason to devalue what had been delivered. To deny it was to deny the death, and he, she told herself. But then he'd walk back into her life years later, as alive as a man could be - skinnier, his hair almost as long as hers, and wild and the colour of sunlight, and his eyes looked like eyes that had seen something they hadn't forgot. She thought of those eyes, and Shylah's face, because she had seen those expressions in the mirror countless times.
So when she opened Douglas' note to meet him at the tower, it was with the same unsayable, assailing mood and instinct that the haggard hound was indeed a thing of substance. It said, that with this path, was a probable ending. Madison wasn't afraid of his pulling the trigger. She wasn't afraid of his denying her again. Her love for him was hers, and even he couldn't take that away, even as every day passed saw the outlaw as a ghost and less a being of flesh and blood, of compassion and affection. She had been there, where he stood - a different road to be sure, but she'd been there. Spectral, faded, mad. Ardently, she had tried to forget. Really, she had only been scared. She saw it beneath his actions. It was simply the reason why she could not let go - love, or not.
At long last, the desert, the dust, the dreams behind her, old boots drew up in the cold-stone shadows. Passers-by would see Madison had come dressed as a woman might should she be wandering into some innocent meeting, some summer-evening stroll - in jeans, a cameo-pink short sleeved blouse that tied into a bow at the collar, and lace-up elk-skins. Gloves and a thin leather jacket warmed her against the West End's chill, and some buffer should anything become ugly. All this observed, most curious of all, was the absence of iron. Just meeting a friend. Nothing on her to speak of smoke and death. Her eyes burning against the dark, as she sought out his face in its reaches. Her shadow hadn't followed her here, though it stretched wide and strong in the light of day. But here, in the gloom, it was scarce. Her hat askew, she righted it, pinching the age-smooth brim between gloved fingers as she turned a circle. "Round and round you turn, Glenn Douglas." His name a frayed whisper in the night.
His letter, like her eyes, burned in the back pocket. Words had the power to scold, to set alight, to burn a woman alive. Suppose it was that Glenn Douglas might be the last man she love, and yet the first to love her and threaten her death. Yet there was a likeness, to the ash & cinder history. Why was it that time stretched like a line until it curved back again. Was Glenn sentenced the same pattern to run the lines of his soles against, to travel along, like her? Dust scattered in the wind.
"Come out, come out..."
She looked up along the facade of the tower to its peak. The moon sat just behind, its pure silver reflecting off the surface. It was quiet. Too-still. She breathed out. Lowered her eyes. Listened for the stir of steps. The song of scales. The presence of a dead man.
Quick round every turn
Within your frame
My sister
They are endless three
Yet in the mirror of the knife
I see only me
((lyrics transcribed from Cowhawkin Road, D.E.E))