Topic: Lullabies from a Forsaken Earth

Nigel Alder

Date: 2010-01-20 05:10 EST
Bound in leather, the pages were lined in staffs and bereft of notes when he had first bought it. Branded in the cover was a tree with a slim trunk and various branches covered in ovoid leaves. Beneath the Alder coat of arms the word "Lullabies" was branded.

It was a gift.

And always would be.

His father had always insisted that he and his sisters alike receive the best education they could. It had all started with Jacqueline and her love of the violin. Olivia soon took up the piano to keep the sibling competition constant. It skipped Victoria and Caroline. But the bug bit Liza hard, and being the sister closest in age to young Nigel, it was natural that he wanted to learn.

Out of all the things he did associated with an upbringing from old Welsh money; the polo matches, the rugby games, it was music that was his first love. When he was old enough it was the piano, like Liza. Not surprisingly, he took up the organ and joined the church choir. When the Church began to openly disapprove of the money the Alder family spent on the church band, he picked up the guitar.

He had bought it in the midst of the season. Beneath the light of falling snow reflecting the city's lamps through his window he scrawled the notes in a precise, neat, calligraphic hand.

The first tune started with an open G, plucking only the third and sixth strings in 1/8ths time. It moved through other open chords; Em, C, D, all plucked in that tempo with a lone voice that wept to echo the cello's sobs.

An old earth song from days before the war and his youth.

When finished, he inked the title and artist at the top.

The first lullaby.

The Crane Wife 1&2
The Decemberists

Nigel Alder

Date: 2010-02-14 05:04 EST
The words were gone. Leaving him when that grin and another mention of chocolate eyes chided, struck a chord, piercing places callused hard beneath an insurmountable press of faith formerly shattered.

And forgotten.

It started with arpeggios. A capo choked the chords from the third fret. Plucked in succession from the fourth string down before it ascended again, in 4/4 time.

There was no strength needed. Not with how eased motions lifted her to that wall and nearly drowned her in the flat, unyielding surface. With his body. Something inherently gentle lapped, affectionate, residing enduring, everlasting, behind that urgent, aggressive grasp on razor honed hipbones.

If all the world could take a moment.

To cradle back into slow motion.

He scrawled, joining the lyrics beneath the first few bars in that precise, calligraphic hand only used in her book of lullabies.

Inky curls spilled immaculate, dividing against the divine outcrop of formed pectorals. An arm beneath the inward curve of knee, the other supporting her effortless against the stark jut of scapula. Carried in a cradle at his chest. Mist curled out over the drawn bath, the washroom was fogged.

Cause it?s all moving too fast.

You had your shot you took your chances.

All through you battled for the answers.

You were brave to the very last.

That last sung note resounded long. The arpeggios changed then, strength growing with low strings plucked first from the fourth string again, returning after the sixth sounded.

The Brit had charm. Like a perfect gentleman he moved the cloth, leaving suds on her flesh in its wake, brushing now damp and straightened threads of ebon away to give the scars breath. But the Brute had courage. He couldn?t remember how many times he ?accidentally? dropped it beneath the surface, plunging his hand down into the water, deliberately trying to find it again with a roguish grin sparking his eyes alive.

Just like a wave on the ocean.

There?s forces that run so deep.

I?m falling into the temptation.

Joined by an absolving sweep of bow against violin strings, the lyrics rung full.

To let it wash all over me.

Come and wash me clean.

Burrowing into each rend, each crevice formed by the hands of others, the soft cloth was much different from the brush that had made him Job. He scrubbed delicate, pads and palms gaining purchase into that blood borne ache he tried desperate to cleanse. In those moments, with the fond brush of soap caressed over her flesh, he yearned to be John the Baptist.

A nervous step into the future.

While the present shatters all around you.

It?s all moving too fast.

And now the footprints of your failures.

Seep into the safety of the harbor.

Leave it all in a dark past.

The pattern was kept in perfect cadence with each reverberating note. Building again to the strength needed for the chorus.

Wrapped in white, held aloft, he took care before he shut the lights. Carried again, from black shadows, to sparse light that slit slatted through shuttered windows, she was set into the embrace of satin covered down blankets.

Just like a wave on the ocean.

There?s forces that run so deep.

I?m falling into the temptation.

To let it wash all over me.

Come and wash me clean.

Again. But the mattress was more pliable than the wall. Even with long shadows he could see her eyes clasped closed tight. Chin buried in the non-existent rise of trapesius, he bit his lips to keep the words inside. Focusing only on ragged breaths.

The violin?s notes trilled soft, the cries building in intensity, joining, with separately struck strings through those gasping chords.

Until they reached a crescendo.

Come and washed me clean.

In lofty moments, he sung it acapella, letting the waves ebb her off to sleep.

Challenged earlier that night to find one that was appropriate, and satisfied he had, he transcribed the last note before inking the title at the top.

Wash Me Clean
Bernard Fanning