Topic: Gone to Cossol

Glenn Douglas

Date: 2016-06-09 22:43 EST
Cossol was a city unlike any other. It was a mismatched landscape of rickety, leaning buildings that seemed to be stacked up on one another with no rhyme or reason. The people flooded the streets in a sea of sweat and grime. The streets were made of dirt turned to black mud in most places. The earth around Cossol was beaten down. Devastated and destitute. Somehow the farmers in the outlying lands were able to make food grow. Somehow.

The people of Cossol were of a tough, heartless breed. They were dangerous and bloodthirsty, all of them. They would fight you and kill you for looking at them, for breathing air that wasn?t yours, for drinking a beer that they wanted to drink. Death in Cossol was an everyday occurrence. People were sick. People were shot, or stabbed, or hanged, or beaten and left to drown in their own blood in the muck. The animals were either monstrous or sickly. The dogs were either gaunt or vicious mongrels ready to tear the flesh from a man?s throat. Everyone was armed.

There were few children in the streets and those who could be seen had a steely gaze to match the oldest, most grizzled gunslinger. They survived on instinct and cruelty alone. They were the worst of the lot. Because the children of Cossol, unlike most of the city?s citizens, had never known a place other than this. They had not come from loving families or peaceful towns. They grew up in the Black Heart of the West, and had never felt the tenderness of a mother?s love. They knew hunger, cold, and sickness. They knew violence and exploitation. The little monsters had their own gangs and in some parts of the city, they seemed to call the shots.

Cossol was not a place for the weak willed or the faint of heart. Cossol was meant for men beyond hope of redemption.

Cossol was Glenn Douglas? home.

The pursuit had worn at Madison in ways she hadn't expected it to. It had been months since she had been on horseback for so long a ride, she still felt the loss of equilibrium at times that came with bearing the body of a new mother, and the tiredness that had come from that tugged at her senses, at the eyes that peered from her wind-licked, determined face as she guided the horse into the edges of dirty Cossol, where what was a road was barely severely beaten dust and gravel from years of traffic. A raven cawed at her from the turreted edge of the dilapidated chapel which was graffitied and covered in lewd slogans on one side. A priest watched her grimly from its front staircase. She tore her eyes off him and continued into town. People passed her by with looks of resentment or anger or distaste. She didn't hold their gazes for very long, either. Coming to a rundown bar, she dismounted and walked the mare to the very far side where a few other horses, far less healthy than her own, were tied. Madison didn't like her chances of returning to find her horse was still there, but she wasn't a woman with many options at all right now, so she chalked it for the pile. Pulling down the brim of the black hat, beaten as the road underfoot, Madison Rye descended into the black heart that was Cossol, just another face amongst other faces, in the street thick with bodies and grime.

Eyes watched her from across the way. Eyes that were like two pools of amber. Gold, they were, and bright. When Madison dismounted a man who seemed, prior to this point, a fixture on the wall against which he leaned, stepped out and approached. He had in his hand an envelope made of yellowed paper. He held it out to her. His face was darkened by the sun, lined with wrinkles, and covered in coarse, salt and pepper hair. He had a groaning croak of a voice.

?Welcome to Cossol Miss Rye,? he said. ?Got a letter for you.?

Her eyes caught light and threw it the way a knife does as they met those of the strange man and he was given a close, bald study. Her hand was out swiping the letter from him. Her eyes still on his while she did so. "He expected me, huh." Her voice and her expression of it was dry; you could strike a match off her tone. She gave a quick glance around, at the passing folk. Amongst them, she was a scar - in all black, from head to toe, and the leather jacket, creased with the years. A scar of a woman, a slit in the throat of a city she didn't belong in. The place spoke to her as these towns always did. It occurred to her how little she liked that croon, the sound of it, the way it reached her, but that she knew it too well. Her eyes finally fell on the page.

The letter turned out to be a sentence long, nothing more. "Get out of Cossol, now." The man offered her a crooked, toothy smile and pulled a knife out from his hip and brandished it on her. "I was told you might need some convincing', Miss Rye," the man said, waving the knife around lazily.

There was only mild alarm on her face as the knife in the man's hand cut through the sentiment that hung in the air written on a piece of paper. A brow went up as the blade was held towards her and she smiled. "Did he pay you well, or suck your cock?" Her right leg went out to sweep his ankles while her left hand went to her hip. The smith and wesson was held out towards him. "Now tell me, where did he go?"

The crowd went on passing by, like nothing had happened at all. Only the raven at the chapel made a comment on the proceedings. It cawed twice loudly and took flight. A swoop into the air in a flash of black wings. It carried on over the rooftops

The man dropped the knife as he fell to the ground with a loud cry in surprise. He stared up at the gun that was now pointed down at him and opened a shark-tooth grinned. "He offered me something' better than that, Miss Rye," he laughed back up at the woman and placed his hands in the mud to push himself up. "I ain't tellin' you shit."

Her right hand balled the paper in a fist and tossed it to the ground. It was soon trampled with mud. Something in that made her sad, that everything between them seemed to go to just that. The man was retorting something to her, her mind too fat full of thoughts to really be paying any attention when she realised he wasn't going to cooperate. Spinning her gun in hand, she beat the handle across his face hard and stepped back. "Then sleep." And she moved on through the crowd, heedless of eyes but her own pair scanning the balconies and alcoves, windows and alleys in this mismatched hell hole. Even the air smelled wet with decay. Old, dead roses, a faded notion of smoke. She walked past the coffin maker and dared a look inside. Onwards she walked. "Where are you, Douglas. Where are you." She murmured. A pair of children moved up to her as she re-holstered the long nose of the pistol and held her hand at her side. One was selling small, hard boiled candies and the other was holding a small narrow stiletto at her. "Pay up, lady. We poor, 'ware or have pity o' our souls." Madison looked at the candy seller with a lengthy stare, the mother in her perturbed, but she pushed on past giving the one with the blade a square look. "If you touch me, I will hurt you." The children watched her go silently.

As she moved onwards, she regretted her words instantly. She inhaled sharply and continued to browse the streets. There were three coffin makers on the one street. Her face went solem.

The city thrummed with violence around her. Its people seemed to pay her little mind, seeming more intent on brutalizing one another. There was a bar at the end of a street and people were flooding around it in scores. Inside they formed a ring around a pair of men who were throwing wild punches at one another, their faces and bodies blooded beyond recognition. Glenn Douglas was not amidst the crowd, but he was nearby. One of the taller buildings had windows facing the street. He could see the crowd and the coffin makers and he could see a black scar cutting its way through the sea of bastards that toiled around Madison Rye. Glenn smiled at first, in a cruel way, and then he frowned. Cossol was no place for a woman like her. She was strong, but she had a heart. He opened the window and leaned out, bottle in hand, and watched her look for his dead body inside a coffin.

He couldn?t call out to her over the hollering crowd, so he hurled the bottle across the way and it shattered against a wall behind a coffin maker, making the gathered people nearby shout and cry out in surprise. They turned and raised their fists and their knives and their guns, looking for someone to beat and kill and blame.

Madison visibly gasped and seemed surprised at the bottle, the splinters of glass and leapt back in reflex as it shattered in front of her against the wall of the coffin maker. She looked down, it sparkled at her feet. She couldn't help but grin, though it was not laced with any warmth, as her eyes sought out the perpetrator. When they slowed to a stop on the window with Glenn peering out it she just shook her head. Her eyes glued on his from a distance.

He met her look and then he retreated back into the window and closed it. Glenn turned, his movements slow and methodical. He shrugged a shirt on and buttoned it up, threw on his belt with his gun, and walked toward the door. It opened into a narrow hall with a flight of stairs going up and down. He went up, taking his time like a man marching to a firing squad. Up and up he went, slipping past the people who littered the stairs as they stood around and yelled and tried to rob one another. Out on the roof he could see more of Cossol spreading out before him and he felt a strange sensation.

Pride? This was his home. His kingdom. Here, Glenn was in charge. The city knew him not, but he understood it implicitly, and could manipulate it to his whim. At least, that?s what he told himself.

?Hurry up, Madison.?

Her jaw worked and flexed as she stared up at him with a rage that had been simmering in her chest and was the single reason she had entered his wretched empire at all. She knew very well this was his court she was in, and the way things moved wasn't the way they had in Lofton or even York. Her eyes slowly drew from his and fixed on the door to the bar which she moved for. She shoved past the whores, the lecherous stares and hands which reached for her and stopped with but one single, shard of ice glare from her. The stairs she stumbled up past the bodies, the broken wood. The higher she went, the more she felt it wouldn't end. Every hall and staircase seeming more crooked than the last. When she reached the roof it was with a hungry gasp of air and a look that was withering. Her hand still at her side. She moved towards him and stopped only when it was they were face to face. Her jaw was still flexing, her teeth still grating, her eyes still on fire. Madison Rye just stared at Glenn Douglas, breathing in and breathing out. "I have been askin' myself one question this one long afternoon and I still don't have an answer. Not one that makes sense. I know you got it in your head that it is best without me, but we are both done talkin' about what won't ever be. We're not friend, but we're not enemies. Which is why, I can't answer that question, Douglas. I can't answer why, despite all the bad and all the good, you'd try to kill me in my own house and rob my bar. Again. To what end are you workin?"

He was standing there smoking a cigarette when she came up and only the faintest hint of surprise crossed his otherwise impassive face when she spoke. He flicked it and ash scattered in the wind to go off dusting over the city. He turned away from her and looked down into the street.

?You ever been to Cossol before, Madison? I know I mentioned it to you once before, but I don? think you?ve been here before now.?

He waved a hand over the city. ?Cossol is the place that made me, me. It?s a real shit hole, but it?s always here, waiting for me. Never lets me down.?

He breathed deep of air that was clogged with smoke and ash and smog. ?I?m just tryin? to get by,? he answered. ?I?m tryin? to let go of the past, but you don?t seem capable of doing that.?

?So what did you come here for, Madison Rye? To kill me? I already died for you once.?

She swallows and turns to look to the streets below them. Past the smoke and the smog. The air here was like the hands of the men downstairs, iyt clung and it grabbed and harassed and a hand held her hat to her head as she looked from the distance and to him, standing there smoking and like he didn't have a care in the world. "I rode here to do somethin'... I haven't decided just yet. I was in the house when it went up in flames... ... why would you possibly want to kill me when you died for me? How... " she trailed off and tore off her hat in frustration at the predicament, at the ceaseless tug of the air. She brought her arm back and then tossed it off the edge with a grunt. It spiralled in an eddy of wind to the world below. It fell like the swooping raven.

"I was in the house when you set it on fire...and accordin' to testin by the Watch, it was you who robbed my bar. And..why ain't we talkin' about what happened, with Glass Eye, all the damn dogs, what happened to your goddamn hand. Do you even damn well know yourself? Or are you happy to parade around half dead and angry forever? Or, all dead... as the case may be?" Her eyes settled on his mouth.

"What's your truth, Douglas. Do I have to kill you to be done with this? This can't go on forever?"

?I ain?t robbed you since the day we met, Madison Rye. And I didn?t try to kill you. What were you doin? in the house??

He shook his head took a drag off his cigarette. ?What do you want me to say about any of it? I died and then I didn?t. I was marked and then I wasn?t. Way I see it, it?s none of your concern anymore. We?re done. You?re the one who can?t seem to figure that out, you keep comin? back to me, keep bringin? up the past again.?

?Your man Tag know your here? What about your daughter? Kinda person leaves their family behind to come to a place like this for a man like me??

Madison Rye

Date: 2016-06-12 11:00 EST
"I came by the house, I came to this hell-hole, because someone robbed my bar. And, by all that's tattlin' my way, says it was you who broke my window again. I came by the house just as it's set on fire, so, you sonofabitch, you tell me how it looks."

She got into his face, then. "Don't flatter yourself that I'm here for you for any reason but that. I wouldn't leave my family behind had I not experienced what I have in two days. Two days that led me right here, Douglas. Right here", she shoved a finger into his chest, "right here to you. To this precipice."

She gestured flippantly to the edge of the roof below them. The ruin of a town below. "I want to know what it was that turned you against me after the tower. Why it is my bar is robbed and your blood was on its floor. Why the house was set on fire when I set my damn foot in the door. You tell me, was it Foley put you to it? Huh? That slimy f**k? Tell me now, everything." Her hair was a tornado around her in the gusts coming off the lip of the building. Beneath them shouts and hollers and cries and laughter, breaking glass and gunfire.

Her breaths came quick and hard with the fury of the feeling in her. "Tell me. But don't you damn well ask about my family, about Tag and what he knows and what he don't. He is never, ever a concern of yours. His name don't belong on your filthy, no good mouth."

Her hand on the gun, her boots keeping balance. "We're at the end of the world, now. We're at the end of us, of everything we encountered. I'm raisin' the past because it is my concern. It was my livin' and my doin' and I got questions burning in me that need their answers. Answers that live inside you."

She stepped back from him and settled her hands on her hips. "I a'int leavin' til you do. And neither will you."

Glenn Douglas

Date: 2016-06-19 08:25 EST
"Ain't you learned a thing, Madison Rye?" Glenn asked. He stepped closer. Close enough for her to smell his sweat, to smell the whisky on his breath, the cigarette he'd been smoking before she arrived. He raised a hand between them and showed her his palm, which had a long gash in it that had been scabbing over for several days. "If I wanted you hurt or dead, I'd do it the old fashioned way. I don't leave things to chance, Rye."

He took a step back, then another. For a moment he seemed ready to back up off the edge of that roof and fall down into the crowded streets below, but he stopped just at the edge with a wide, sharp grin. He hooked his thumbs into his belt and bent his knees a little bit, as though they were stiff. The sun was beating down right on top of them. That roof was on fire.

"Foley had your place robbed. Figured you were smart enough t'piece that together yourself," he smirked. "I burned the house down, though. That was me."

His gaze turned wistful and distant when he spoke about Redemption. "I just couldn' stand it, Madison. That place. It was empty, even when I was livin' in it. At least when I was squatting it didn't seem abandoned. But once it was mine I just couldn' stand it. It wasn't Redemption no more, Madi. It was Hell."

"I hated that place. So I burnt it to the ground and ran. Tryin' to get away from the memories. And you."

"But here you come chasin' me again."

Madison Rye

Date: 2016-07-11 05:11 EST
"And you made it Hell, Glenn. You did. You're the anger that possessed those old walls. You left me, if I recall. And now, I am engaged to Tag, mother to his children and you come into my life, tell me you love me and question my decision to domesticate myself. Don't you realise, or are you really that far up your asshole?"

Her face was wide open with that pain. It did not hide in the pale of that face and the soft regard of her blue eyes. "I loved you awfully much. And you pushed me right away, more than once. Eventually I gave up, because I couldn't under why you were choosin' what you were choosin'. You never explained a damn thing to me, not once. Just threatened me over and over. And now I am settled and happy and you have the audacity to regard me like cattle; like I'm some dummy enclosed in a life that seemed easy. I know what you think, you said as much when we met at the hall. I can smell the disapproval on you. But love is freedom if it's with the right person, you bastard. All you did was trap me in the idea that maybe, just maybe, you'd have the guts love me. But like most men, you were afraid to" her hands went into the air and then slapped at her waist."

Steps backwards, an arm stretched out, she's shouting the rest, over the sounds of the ravens that are gathered on an opposing roof, over the sounds of the bar, of all the breaking windows that lived between them.

"And now, now you're still arrogant enough to assume that I am here out of anything more than pity and concern that you may have been involved in tryin' to kill me in my own property; the bones of that house are mine all mine and always will be even as she burns in that dust. I am here because if I don't chase you down like a dog you'll tell me nothin'. And you are a dog and you are a coward. I see that now with my eyes. My eyes that aren't taken by your cockiness as some kinda charm. A'int fooled by the notion that we are cut from the same cloth. I believed your lie for too long.


However, I'm not here to call out the flaws in your character, though I am enjoyin' it very much... but I can't speak with authority like that when I'm still pickin' the bits of myself up off the ground. I needed to look into your damn face and know that you didn't set that fire to kill me. And that you didn't rob my bar, again. And I believe you didn't. Because as I look at you now, Glenn, I see that you love me. Otherwise you would have done those wicked things, or, damnit, I'd already be dead."


She was startled by the tears in her eyes as she collected herself with a gasp and turned away from him to wipe her face into the sleeve of her jacket. The sun was slowly sinking behind the crooked lines of the city and the shadows were all stretching long, stretching wrong; reaching and pulling and she was sure if she didn't get out of his face now and away from the feral scent of him and that bar she would be sucked back into some black place where she would be eaten alive. The past had tried twice and she wasn't prepared to go through that again. Red-eyed, she faced him again.

"You need to know and you need to know it every morning you wake up; that you did what you did to us. And that I love Tag with all the might of the strongest and most terrible winds and I ain't half afraid to blow you away with it if you come back to me in any way." One fist balled at her side. "I don't want us to come to that, that I needs to be puttin' my fist in your face. Do not give me a reason."


Madison turned and made for the door and started moving down each wretched floor after floor after floor. She couldn't seem to move fast enough; all the bodies, the uneven floors, the tight and narrow staircases. It all seemed to be crushing against her, keeping her back; all was slow motion. Her body leaning forward, her nose out, trying to find that air that told her she was near the exit. When old boots hit the threshold and she stumbled out onto the street, yells and hollers and snatching, groping hands at her back, one managing to drag her back by the arm before she swung at them with a shove and outside, she cried out. A hundred proof panic tearing through her. She tore up the main street past the coffin makers for that horse, hoping it was still there. Madison couldn't remember the last time she ran that hard or that fast. Baby Ame in her head with every beaten and hasty step.

The Irishman

Date: 2016-07-11 09:57 EST
Foley was standing by her horse. He was cooing softly to the beast, patting its neck, resting his forehead against the side of its head. He spoke in a whisper, his eyes closed, and he didn't seem to notice Madison for a long moment until she was nearly on top of him in her panicked escape from Cossol, the crowd, and from Glenn Douglas. Then he stopped and looked up at her and offered the reflection of a warm smile, but something did not quite add up in the way he looked at her.

"Miss Rye," he said politely, inclining his hat to her. "Never thought I'd see you in a pit like this. If I may be so bold as to inquire...are you hear for Douglas?"

He stepped away from the horse and shoved a hand into his coat pocket and took a step toward her.

"Between you and me..." he looked over his shoulder as though fearing eavesdroppers. "That man is very troubled. Sick, professionals would say. I'm not sure what I can do to help him, though I have been trying."

Madison Rye

Date: 2016-07-11 19:12 EST
Steps came to a stop. Around her, the crowd thinning, most off to their families, darker streets to commence their crimes or the dull-glow of one of the dozens of local drinking holes. On the ground still lay the cut-throat she had taken the handle of her gun to not forty minutes prior and his knife still in his grip. That said as much about that city as anything; that a man could be stepped over and ignored even as he lay unconscious and holding his knife.


Just ahead, was the mare and Foley. The sight didn't altogether surprise her but it did warrant the lift of a brow and the hand at her hip and warning stare she gave a man. It struck her, briefly, how second-nature this behaviour was to her even though she hadn't operated in a certain sense for well over a year. Cossol made her feel like another woman; the woman she had been and the part of her self she was finding herself at odds with, even though she was a composite of all she had ever been, there was the battle not to let herself lose out to the element that craved the wind and the war. The woman who had killed (even though, it was deserved for some deaths surely are), the woman who was alone too much and had become reckless with her life, the woman who found herself with men like Foley and Douglas on too many occasions that had seen her testing the weight of her own life in their presence.


She doesn't like seeing him here and even less the way he is with her horse. The way he turns and looks at her with his eerie regard and then he's speaking at her like he is concerned for Glenn and for a moment, she feels like agreeing with him. Glenn Douglas wasn't alright in the head, maybe never had been, but ever since the darkness spread through him, so had the madness, his being foolhardy, and angry at something she could never place; his sadistic urges for inflicting pain and inflicting situations that brought unease had become more and more regular. Sometimes she even wondered what his point was until one day she concluded that it was for the sake of things he did them; not for any end, or imagined result, but because he could. Just like robbing her bar four years ago and within a week, stealing her heart too. So it was that her mind whirled with thoughts.

And yet despite all these things, she still preferred Douglas to Patrick Foley.

"You know damn well why I am here." She was self possessed as her breaths slowed down after her wild dash out of that bar, her stare level with his. Madison swung her eyes over to the horse and then back to him, looking at him with a narrow of her gaze. "That man has been sick since before you. You can exploit him and the ugliest parts of his soul, Foley, but you'll never have his soul. He sold that a long time ago.


You're going to start to leave him alone."


She drew her gun on him. "But first, you're going to take that phone out of your pocket and you're going to tell your henchmen in their pretty and pressed grey suits to return my money at once. Then, you're going to hang up and I'm going to watch you as you walk straight on out of this city to your donkey and get the **** out of here."

Madison shoved her shoulder past him. Gun tucked into its holster with a whine of leather as she mounted the beast with the grace of years and sat straight. One hand on the rein, the other at her hip again.


"If you don't do as I say right now, Mister Foley, I will shoot you and I will turn hell on your boys. You think Glenn is crazy? You ain't seen me lose my mind."

Heel to the mare's side but the horse wouldn't move. In fact, the horse was frozen in place. There was only the blink of its long-lashed brown eyes. Its tail limp at its side. Another nudge with her heel. Madison tugged at the rein and ticked under her tongue. Nothing.


Madison turned her eyes on the man. Hand sweeping back against her side to draw the gun free and around up and into the air.

The Irishman

Date: 2016-07-12 09:48 EST
Too-blue eyes flashed with a kind of wicked delight. He pulled a phone out of his pocket and dialed a number.

"Jimmy, it's Pat. Make sure the car's ready, I'll be along shortly. I just have to finish a meeting, and then I'm off to fetch Douglas."

"Is Crawford with you? Send him along, he has something that belongs to Miss Rye."

Patrick hung up and looked up at Madison astride the seemingly unruly horse.

"A friend of mine will be along shortly with your money, but, I'm afraid I can't stand around and wait with you. Places to be and all..." he smiled up at her and tucked the phone into his coat pocket. "Take care of yourself, Madison Rye. Cossol is a dangerous place and the roads leading to and from are just as bad. I'd get a move on as soon as you get your money back."

With that, Foley turned and started down the street toward the building Glenn had been holed up in.

Almost in the same instance a man in gray approached. He carried with him a small burlap sack that seemed weighted down with something heavy. The man held it up for Madison to take.

"Mr. Foley sends his sincerest apologies for the misunderstanding, ma'am."