Topic: Sweeney Todd

Katarina Smith

Date: 2012-10-22 22:40 EST
http://i45.photobucket.com/albums/f92/ThesmallCimo/Katarina/Sweeney_Todd_Poster_2_by_tromaster.jpg

Sweeney Todd: Andy Hamilton
Mrs. Lovett: Katarina Smith
Judge Turpin: Leonard Sheldon
Beadle: Jared Tan
Pirelli: Sam Levy
Lucy/Beggar Woman: Nadia Mara
Johanna: Ester Thomas
Toby: Matthew Kirk
___________________
Sweeney Todd: Bryan Garcia
Mrs. Lovett: Christine Tyler
Judge Turpin: Justin Shapiro
Beadle: Jared Tan
Pirelli: Sam Levy
Lucy/Beggar Woman: Leliana Leafvein
Johanna: Rachel Van Bushkirk
Toby: Matthew Kirk

Katarina Smith

Date: 2012-10-22 22:48 EST
With dusk approaching, the Rhydin Theatre and Opera House sprang to life. Set aglow to set a dramatic ambience, posters were displayed, and some stamped with ?sold-out.? The exterior of the theatre was dim, with deep red lighting and a single lamppost lit to provide light. The overall feel was eerie and meant to make the the darkness of the evening feel more prominent.

The lobby also had posters of the play that were displayed on the walls next to large dark colored candles, and different themes and props were cleverly collaborated to give subtle clues to those that did not know the story. The setup of the lobby was decorated with old Victorian England props, with waiters dressed to watch. Barbers were available for a close shave, if anyone dared. Specialty meat pies with particular names were available for purchase.

Off to one corner of the lobby was a merchandize table. Everything was sold from graphic t-shirts, jewelery, and tote bags. Shirts either supported the ballet troupe or current production theme. Some even supported the dancers and singers themselves. The designs were simple but elegant, and the prices reasonable. Aside from the apparel, candies and bottled beverages were sold as well.

Candles of varying sizes brought illumination inside the theatre and down the aisles. Ushers were dress in a Victorian England attire. They appeared polished and patient, waiting for the doors to open and guide people to their seats. The walls and ceiling were made of both dark wood and light marble; designs both simple and bold that naturally drew the viewer?s eyes to the stage.

Programs were handed to each guest as they were seated. The programs had various pictures of the performers, and well as small biographies for the principle dancers. A few articles were written about the theatre, the process of putting together the current production, and about the production itself. Right in the middle though, was a synopsis of each act. After those that came on time were all seated, the lights went dim before the curtains parted and the ballet began.

Katarina Smith

Date: 2012-10-22 22:59 EST
ACT I

Anthony Hope, a young sailor, rescues a shipwrecked man who introduces himself as Sweeney Todd, a deported criminal returning to London after serving his prison term. After Sweeney chases away an old beggar woman, he tells Anthony the story of a barber who was unjustly arrested and taken from his wife by Judge Turpin and his beadle. Mrs. Lovett, the owner of a pie shop, invites Sweeney in and tells him a similar story she knows about a wife with a young daughter whose husband was sent away by a judge and his beadle. The judge subsequently ravished the wife, who went insane and took poison. The woman's daughter, Johanna, was then raised by the judge. Sweeney Todd and Mrs. Lovett, united by rage and hatred, gleefully plot revenge against Judge Turpin, his beadle, and everyone else in London.

Sweeney has taken up residence in the apartment above Mrs. Lovett's pie shop. Downtown, he meets Pirelli, a rival barber, and his assistant Tobias Ragg. Through a contest which he wins, Sweeney advertises the opening of his new barbershop.

Anthony sees and falls in love with Johanna, who is now grown up. Pirelli and Toby visit Sweeney's barbershop. When Pirelli recognizes Sweeney as an escaped convict and threatens blackmail, Sweeney slashes his throat. Judge Turpin, having fallen in love with Johanna, announces his intention to marry her. Johanna and Anthony then decide to get married immediately. The Beadle suggests that Judge Turpin get a shave to make himself more attractive, and the two go to Sweeney's barbershop. Sweeney is about to kill Turpin when Anthony arrives, gushing about his love for Johanna, which enrages Judge Turpin.

Mrs. Lovett and Sweeney devise an ingenious way to dispose of Pirelli's corpse-they add it to the filling of Mrs. Lovett's meat pies. Sweeney acquires a chair that will eject his victims down a chute leading to the pie shop. There, Mrs. Lovett, with an unwitting Toby as her assistant, bakes meat pies that become all the rage in London. The old beggar woman lurks about, looking for a handout.

ACT II

The jealous Judge Turpin has Johanna sent away to an insane asylum. Anthony plans to rescue her, disguised as a wigmaker looking for Johanna's particular haircolor. Sweeney baits Judge Turpin by writing a note informing him that he will foil Anthony's plan by keeping him at the barbershop, where the judge may intercept him. To check into complaints about the smell of burning hair, the Beadle pays a visit to Mrs. Lovett and is murdered by Sweeney. Anthony succeeds in freeing not only Johanna, but every inmate in the asylum. Toby, finding human hair and fingernails in the meat pies and the chute in action, goes mad. The old beggar woman enters the pie shop. Sweeney, desperate not to miss yet another opportunity to kill Judge Turpin, hastily kills the beggar woman to get her out of the way. Sweeney lures Turpin into the barber chair and cuts his throat. As Sweeney and Mrs. Lovett begin disposing of all of the bodies by throwing them in the oven, Sweeney recognizes the dead beggar woman as his long-lost wife. Realizing that Mrs. Lovett has known this secret all along, Sweeney throws her into the oven. The crazed Toby, devoted to Mrs. Lovett, kills Sweeney and grinds him up before the horrified eyes of Johanna and Anthony.