"Here Maya, turn 'round an' I'll fix it fer ya." The young woman playing Clara smiled gratefully and turned so Katarina could straighten the large bow in her hair. Backstage seemed just as chaotic as every other show, though some would say the addition of children managed to raise the noise level.
Katarina was unusually quiet and calm. Part of this reason was due to role, not being in the first act of the ballet. Still, her demeanor was contemplative as she continued to think about The Royal Academy. She could only hope that the thought would leave her be when she needed to perform.
To take her mind off of things, she moved around and tried to help where she could, whether it was entertaining the children or grabbing last minute items before they were forgotten.
Away from the backstage, the theatre appeared as elegant as ever. Candles of varying sizes brought illumination inside the theatre and down the aisles. Ushers in simple black and white tuxedos appeared polished and patient, waiting for the doors to open and guide people to their seats. The walls and ceiling were made of both dark wood and light marble; designs both simple and bold that naturally drew the viewer?s eyes to the stage.
The lobby was already filled with early guests who anticipated the several grand doors to open. Posters of the play were displayed on the walls next to large candles, and different themes and props were cleverly collaborated to give subtle clues to those that did not know the story. The colors reflected a winter wonderland with whites, silvers and blues. There was even a corner dedicated to entertaining children with snow that was bewitched to keep falling without building a mound. Holiday drinks and candy were occasionally brought out for anyone's enjoyment.
The exterior of the theatre was bright and alive. Set aglow to set a dramatic ambience, posters were displayed, and some stamped with ?sold-out.? Few cast members where dressed as life-sized toys to go and entertain the guests.
Katarina was unusually quiet and calm. Part of this reason was due to role, not being in the first act of the ballet. Still, her demeanor was contemplative as she continued to think about The Royal Academy. She could only hope that the thought would leave her be when she needed to perform.
To take her mind off of things, she moved around and tried to help where she could, whether it was entertaining the children or grabbing last minute items before they were forgotten.
Away from the backstage, the theatre appeared as elegant as ever. Candles of varying sizes brought illumination inside the theatre and down the aisles. Ushers in simple black and white tuxedos appeared polished and patient, waiting for the doors to open and guide people to their seats. The walls and ceiling were made of both dark wood and light marble; designs both simple and bold that naturally drew the viewer?s eyes to the stage.
The lobby was already filled with early guests who anticipated the several grand doors to open. Posters of the play were displayed on the walls next to large candles, and different themes and props were cleverly collaborated to give subtle clues to those that did not know the story. The colors reflected a winter wonderland with whites, silvers and blues. There was even a corner dedicated to entertaining children with snow that was bewitched to keep falling without building a mound. Holiday drinks and candy were occasionally brought out for anyone's enjoyment.
The exterior of the theatre was bright and alive. Set aglow to set a dramatic ambience, posters were displayed, and some stamped with ?sold-out.? Few cast members where dressed as life-sized toys to go and entertain the guests.