"O build in pride your towers, but think not they will last;" - Pipes in Arras, Neil Munro
A smooth stroke of the rough paper across the grain of ebony, the shush of its contact to the fine curve of the soon to be vihuela. Kiema had seen such an instrument before, and with thorough study of its creation, avoided the costliness of a luthier and designed this instrument herself. Her fascination with its look and sound was amplified by its delicate shape and size. The rosetta hole of its sound board had taken her the better part of the day prior. Today was the formation of the fluted back. Ribs of ebony would be shaped and treated then fixed together to match the desired curvature. The ribs then affixed against the sides formed to the needs of the spruce soundboard.
The concentration to create the instrument, mental, physical, emotional, drew her thoughts away from unsettling matters as each construction had done before. Life?s tune was more seductive than ever to draw her into the complicated steps. Longing and despair, fear and acceptance, withdrawal and lingering; tempos of these emotions whirled in a bright garish colors about her and drove her to distraction. The craft of the luthier could guard her from the lure of treading the boards and dancing to their tune. She would not give in, and in the end she would have a new instrument to learn and call upon to shield her from the dominion of love.
A smooth stroke of the rough paper across the grain of ebony, the shush of its contact to the fine curve of the soon to be vihuela. Kiema had seen such an instrument before, and with thorough study of its creation, avoided the costliness of a luthier and designed this instrument herself. Her fascination with its look and sound was amplified by its delicate shape and size. The rosetta hole of its sound board had taken her the better part of the day prior. Today was the formation of the fluted back. Ribs of ebony would be shaped and treated then fixed together to match the desired curvature. The ribs then affixed against the sides formed to the needs of the spruce soundboard.
The concentration to create the instrument, mental, physical, emotional, drew her thoughts away from unsettling matters as each construction had done before. Life?s tune was more seductive than ever to draw her into the complicated steps. Longing and despair, fear and acceptance, withdrawal and lingering; tempos of these emotions whirled in a bright garish colors about her and drove her to distraction. The craft of the luthier could guard her from the lure of treading the boards and dancing to their tune. She would not give in, and in the end she would have a new instrument to learn and call upon to shield her from the dominion of love.