"The Anatomy Lesson of Dr. Nicholaes Tulp" had haunted Sofia Rhovnik for near on a decade. She had first seen it during a trip with her father and sister to the Mauritshuis Museum in The Hague when she was a young woman of twelve attempting to put childhood fantasies behind her. Yet despite her silent assertions at the time that the painting held no mystical power, the strikingly vivid details of the dissection visited in her nightmares for weeks to come.
Now face-to-face with it once more in the much smaller and more intimate Vesalius Museum in Switzerland, the piece still held the same power over her. As always, it was the shadowed, pale face of the dead man, Aris Kindt, that caught her eye. His life had been cut short when, having been accused and convicted of armed robbery, he was sentenced to be hanged. His corpse was put on display in the yearly public dissection by Dr. Nicholaes Tulp and captured by Rembrandt Harmenszoon van Rijn's legendary hand. She often wondered how Kindt would have felt to be forever immortalized in such a manner.
In his life he was nothing but a failed thief but in his death he became a piece of history.
An airy voice heavily accented English drew her gaze from the painting. It was a welcomed intrusion. "Mademoiselle Rhovnik, we are delighted that your father has decided to allow us to display "Draper's Guild" and we are honored that you chose to accompany it."
Sofia turned from the canvas to smile distantly to the curator. "Je vous en prie, Monsieur Brenier. How could I not enjoy myself surrounded by such beautiful works?"
Brenier bobbed his head politely at the compliment of the collection. "We are grateful for all the works that we have here on loan currently. Their owners do a great service to the world art community by parting with them."
"Art of this caliber has no owner, Monsieur. My family are mere guardians of the works that we have been entrusted with over the centuries," Sofia stated smoothly with genuine conviction. "And as such I would be remiss if I did not ask after your security protocols."
Curator Brenier twisted his lips in a wry smile. Posed as she had been moments earlier in a slim black skirt and white lace sleeveless blouse straight from the exclusive Parisian Paul & Joe line and with her head at an graceful tilt before the work, Sofia threw off a most decidedly European air. Now, however, as she spoke of security concerns with a vague but decidedly American accent, Brenier no longer could doubt her place of birth. How disappointing for old Rhovnik blue blood to be tainted by American cynicism!
The young woman clearly had watched too many movies. He politely, albeit unconsciously patronizingly, shook his head at her concerns."Miss Rhovnik, there is not a soul that would steal something so sacred. We find that armed guards are unsettling to our guests and who could appreciate the gentle brush strokes of the masters behind a thick plate of glass? I assure you that it is completely unnecessary but, in such an extreme case as you suggest, the police's response times are superb."
"I apologize for sounding paranoid, Monsieur." The footfalls of her pumps echoed in the empty room as the pair drifted out of the Rembrandt collection. "I am sure that you are quite right. I only want future generations to enjoy our paintings."
"Your art is safe with us, Mademoiselle Rhovnik." As they reached the exit, Brenier reached a hand out to Sofia and clasped her's warmly. "I just wanted to say on behalf of the museum that we are very saddened to hear of the unfortunate situation with young Miss Sonja. I met her once when she visited as a little girl with your father. She was an intelligent, sunny child."
The only sign of emotion on Sofia's face was a sad smile as she nodded politely at the sympathetic gesture. Yet, her blood boiled with undirected and uncontrollable rage as the scab was picked off the recent cut allowing it to bleed anew. The emotion was allowed but in a place so deep that it would never reach her features and never reveal the extent of her pain. Instead, she reached in to press a kiss inches above his cheek. "I thank you for your kind words. Do take care of our beloved piece."
Sofia was given a friendly smile as she pulled back. "But of course, Mademoiselle. We have never had a theft here at Vesalius and you can rest assured that it will not start on my watch."
Now face-to-face with it once more in the much smaller and more intimate Vesalius Museum in Switzerland, the piece still held the same power over her. As always, it was the shadowed, pale face of the dead man, Aris Kindt, that caught her eye. His life had been cut short when, having been accused and convicted of armed robbery, he was sentenced to be hanged. His corpse was put on display in the yearly public dissection by Dr. Nicholaes Tulp and captured by Rembrandt Harmenszoon van Rijn's legendary hand. She often wondered how Kindt would have felt to be forever immortalized in such a manner.
In his life he was nothing but a failed thief but in his death he became a piece of history.
An airy voice heavily accented English drew her gaze from the painting. It was a welcomed intrusion. "Mademoiselle Rhovnik, we are delighted that your father has decided to allow us to display "Draper's Guild" and we are honored that you chose to accompany it."
Sofia turned from the canvas to smile distantly to the curator. "Je vous en prie, Monsieur Brenier. How could I not enjoy myself surrounded by such beautiful works?"
Brenier bobbed his head politely at the compliment of the collection. "We are grateful for all the works that we have here on loan currently. Their owners do a great service to the world art community by parting with them."
"Art of this caliber has no owner, Monsieur. My family are mere guardians of the works that we have been entrusted with over the centuries," Sofia stated smoothly with genuine conviction. "And as such I would be remiss if I did not ask after your security protocols."
Curator Brenier twisted his lips in a wry smile. Posed as she had been moments earlier in a slim black skirt and white lace sleeveless blouse straight from the exclusive Parisian Paul & Joe line and with her head at an graceful tilt before the work, Sofia threw off a most decidedly European air. Now, however, as she spoke of security concerns with a vague but decidedly American accent, Brenier no longer could doubt her place of birth. How disappointing for old Rhovnik blue blood to be tainted by American cynicism!
The young woman clearly had watched too many movies. He politely, albeit unconsciously patronizingly, shook his head at her concerns."Miss Rhovnik, there is not a soul that would steal something so sacred. We find that armed guards are unsettling to our guests and who could appreciate the gentle brush strokes of the masters behind a thick plate of glass? I assure you that it is completely unnecessary but, in such an extreme case as you suggest, the police's response times are superb."
"I apologize for sounding paranoid, Monsieur." The footfalls of her pumps echoed in the empty room as the pair drifted out of the Rembrandt collection. "I am sure that you are quite right. I only want future generations to enjoy our paintings."
"Your art is safe with us, Mademoiselle Rhovnik." As they reached the exit, Brenier reached a hand out to Sofia and clasped her's warmly. "I just wanted to say on behalf of the museum that we are very saddened to hear of the unfortunate situation with young Miss Sonja. I met her once when she visited as a little girl with your father. She was an intelligent, sunny child."
The only sign of emotion on Sofia's face was a sad smile as she nodded politely at the sympathetic gesture. Yet, her blood boiled with undirected and uncontrollable rage as the scab was picked off the recent cut allowing it to bleed anew. The emotion was allowed but in a place so deep that it would never reach her features and never reveal the extent of her pain. Instead, she reached in to press a kiss inches above his cheek. "I thank you for your kind words. Do take care of our beloved piece."
Sofia was given a friendly smile as she pulled back. "But of course, Mademoiselle. We have never had a theft here at Vesalius and you can rest assured that it will not start on my watch."