January 11, 2011
It was freezing outside, and snow threatened in the clouds. That didn't really matter though, in the living room of John's rented home. Inside was warm and smelled of buttery popcorn while a swingy little jangle of music came from the stereo and the room flickered with the black and white light from the television. Morana was sitting with one leg draped over John's lap on the sofa, the large bowl of popcorn balanced between them. "I've never watched a silent movie before. I like Arsenic and Old Lace - is this anything like that?"
"Mm...no, not really." John tilted his head back and funneled a handful of popcorn into his mouth. Since he was wearing a long sleeved shirt--the brown corduroy one--she was able to keep her leg in place without being driven off after a few seconds by the burn. "The plot's simpler, the acting's bigger. This is set during the American Civil War. You could totally do your hair like that." He gestured at the screen, stretched out a long arm for the beer. On the table beside it lay the pile of reports he'd spent the day sorting through.
"Mmm. With the dress, too? And the really dark eye makeup?" She laughed a little and stole a few kernels of popcorn from the bowl. The hair, the dress, the makeup were so absurdly overdone. "Why is he more valuable as an engineer? I thought that during that war soldiers were dropping like flies...." Her sense of Earth history was vague at best. "And -" she shut up and tried to figure out the sense of the movie. Then she laughed. "Oh, he's a liar!"
"No airplanes. No highway system. Rail was the cheapest and fastest way to travel long distances, and men--it was always men back then--who could run the trains were better than your regular cannon fodder." He gave her calf a squeeze at the 'liar' comment. The casual gesture added a peculiar little twist in her chest to the acid wash of contact, so she ignored them both in favor of trying to understand something less critical.
"So it was a skilled occupation. Why is she so upset that he didn't enlist? If they wouldn't take him?" Sometimes people did baffle her, they really did. Another laugh escaped at the sight of the man riding away on the wheel-spar of the train, though. The actor?s reactions -- lack of reactions -- were so ridiculous.
"Because he was in love and wanted to marry the girl, and both the girl and her father saw him as a coward for supposedly refusing to fight for his country." He grinned at her profile, though she only barely caught the expression out of the corner of her eye.
She was laughing again as Johnnie Grey went from railcar accident to bicycle cart without so much of a flicker of change to his expression. Morana had to have a sense of humor to be what she was, sharp and biting though her humor might be, but it was the deadpan face that made the movie in her opinion. She grabbed some more popcorn and glanced at John. "You know this entire movie doesn't make any sense so far, don't you?" She was grinning while she asked it, though, warmly amused while contact with the Hound burned her.
"Absurdism is something he was really good at, yeah. One completely ridiculous thing after another happening to him. Before he got into movies he did vaudeville." A questioning glance slid across to her wondered whether she'd ever heard the term before.
She gave him blank face and a shake of her head as an answer. There'd been no call to know the term or the genre before, so she wasn't familiar with it. Really, her knowledge was so much focused on what she?d been created for. After a moment she looked at the screen again and tried to figure out what was going on. "Is that a mortar? It's massive."
"Pre-film stage shows. They'd have comedy acts, theater, acrobats, animal shows, all kinds of crazy s**t. He was on stage basically from babyhood. The face came out of that."
"He's very good at it, even though the rest of the acting is so exaggerated." She chortled at the contrast between patiently waiting Johnnie and the men scrambling for weapons, laughed even harder as Johnnie was scooped up by the cow-catcher of his train. Vague surprise filled her when she realized she wasn?t faking the laughter.
"Yeah. Did all his own stunts." His head sank back into the cushions as he watched the screen. He'd begun absently massaging her leg, working his way down to her ankle.
"I wonder how often he was hurt at it." Reaching up, she offered a piece of popcorn to his mouth while the massage burned against her skin and relaxed the muscle all at once. "Weren't there coal trains, by then?" It was a moment of minor puzzlement, not important, asked to stir John into further conversation. She found out so much about him when he was unguarded.
"Probably. More opportunities for humor with the wood-fired train, I guess." He slurped the popcorn up out of her hand and munched at it. "I read somewhere that he'd had headaches all his life. At one point later on they x-rayed him and found out that he'd had a cervical fracture." The army went marching past, with Johnnie all unknowing.
"Hmm. Suffering for his art. Oh - there they go on the bridge with his lady-love." Another laugh slipped free that probably made little sense in the context of the movie. Artists. They were so intensely committed. Then it started raining in the film and she bent her head against John?s shoulder for a moment, shoulders shaking with her laughter. "Of course. Oh, of course." Just when things couldn?t get worse, they did.
One of the flashcards appeared on the screen. "I like the alliteration. Hopelessly lost? horribly hungry." It appealed to the journalist in her makeup.
"You can't help but feel sorry for the poor bastard."
Well - that was one way to look at it. She was delighted by the character?s misfortune. His situation was so very dire. Saying that would probably disturb John to hear, however. "Hmm. Oh, look at her putting on a brave front. Is she going to wait helplessly to be rescued?" She asked, and then licked butter and salt from her fingers while she watched Johnnie hiding under the table. "Oh -- never mind, she's crying."
"You'd think the rain wouldn't stop her from hopping out a window. Maybe it's the dress."
"It's a magical dress that prevents her from opening her own windows. Because she was able to go out the window as soon as he opened it for her, you notice." Morana was a fan of the peanut gallery form of movie-watching. John snickered and traded out bites of popcorn for sips of beer.
"Oh, she's clever. Flashing cleavage and then tucking up against him like that." She arched an eyebrow, looked down at her shirt and unbuttoned a couple of buttons before she curled up and leaned on his shoulder. "Woman's eternal wiles. Does that really work so well?" Call it a test of theory.
He was too busy looking down her shirt to answer immediately. When he did, it was with an absent "hmm?"
Her laugh did sinful things to all that exposed cleavage and the hint of the red lace-edged satin of her bra - and the chuckle just kept on going as Johnnie shoved Little Miss Helpless into a potato sack. "Wait, I'm lost - why was he doing that?"
"Sneaking her onto the train so he can take her with him when he hijacks it. I think. Little distracted there." He traced a finger along the heart-shaped edge of the display, and then draped his arm across her shoulders, tucking her in underneath it. He was wrapping her up in fire and affection (which hurt just as much). There went the last of his beer, just before the struggle to get the girl out of the boxcar made him laugh aloud.
She shivered in response to the touch of his finger and reached for another handful of popcorn. "Oh, excuses, excuses. You're supposed to be narrating for me." Wait, when had that been part of the deal? She laughed as Johnnie tried to steal wood from a fence and utterly, utterly failed.
"Sneaky girl." He chuckled. "Check it."
On screen, soldiers wrestled pines onto the train. "We need a Christmas tree! Quick, bring two - no, three." She laughed again and then shut up to eat more of the popcorn while the soldiers moved from hauling trees to hauling water.
"Water for the steam engine," he explained, and added, "You know, you're awfully damned chipper today." Another laugh as they were soaked. "Is it the joy of my company or did you get to torture someone new?"
"Both. Neither. Is she really trying to sweep the floor of the train?" Sweeping. Not on Morana's list of go-to talents. "I made some rather significant progress with one of my enterprises today, and hired a very good contractor for another." That was all the detail about either matter that John needed to know. She had a feeling he wouldn?t approve of either of the enterprises in question if he knew more.
"S**t," John informed her as the train caught up to Johnnie and his hapless lady-love, "is about to get real."
She snickered as the engine made off without Johnnie. "The dress saps all her strength, too. I want one of those dresses - it could be useful."
"No kidding. Then I might actually be able to take you." The arm around her tightened. She wasn?t sure if that was meant to be affectionate or cautionary.
"Mmm. I just rethought my request." She glanced up at him with a curve of full lips and laughter creasing the corners of her eyes. Behind the amusement she was calculating risks again. John was so, so dangerous to her. "Darling, I don't ever want you able to take me - I'm afraid you would." It was an absolutely true and serious statement, so immediately after she redirected his attention back to the screen. So many people thought that deception just meant untruth. "Wait, what's that he's messing around with?"
"That was the lamp. I think they're going to try to burn down the bridge? Can't remember. It's been a long time since I've seen this."
"Johnnie's really a bit of an idiot, isn't he?" She shook her head in mock-despair over the character?s stupidity. "Of course, the girl is useless, so I suppose they're suited for each other."
"They're perfect for each other. He's a hero for trying to save his country and his girl. He can't help it that the universe is conspiring against him." John sounded aggrieved.
"But he could be smarter about it, darling. And besides, a country is such an... abstract thing to try to save. At least it makes sense that he tries to save the girl. Oh, that's a lovely cloud of smoke." She started to lick the butter and salt from her fingertips again.
John?s aggrieved expression didn't last long. He cracked up as the aforementioned hero realized he was wearing the wrong dress for the ball and just managed to avoid getting shot at.
"And besides, it doesn't look like he's going to get the girl in any case." She laughed when Johnnie fell flat on his face. "Oh, but he's a klutz, isn't he?"
"Swords can be tough to handle," he muttered.
"Is that the voice of experience, darling?" Humor rode her voice, at both the action on the screen and the tone of John?s voice when he muttered that comment.
"Did you hear about the woman who was run through last year at that big masquerade ball?" He slanted an oblique glance at her.
She chuckled as the men on horses and on foot tried to ford the river while being shot at. "Now that has to be one of the silliest ways to fight a battle that I've ever seen." And then she pursed her lips while she searched her memory. "Mmm. I believe so, yes. It was a bit of interest to the usual society gossip."
"Yeah." He funneled in another handful of popcorn. Munch, munch.
"That was you?" She looked up with surprise, distracted from the movie for a moment. "Now that's impressive, darling, out in such a crowd. Consider me officially impressed." It earned him another button of the shirt undone. No, let's be honest, she was planning on that anyway.
His gaze dropped to the red lace on display, lifted to her face again while he chewed. Swallowed. Said, "You're cruel. You didn't get enough of me whimpering last night? And yeah, trying to get the hell out of Dodge with an epee in hand sucked. Cheap sword," he added a moment later.
"You didn't drop the weapon?" Her eyebrows lifted with the surprise that he?d taken such a risk. She added with a laugh in her voice, "And John, of course I didn't. If it hurts too much to touch you, at least I can make sure you're in at least as much pain."
"Hell, no, I didn't drop the weapon. One, my dad gave it to me. And B, it had my fingerprints and skin cells all over the grip."
She laughed as Johnnie and his girl were thwarted in their kiss, and again for the indignant protest. "I had no idea your father knew how to use an epee. It never came up in conversation." With Eva, that was.
His attention flicked over to her, and something flickered in his warm brown eyes. "It won't," he said. Blunt. Curt.
Easy humor faded into something more thoughtful as she studied him while the television showed the The End screen. "I didn't think Eva knew. Is she well, and Antonia?" That was an oblique way of letting him know she hadn't been in contact with the older woman. That she had kept her word, despite what it cost her.
"They're fine. Harry's back, and they're about to try whatever case he was working on. Antonia's still having some problems from being in kindergarten early." He was still watching her. His gaze was unsettling.
"I was afraid of that. She's very quick, but -" She broke off, frowned, and reached for the bowl of popcorn. Being reminded of Eva and Antonia hurt. Being reminded of the cost of promises hurt. When the bowl turned up empty, one more little irritation added to the unsettlement and aggravation that had set in so quickly. "Harry won't be away so often anymore."
He made a vague noise while he straightened up and reached for the chair, to pull it closer and set the brake. Out of the blue he asked, "Can you have kids?"
That question yanked her right out of aggravation into confusion, and a fresh surge of irritation followed hot on its heels. "I don?t know. It's never come up." She swung her leg from his lap, stood and gathered the empty popcorn bowl. "Most constructs aren't built well enough for that, if they even were to last so long." Why did he have to remind her of what she was? Oh, not Druj? -- she was Lies, that didn?t bother her -- but construct, built and bound and forced into this strange existence.
With her leg off his lap he slid into the chair, settled his sock feet one at a time on the footplates. "Not something you'd go to a doctor to have a good frank conversation about, I guess." He scooped up the empty bottles, looked up at her. "Are you hungry?"
"I've never been to a doctor -- well, not in that way, in any case. I doubt most of them would be equipped to deal with me, and none of those would I trust, no more than you'd see one at the full moon." Her lips quirked slightly as she shrugged off the whole turn of conversation in favor of the question about food. "Actually, yes. Did you have something in mind?"
He matched her shrug with a one-shouldered hitch. "I'm lazy. Pizza? They'll deliver out here." He was still thinking. She could see it in his eyes. He might stop when he was dead, but no guarantees on that. That active mind of his was an attraction and a threat all in one.
"Mmm - did you ever go shopping?" She turned and padded toward the kitchen in her bare feet, carrying the bowl with her. "If not, pizza will do well enough."
"No. I should have gone earlier today, but I was busy." A beat. "Recovering." Another beat. "Would you want to have children? Furthering the dynasty of the House of Deceit, all that?"
The bowl clunked into the sink and she absently turned on the hot water to rinse it out, letting her fingers dangle in the stream to test the temperature while she thought that over. It was hard to separate the weird twists and tugs of emotion from an answer that made sense. "I haven't considered it before. It could be useful, especially if the father brought an alliance or something else valuable...." Still mulling the prospect over, her lips touched up a little, soft at the edges. Eventually she shook her head. "No. There's too much vulnerability, too much risk. And I've no dynasty, no 'House' as you put it. When I die, there's nothing of me that continues. The constructed body just dissipates."
"And you don't know how long you've got." The words were quiet behind her, lacking the strength of the accent he so often used to put others at ease.
"No, I don't." She answered matter-of-factly while she splashed a bit of dish soap into the bowl and killed the water from the faucet. "Neither do you -- but." But he had a family, a dynasty, and the sure and certain knowledge that his soul would continue in the hands of the Christian God. "You mentioned something about pizza, darling?"
"Yeah." Bottles clicked and clinked as he dropped them into the bin. "Pepperoni?"
"And mushrooms." She glanced over at him and one eyebrow lifted, a smile caught the corner of her mouth. It was easier to test a little thing, instead of dealing with the large. "Black olives."
"I'll eat anything but anchovies." He thought for a moment, added, "And garlic. I had a bad experience with garlic on a pizza once."
"Really? What happened?" She leaned against the counter, looked at him curiously with her arms folded just there, beneath the last unbuttoned button. "I didn't think an Italian man was capable of having a bad experience with garlic."
He pointed a gun-hand at her. "Look." Then he did, and lost track of what he was about to say.
That was amusing, and she let it show in the humor that creased at her eyes and caught her mouth. "Darling, you know I'll give you all the hell I want to. And I think that sounds like an amusing story. You were going to order?"
It was freezing outside, and snow threatened in the clouds. That didn't really matter though, in the living room of John's rented home. Inside was warm and smelled of buttery popcorn while a swingy little jangle of music came from the stereo and the room flickered with the black and white light from the television. Morana was sitting with one leg draped over John's lap on the sofa, the large bowl of popcorn balanced between them. "I've never watched a silent movie before. I like Arsenic and Old Lace - is this anything like that?"
"Mm...no, not really." John tilted his head back and funneled a handful of popcorn into his mouth. Since he was wearing a long sleeved shirt--the brown corduroy one--she was able to keep her leg in place without being driven off after a few seconds by the burn. "The plot's simpler, the acting's bigger. This is set during the American Civil War. You could totally do your hair like that." He gestured at the screen, stretched out a long arm for the beer. On the table beside it lay the pile of reports he'd spent the day sorting through.
"Mmm. With the dress, too? And the really dark eye makeup?" She laughed a little and stole a few kernels of popcorn from the bowl. The hair, the dress, the makeup were so absurdly overdone. "Why is he more valuable as an engineer? I thought that during that war soldiers were dropping like flies...." Her sense of Earth history was vague at best. "And -" she shut up and tried to figure out the sense of the movie. Then she laughed. "Oh, he's a liar!"
"No airplanes. No highway system. Rail was the cheapest and fastest way to travel long distances, and men--it was always men back then--who could run the trains were better than your regular cannon fodder." He gave her calf a squeeze at the 'liar' comment. The casual gesture added a peculiar little twist in her chest to the acid wash of contact, so she ignored them both in favor of trying to understand something less critical.
"So it was a skilled occupation. Why is she so upset that he didn't enlist? If they wouldn't take him?" Sometimes people did baffle her, they really did. Another laugh escaped at the sight of the man riding away on the wheel-spar of the train, though. The actor?s reactions -- lack of reactions -- were so ridiculous.
"Because he was in love and wanted to marry the girl, and both the girl and her father saw him as a coward for supposedly refusing to fight for his country." He grinned at her profile, though she only barely caught the expression out of the corner of her eye.
She was laughing again as Johnnie Grey went from railcar accident to bicycle cart without so much of a flicker of change to his expression. Morana had to have a sense of humor to be what she was, sharp and biting though her humor might be, but it was the deadpan face that made the movie in her opinion. She grabbed some more popcorn and glanced at John. "You know this entire movie doesn't make any sense so far, don't you?" She was grinning while she asked it, though, warmly amused while contact with the Hound burned her.
"Absurdism is something he was really good at, yeah. One completely ridiculous thing after another happening to him. Before he got into movies he did vaudeville." A questioning glance slid across to her wondered whether she'd ever heard the term before.
She gave him blank face and a shake of her head as an answer. There'd been no call to know the term or the genre before, so she wasn't familiar with it. Really, her knowledge was so much focused on what she?d been created for. After a moment she looked at the screen again and tried to figure out what was going on. "Is that a mortar? It's massive."
"Pre-film stage shows. They'd have comedy acts, theater, acrobats, animal shows, all kinds of crazy s**t. He was on stage basically from babyhood. The face came out of that."
"He's very good at it, even though the rest of the acting is so exaggerated." She chortled at the contrast between patiently waiting Johnnie and the men scrambling for weapons, laughed even harder as Johnnie was scooped up by the cow-catcher of his train. Vague surprise filled her when she realized she wasn?t faking the laughter.
"Yeah. Did all his own stunts." His head sank back into the cushions as he watched the screen. He'd begun absently massaging her leg, working his way down to her ankle.
"I wonder how often he was hurt at it." Reaching up, she offered a piece of popcorn to his mouth while the massage burned against her skin and relaxed the muscle all at once. "Weren't there coal trains, by then?" It was a moment of minor puzzlement, not important, asked to stir John into further conversation. She found out so much about him when he was unguarded.
"Probably. More opportunities for humor with the wood-fired train, I guess." He slurped the popcorn up out of her hand and munched at it. "I read somewhere that he'd had headaches all his life. At one point later on they x-rayed him and found out that he'd had a cervical fracture." The army went marching past, with Johnnie all unknowing.
"Hmm. Suffering for his art. Oh - there they go on the bridge with his lady-love." Another laugh slipped free that probably made little sense in the context of the movie. Artists. They were so intensely committed. Then it started raining in the film and she bent her head against John?s shoulder for a moment, shoulders shaking with her laughter. "Of course. Oh, of course." Just when things couldn?t get worse, they did.
One of the flashcards appeared on the screen. "I like the alliteration. Hopelessly lost? horribly hungry." It appealed to the journalist in her makeup.
"You can't help but feel sorry for the poor bastard."
Well - that was one way to look at it. She was delighted by the character?s misfortune. His situation was so very dire. Saying that would probably disturb John to hear, however. "Hmm. Oh, look at her putting on a brave front. Is she going to wait helplessly to be rescued?" She asked, and then licked butter and salt from her fingers while she watched Johnnie hiding under the table. "Oh -- never mind, she's crying."
"You'd think the rain wouldn't stop her from hopping out a window. Maybe it's the dress."
"It's a magical dress that prevents her from opening her own windows. Because she was able to go out the window as soon as he opened it for her, you notice." Morana was a fan of the peanut gallery form of movie-watching. John snickered and traded out bites of popcorn for sips of beer.
"Oh, she's clever. Flashing cleavage and then tucking up against him like that." She arched an eyebrow, looked down at her shirt and unbuttoned a couple of buttons before she curled up and leaned on his shoulder. "Woman's eternal wiles. Does that really work so well?" Call it a test of theory.
He was too busy looking down her shirt to answer immediately. When he did, it was with an absent "hmm?"
Her laugh did sinful things to all that exposed cleavage and the hint of the red lace-edged satin of her bra - and the chuckle just kept on going as Johnnie shoved Little Miss Helpless into a potato sack. "Wait, I'm lost - why was he doing that?"
"Sneaking her onto the train so he can take her with him when he hijacks it. I think. Little distracted there." He traced a finger along the heart-shaped edge of the display, and then draped his arm across her shoulders, tucking her in underneath it. He was wrapping her up in fire and affection (which hurt just as much). There went the last of his beer, just before the struggle to get the girl out of the boxcar made him laugh aloud.
She shivered in response to the touch of his finger and reached for another handful of popcorn. "Oh, excuses, excuses. You're supposed to be narrating for me." Wait, when had that been part of the deal? She laughed as Johnnie tried to steal wood from a fence and utterly, utterly failed.
"Sneaky girl." He chuckled. "Check it."
On screen, soldiers wrestled pines onto the train. "We need a Christmas tree! Quick, bring two - no, three." She laughed again and then shut up to eat more of the popcorn while the soldiers moved from hauling trees to hauling water.
"Water for the steam engine," he explained, and added, "You know, you're awfully damned chipper today." Another laugh as they were soaked. "Is it the joy of my company or did you get to torture someone new?"
"Both. Neither. Is she really trying to sweep the floor of the train?" Sweeping. Not on Morana's list of go-to talents. "I made some rather significant progress with one of my enterprises today, and hired a very good contractor for another." That was all the detail about either matter that John needed to know. She had a feeling he wouldn?t approve of either of the enterprises in question if he knew more.
"S**t," John informed her as the train caught up to Johnnie and his hapless lady-love, "is about to get real."
She snickered as the engine made off without Johnnie. "The dress saps all her strength, too. I want one of those dresses - it could be useful."
"No kidding. Then I might actually be able to take you." The arm around her tightened. She wasn?t sure if that was meant to be affectionate or cautionary.
"Mmm. I just rethought my request." She glanced up at him with a curve of full lips and laughter creasing the corners of her eyes. Behind the amusement she was calculating risks again. John was so, so dangerous to her. "Darling, I don't ever want you able to take me - I'm afraid you would." It was an absolutely true and serious statement, so immediately after she redirected his attention back to the screen. So many people thought that deception just meant untruth. "Wait, what's that he's messing around with?"
"That was the lamp. I think they're going to try to burn down the bridge? Can't remember. It's been a long time since I've seen this."
"Johnnie's really a bit of an idiot, isn't he?" She shook her head in mock-despair over the character?s stupidity. "Of course, the girl is useless, so I suppose they're suited for each other."
"They're perfect for each other. He's a hero for trying to save his country and his girl. He can't help it that the universe is conspiring against him." John sounded aggrieved.
"But he could be smarter about it, darling. And besides, a country is such an... abstract thing to try to save. At least it makes sense that he tries to save the girl. Oh, that's a lovely cloud of smoke." She started to lick the butter and salt from her fingertips again.
John?s aggrieved expression didn't last long. He cracked up as the aforementioned hero realized he was wearing the wrong dress for the ball and just managed to avoid getting shot at.
"And besides, it doesn't look like he's going to get the girl in any case." She laughed when Johnnie fell flat on his face. "Oh, but he's a klutz, isn't he?"
"Swords can be tough to handle," he muttered.
"Is that the voice of experience, darling?" Humor rode her voice, at both the action on the screen and the tone of John?s voice when he muttered that comment.
"Did you hear about the woman who was run through last year at that big masquerade ball?" He slanted an oblique glance at her.
She chuckled as the men on horses and on foot tried to ford the river while being shot at. "Now that has to be one of the silliest ways to fight a battle that I've ever seen." And then she pursed her lips while she searched her memory. "Mmm. I believe so, yes. It was a bit of interest to the usual society gossip."
"Yeah." He funneled in another handful of popcorn. Munch, munch.
"That was you?" She looked up with surprise, distracted from the movie for a moment. "Now that's impressive, darling, out in such a crowd. Consider me officially impressed." It earned him another button of the shirt undone. No, let's be honest, she was planning on that anyway.
His gaze dropped to the red lace on display, lifted to her face again while he chewed. Swallowed. Said, "You're cruel. You didn't get enough of me whimpering last night? And yeah, trying to get the hell out of Dodge with an epee in hand sucked. Cheap sword," he added a moment later.
"You didn't drop the weapon?" Her eyebrows lifted with the surprise that he?d taken such a risk. She added with a laugh in her voice, "And John, of course I didn't. If it hurts too much to touch you, at least I can make sure you're in at least as much pain."
"Hell, no, I didn't drop the weapon. One, my dad gave it to me. And B, it had my fingerprints and skin cells all over the grip."
She laughed as Johnnie and his girl were thwarted in their kiss, and again for the indignant protest. "I had no idea your father knew how to use an epee. It never came up in conversation." With Eva, that was.
His attention flicked over to her, and something flickered in his warm brown eyes. "It won't," he said. Blunt. Curt.
Easy humor faded into something more thoughtful as she studied him while the television showed the The End screen. "I didn't think Eva knew. Is she well, and Antonia?" That was an oblique way of letting him know she hadn't been in contact with the older woman. That she had kept her word, despite what it cost her.
"They're fine. Harry's back, and they're about to try whatever case he was working on. Antonia's still having some problems from being in kindergarten early." He was still watching her. His gaze was unsettling.
"I was afraid of that. She's very quick, but -" She broke off, frowned, and reached for the bowl of popcorn. Being reminded of Eva and Antonia hurt. Being reminded of the cost of promises hurt. When the bowl turned up empty, one more little irritation added to the unsettlement and aggravation that had set in so quickly. "Harry won't be away so often anymore."
He made a vague noise while he straightened up and reached for the chair, to pull it closer and set the brake. Out of the blue he asked, "Can you have kids?"
That question yanked her right out of aggravation into confusion, and a fresh surge of irritation followed hot on its heels. "I don?t know. It's never come up." She swung her leg from his lap, stood and gathered the empty popcorn bowl. "Most constructs aren't built well enough for that, if they even were to last so long." Why did he have to remind her of what she was? Oh, not Druj? -- she was Lies, that didn?t bother her -- but construct, built and bound and forced into this strange existence.
With her leg off his lap he slid into the chair, settled his sock feet one at a time on the footplates. "Not something you'd go to a doctor to have a good frank conversation about, I guess." He scooped up the empty bottles, looked up at her. "Are you hungry?"
"I've never been to a doctor -- well, not in that way, in any case. I doubt most of them would be equipped to deal with me, and none of those would I trust, no more than you'd see one at the full moon." Her lips quirked slightly as she shrugged off the whole turn of conversation in favor of the question about food. "Actually, yes. Did you have something in mind?"
He matched her shrug with a one-shouldered hitch. "I'm lazy. Pizza? They'll deliver out here." He was still thinking. She could see it in his eyes. He might stop when he was dead, but no guarantees on that. That active mind of his was an attraction and a threat all in one.
"Mmm - did you ever go shopping?" She turned and padded toward the kitchen in her bare feet, carrying the bowl with her. "If not, pizza will do well enough."
"No. I should have gone earlier today, but I was busy." A beat. "Recovering." Another beat. "Would you want to have children? Furthering the dynasty of the House of Deceit, all that?"
The bowl clunked into the sink and she absently turned on the hot water to rinse it out, letting her fingers dangle in the stream to test the temperature while she thought that over. It was hard to separate the weird twists and tugs of emotion from an answer that made sense. "I haven't considered it before. It could be useful, especially if the father brought an alliance or something else valuable...." Still mulling the prospect over, her lips touched up a little, soft at the edges. Eventually she shook her head. "No. There's too much vulnerability, too much risk. And I've no dynasty, no 'House' as you put it. When I die, there's nothing of me that continues. The constructed body just dissipates."
"And you don't know how long you've got." The words were quiet behind her, lacking the strength of the accent he so often used to put others at ease.
"No, I don't." She answered matter-of-factly while she splashed a bit of dish soap into the bowl and killed the water from the faucet. "Neither do you -- but." But he had a family, a dynasty, and the sure and certain knowledge that his soul would continue in the hands of the Christian God. "You mentioned something about pizza, darling?"
"Yeah." Bottles clicked and clinked as he dropped them into the bin. "Pepperoni?"
"And mushrooms." She glanced over at him and one eyebrow lifted, a smile caught the corner of her mouth. It was easier to test a little thing, instead of dealing with the large. "Black olives."
"I'll eat anything but anchovies." He thought for a moment, added, "And garlic. I had a bad experience with garlic on a pizza once."
"Really? What happened?" She leaned against the counter, looked at him curiously with her arms folded just there, beneath the last unbuttoned button. "I didn't think an Italian man was capable of having a bad experience with garlic."
He pointed a gun-hand at her. "Look." Then he did, and lost track of what he was about to say.
That was amusing, and she let it show in the humor that creased at her eyes and caught her mouth. "Darling, you know I'll give you all the hell I want to. And I think that sounds like an amusing story. You were going to order?"