The table in his room wobbled in an insistent way.
The first fix was common, sensible, obvious. Everett Ogden tore a sheet of paper from one of his folios, folded it up, and centered it under the suspicious leg. Problem solved.
Or not.
Paper slides, and the wobble became something almost like a shimmy that was especially prominent anytime he was writing frantically (which, to be fair, was quite a lot, of late). His work was a mess, and it was much harder for him to decipher the near-manic lines that came out when Everett was communicating with his muse.
The second fix was a little more ingenious. He actually tried to tack that perfectly sized and folded paper to the foot, so that it would stay put. Being a table at the inn, it was not his property, and so he did not feel within his rights to do much beyond that fix. It seemed to work for a day or two, but then, it shimmied and shook and wobbled.
Everett sighed. He was accustomed to a certain degree of peace and stability when he wrote, and the state of the table offered neither. Fortunately, the universe saw fit to intervene on his behalf.
A baroness had come into the library seeking poetry for her baron for the upcoming holiday, and after a brief conversation with the friendly-looking scribe, she ultimately decided to bypass the classics and commission something brand new for her snookie-ookums (her words; certainly not the Poet's). A day later, he had penned five new sonnets and found himself wildly richer for it. It was that same day that the drawing of an oak tree on a grassy hill caught his eye.
Everett leaned at the board to which it was nailed, adjusting his glasses more out of habit than necessity. Wasn't that the name of the fellow who had that charming book of poems? And didn't Everett, at that very moment, have a heavier pocket from his unexpected commission?
Well. He snagged that card, put it in his pocket, and the very next day, Everett Ogden made his way to the Dragon's Gate district. There at number 55 Rue des Farfadets, he went in search of Glenn Woodwright, carpenter.
The first fix was common, sensible, obvious. Everett Ogden tore a sheet of paper from one of his folios, folded it up, and centered it under the suspicious leg. Problem solved.
Or not.
Paper slides, and the wobble became something almost like a shimmy that was especially prominent anytime he was writing frantically (which, to be fair, was quite a lot, of late). His work was a mess, and it was much harder for him to decipher the near-manic lines that came out when Everett was communicating with his muse.
The second fix was a little more ingenious. He actually tried to tack that perfectly sized and folded paper to the foot, so that it would stay put. Being a table at the inn, it was not his property, and so he did not feel within his rights to do much beyond that fix. It seemed to work for a day or two, but then, it shimmied and shook and wobbled.
Everett sighed. He was accustomed to a certain degree of peace and stability when he wrote, and the state of the table offered neither. Fortunately, the universe saw fit to intervene on his behalf.
A baroness had come into the library seeking poetry for her baron for the upcoming holiday, and after a brief conversation with the friendly-looking scribe, she ultimately decided to bypass the classics and commission something brand new for her snookie-ookums (her words; certainly not the Poet's). A day later, he had penned five new sonnets and found himself wildly richer for it. It was that same day that the drawing of an oak tree on a grassy hill caught his eye.
Everett leaned at the board to which it was nailed, adjusting his glasses more out of habit than necessity. Wasn't that the name of the fellow who had that charming book of poems? And didn't Everett, at that very moment, have a heavier pocket from his unexpected commission?
Well. He snagged that card, put it in his pocket, and the very next day, Everett Ogden made his way to the Dragon's Gate district. There at number 55 Rue des Farfadets, he went in search of Glenn Woodwright, carpenter.