(( Many thanks to the player of Fio for this collaboration! ))
Ali's assistant, Lorelei, had buzzed him in when he'd reached the door; likely he hadn't even realized she'd done it. She was both efficient and subtle, and always seemed to know when a customer was coming a half second before they did. While he drank in the showroom displays, she called up on the comm to let Fio know the gentleman she'd said was coming had arrived for their appointment.
Alper, indeed, had not been aware of Lorelei buzzing him in, but he stopped abruptly. Pulling his hand away from the display, a guilty look of pleasure on his face as he remembered the cause of his visit. Looking around, he sought out the elevator, and made his way in that direction.
Among the goods on display were three of Fio's paintings that Ali had thought suited the tastes of some of his customers. He tended to rotate among a small pool of her stock. At this moment, three portraits were featured: commissions that the noblemen whose families were depicted who didn't pay for the paintings once done. One boasted a trio of cherubic children with apple cheeks and gold curls who also happened to be piano students of the artist. Another was a slender, elegant and somewhat cool-looking woman in formal court pose surrounded by ostentatious vases of flowers. The third was an old baron who died before the work was done, and whose estate balked at paying for the memorial.
The elevator chimed as he neared, the doors sliding open to produce Fio herself.
He paused again, his stride slowing as he passed paintings, gentle eyes roving along the paintings on his way. "Wow," he murmured, obviously impressed with the craftsmanship. "She definitely has a good eye." The chiming had his attention and he turned his head toward the elevator, stopping in his tracks as the doors opened, revealing Fio. "Fionna," Alper greeted, his lips parting into a warm smile. "It is nice to see you."
"It's wonderful to see you, Alper. Thank you for calling me." She was immaculate and elegant today in one of the few maternity outfits she'd bought (and not borrowed from her perpetually-pregnant friend Nissa) - an olive sweater and tweed skirt, strappy leather sandals that accentuated her height but still had enough of a presence to keep her steady, and enough gold bangles on both arms to do her Egyptian husband justice. Her hair was pulled back in a sleek ponytail and she'd made a nod at some lipstick. She'd dressed for the appointment. Although the stress associated with Ali's absence showed a little around her eyes, the woman is doing her best to be poised and professional for this.
Alper sighed, dressed in an off-white suit and black shirt for the day. "No, thank you, for the opportunity. I'm only sorry I did not call you sooner." He gestured behind him with a hand, looking slightly guilty again. "I was just looking at some of your work, among other things. This place is... Truly amazing." Folding his hands behind his back, he nodded at her. "Care to show me your other works of art? I am most intrigued to see more of you work."
"Oh, you saw the portraits." She had to smile. "Portrait commissions were my bread-and-butter when I first moved here." She invited him to join her in the elevator with a little curl of her wrist. "But sometimes, the client changes their mind. Not often!" A smile. When he was in, she pressed '2' and the doors slid closed. There is no elevator music, but the ride is a short one.
"I did," he agrees, grinning more to himself. "It was? I will have to keep that in mind; Anya will probably wish family portraits when the little one is born, if you still do them." With her beckoning, he stepped in the elevator after her, chuckling again. "People tend to be predictable."
"I'd be pleased to do the portrait - I had no idea you were expecting. Congratulations!"
The lift carried them smoothly and quickly to the next floor, the mellow chime ringing out again into an empty corridor as the doors slid open.
He blinked, not realizing he had spilled the beans. "Oh," and he partially flushed. "Thank you, I only just found out myself." He nods to Fionna in turn. "Congratulations to you both, as well." Alper offers a friendly smile, gesturing for her to exit first as the doors chime open. "After you."
"Thank you." Her smile faltered momentarily before she shored it up. "Ali is thrilled, of course. As am I." She led him into the hallway. On either side of the hall, several doors stood open. These rooms are finished with drywall and terrazzo, in colors reminiscent of the agate below. There is a conference room, with another of those screens on the wall and a big dark slab of a table surrounded by chairs. There is a room for records or planning, with a series of smaller tables and file cabinets and closets. And there are two offices.
"Mostly, lately, I do landscapes or found-item work. Mosaics, chimes... that sort of thing." She stopped at one of the conference room doors and pointed to a large mosaic-framed mirror on one wall. It is long and rectangular, and the tilework is a crazy-quilt of colors, oddities like coins and broken bits of pottery interspersed with the vitreous glass. It's a wilder cousin of a round white-and-green tiled piece he has at home. Their wedding present.
"As you both should be. Children are a wonderful thing." Following in her wake down the hallway, he allows his gaze to wander past the doorways, peeking inward in curiosity. "Hm," Alper sighs softly, looking back to Fio as she speaks. "Do you enjoy landscapes, then?" he asks, before following her point to the mirror. "Oh, that is stunning! Looks just as beautiful as the one we have at home, though I have to say the rectangular piece is just as pleasing to the eye. I could picture that hanging in the condo office."
"It's for sale." She grinned. "Anything hanging on the walls on this floor are mine, and are options. Ali likes the brighter colors and the more modern things here, in the offices."
"Is it?" he asks excitedly. "Oh, I definitely would like that rectangular one." Alper bobs his head up and down vigorously. Who knew he liked shopping for inanimate objects so much? "I know how he feels, but being in Rhy'Din the last two years had opened my eyes to appreciate louder and more antique oddities."
She just laughed. "I will assume that's a compliment." She had similar pieces in the other rooms, including a mosaic abstract portrait of a man with an angular nose and part of the lid of a teapot for a hat. Think Picasso in tile, with an ornate gilt frame.
Alper looked sheepish. "It is, I promise." Peeking into another office, he spots the mosaic abstract. "Ooh. Do you like Picasso?" he asks offhandedly, lingering a moment longer to study it. "Because this piece of work is amazing! I love it!" Strangely, it reminds him of his father, and he keeps the piece on the backburner.
The nice thing about the mosaics is that, whichever persona is driving, they all can collect the found pieces. Missie was particularly good at spotting the perfect flotsam, and Grace loved Picasso. She didn't say all of that, simply smiled and said, "He had wonderful energy."
"He did," Alper agrees, musing as they continue on. "What other things do you make out of mosaic?"
"Oh, just about anything with a good, solid surface is a candidate. I've done some birdbaths, a bench...things like that for our little patio at the apartment. I did a fountain once, in the family cemetery at Helston House. But you could do walkways, or even the sides of buildings, I suppose, with the proper supports in place."
She deliberately had left the door to the upstairs vault open, so that he could see it as they walked past on the way to the other elevator bank. Much like the showroom below, this room had shelves and plinths and a case, with certain additions: there is a walk-in reinforced steel vault at one end, and there are tables and comfortable chairs to sit at.
"For commissioned acquisitions and the really valuable pieces Ali stocks," offhandedly. "If you are ever interested, we'll set up a viewing for you."
He nods pensively at her list, considering her words. All were ideas he was rather partial to. "A fountain? Oh?" he asks, his interest piqued. "That would be very nice..." Looking in the doorway as she speaks, he nods. "I would like that very much; something tells me Ali carries very fascinating pieces."
"He does. We'll have a word with Lorelei later, if you like, and set a time when she can do that." Leading him down the little dogleg to the elevator and pressing '3'. "You're interested in a fountain?" There's a particular flare of interest there. "I'd been thinking about talking to the city about sponsoring an artist-in-residence piece. Something of that size, where people could watch it come together. I don't suppose you're serious?"
"I'd like that very much, thank you." Alper's chin dips in gratitude as he steps into the lift after her. "Yes, a fountain, I think it'd look great in the courtyard. Artist-in-residence piece?" he echoes, not sure what she meant at first, but then his interest flares, as well. "Oh, wow. That actually sounds like a great idea... I'm serious, are you?"
She hadn't expected this, and her heart gives a quick thud of excitement. "I'm very serious. A friend's been trying to persuade me to exhibit through a gallery, but I'd rather sell through the shop. I had been thinking about the fountain idea as a way of promoting my studio" and a civic piece meant steady income... "But it could do double-duty, promoting your condominiums as sponsor." Ideas are coming. "Do you have space for it?"
"I agree, galleries are tedious; and making a fountain? That will be an amazing way to garner attraction. There is a lot of room in the courtyard, and it?s very open. There is a lot of space between the condo's and the town hall. It should be a perfect area, as people filtering for the marketplace often make through that way," Alper explained, his own heart soaring at how that could attract buyers to the condos, too, perhaps. It would also make the area look even more welcoming.