Topic: Send Thine Angels (18+)

Elijah Thorpe

Date: 2009-05-14 22:49 EST
"Come my Lord no longer tarry
Take my ransomed soul away.
Send Thine angels now to carry
Me to realms of endless days."
- traditional hymn

The waning sun broke through the clouds and offered a break in the recent rains, leaving the earth smelling washed and new. Warm rays of the sun splayed out behind the steeple, stretching toward the man standing in front of the church like a welcoming embrace. It beckoned him inside, promising him rest.

The old rancher was a God-fearing man, but was never one for church-going. It was far easier for Elijah to find God in the sun's setting over the plains than in a fire and brimstone sermon delivered by a pulpit pounding priest. But this church was about as familiar to the home he remember as he was going to find in this strange realm he found himself sucked into so many years ago. And after days spent in a rain drenched camp under clouds of burdensome thoughts, the promised respite was hard to resist.

Battered and sweat-stained stetson was removed off his head and a calloused hand was run over his mop of salt and pepper and beard to try and make himself somewhat more respectfully presentable. The old rancher ducked into the small parish church and stepped to the side of the main nave. The church had the familiar warm smell of dust and age. Dappled silver-kissed kaleidoscope colored the wooded pews and mosaic tiles floors. A narrow balcony and choir loft framed the main aisle that led to the altar. Dark brown gaze moved through the quiet sanctuary to the humble altar. No one in the church, save for the young acolyte who went about his duties to light the candles lining the altar as night began to fall.

Elijah eased himself into last pew, just out of the dim lights and in the shadows under the choir loft. The wooden bench creaked quietly under the man's weight, although to the old rancher it sounded as if it echoed through the sanctuary. However, only acolyte's crisp steps and the underlying swish of his cassock rang out as the young man disappeared into the sacristy.

A peaceful silence soon fell over the church.

Michael Maleficio

Date: 2009-05-25 11:39 EST
?There is a fountain filled with blood, drawn from Immanuel?s veins,
And sinners plunged beneath that flood lose all their guilty stains.?

?What can we help you with tonight, my son?? The priest stood in the shadows beside the pew where the rancher sat contemplating Eternity. He had not been there before, perhaps. Perhaps. But he was there now, a reminder that the hand of the Triene was always nearby for those who needed it.

?What is troubling your soul?? he murmured. ?Come, and let me hear your confession.?

Elijah Thorpe

Date: 2009-06-01 04:28 EST
He had been sitting in the pew, silently singing a hymn to himself, with his head bowed and eyes closed. He listened to the breeze brush playfully against the windows...heard the muted moans of the trusses...and caught the flutter of a sparrow that'd taken refuge from the evening...against the sanctuary's solitude. However, the old rancher did not hear the priest's approach, nor even felt his presence until the man spoke.

Elijah rose partly and tipped his head politely to the priest before he retook his seat, the pew voicing its lamenting strain. "Evening, Father. I'm sorry," the old rancher's quiet voice caught in his throat, scratching from its sudden use after a long silence. "I didn't see you standing there, Sir."

?Come, and let me hear your confession.?

The old rancher dropped his gaze of dark browns to his naked, weathered hands he wrung in his lap. They were the hands born of a lifetime of labor, tan and calloused, scarred and leathery. They were hands that curled into a fist that flew without warning one moment and in another instant brushed a loving caress. They weilded weapons that took lives, and weilded an reeded instrument that brought music. They burned defenses to the ground in warfare, and built a home of fanciful retreat that floated above the earth. They had been folded in prayer, however...

"Father, I ain't done been to confession since I was a much younger man, Sir," Elijah explained, his baritone murmuring quietly.

Michael Maleficio

Date: 2009-06-09 12:38 EST
....and it is in dying that we are born to Eternal Life.
Prayer of St. Francis



Twilight was playing with the colors of stained glass. Adding a silvering to their shades. It was into a pool of this hued light that bathed the priest as he stepped from the shadows. " Does your lapse parallel your faith, my Son.?"

Elijah had expected the question, but still it caught him off guard and the man shook his head stammering quietly. " No...no, Father. It ain't anything like that. None at all. Elijah added a murmured admission that was barely audible under his rumbling voice. " Not entirely."

The priests words drifted like motes of dust through the stained light. " Then who do you confess your sins to, my Son." " I do that as part of my prayers, Father." "And when do you pray?" The pew sounded its mournful protest under the old rancher's shifting weight. Elijah moved the battered stetson to his other side, giving the priest room to sit if he desired. "I ain't got a regiment of it, if that's what you're asking, Father." More protest came from the pew as the priest settled beside the rancher."Yes, my son."

Elijah turned to look back to the front of the nave where the candles the acolyte had lit bathed the altar in a warm hue. He drew a deep and quiet breath, then looked back at the priest who sat beside him. "I reckon I pray mostly when I'm working, since there ain't nothing but peace and no distractions usually then."

The priest showed the rancher a kindly smile." Well, you know what they say about idle hands. It seems a good time to think about such things." Blue eyes fell upon the weathered hands of the old rancher. Elijah rubbed his hands together noticing the priest's gaze falling to them. "Yessir."

Given the man's manner of dress and weathered visage the priest made an educated guess."You work with the beasts?" The old rancher looked from his own hands to the priest. "If you mean horses and cattle and the like, yessir. " The priest lifted his eyes. His gaze moving over the surroundings to settle upon a statue. The mother of John the Baptist. That would be a fine saint to pick. Known by some as a patron saint of herders. Her son had lost his head in the end. Those blue eyes traveled back to the rancher, look cutting across the his sun darkened neck " St Anne is your patron saint, then?"

Elijah shook his head. "No, Sir. It is St. Francis, Father."

"Are you sure, my Son?" Will you pick another way to die?

"I know it ain't fitting right, but..." The old rancher shrugged his hunched shoulders lightly. " But?" Gentle urging of words. The old rancher turned his gaze of dark browns to the altar. "I was given the medal of St. Francis to wear when I was a much younger man," his words rumbling deep in his chest. It rose with another deep breath at a long forgotten memory. "It saved my life. And, since that day, it's been St. Francis, Father."

" Safe in the hands of a saint." The priest's words help the appropriate pious reverence."Tell me, my son, how did the medal save your life?"

"It stopped a bullet meant to kill me, Father."

"And have you have provided care to the animals and lived your life in praise of Francis?"

The man had not given thought to it in the manner the priest had. He nodded slowly, "Yessir, I reckon so." A gentle pat fell upon the rancher's aged bowed shoulder. " You are a faithful man."


The priest managed to keep that peaceful smile as the plan formed in his mind. "I wonder if I may ask a favor from you, my Son. A chance for prayer, as you put it. We have an old mare that the pastor uses to cart him around to bring prayer to the in-firmed of our parish. She was limping a bit earlier when he returned. Do you think you might take a look at her?"

"Yessir," the old rancher answered the priest, reaching for his stetson. "I'd be right glad to do it, Father. Might be nothing but a stone or burr caught up in her shoe." The priest's smile brightened."That is the hope, my Son. Come." The pew sounded it final mournful cry as Elijah and the priest rose to their feet. Black robes rustling like a murder of crows taking flight as the priest rose and stepped out of the pew. Hands clasped behind his back while he waited for the rancher. The priest gave a reverent bow towards the alter which was mimicked by Elijah. The old rancher tucked his battered stetson under his arm as the priest led him off towards a door off to the side.

Michael Maleficio

Date: 2009-06-24 21:28 EST
Let a righteous man strike me?it is a kindness; let him rebuke me?it is oil on my head. My head will not refuse it. Yet my prayer is ever against the deeds of evildoers;Psalm 141:5



Twilight spilled inside as the priest opened the door to a small court yard. In one corner was a small building. A double stall stable. The priest looked back over his shoulder."She is over here." Elijah eagerly stepped out after the man, glad to be out of doors again. He looked past the priest to the corner stable and started toward it. "Father? What is her name?"

The priest turned a smile on the Rancher. " I call her Celestia. She is a star. " His arm up as he ushered the old rancher towards the stable. One stall was filled with seeming junk. Storage for the church. An array of holiday decorations and signs used throughout the year. Next to that was a stall that contained an old black mare. White hairs were speckled throughout her coat, still thick from the winter it was starting to thin in patches. Ears swiveled slowly as the horse heard the sounds of people arriving. She wickered softly and lowered her head over the stall door, aged eyes regarding the priest and rancher as they approached. Her belly told her the feeding time was soon, maybe they were coming with grain.

A smile hinted behind the old rancher's hirsute beard. "That is a right pretty name, Father." Elijah donned the stetson as he was led into the stable. He saw the holiday decorations stored in the first stall and he draw a quiet breath. Dark brown eyes eagerly sought out the horse and he smiled again when he saw the black mare. He pushed the brim of the stetson up out of his eyes and offered the mare his hand. "Evening, Miss Celestia, Ma'am."

The horse wuffled a breath into the rancher's weathered hand. " I believe it was her back left that she was limping on." The priest moved past the stall to the other side of the opening.

"Let's take a look at you," Elijah whispered to the mare in quiet and calm baritone as he stepped into the stall. Calloused hand brushed over the mare's neck and shoulder as he moved around her. Elijah bent down by her hindquarters,removing the stetson altogether to get an unfettered look. He peered over at the mare, then ran his hand gently along her gaskin, the lines about weathered face deepened as eyes furrowed for a better inspection of the mare's leg. "Easy now, I'm just going to take a look here."

The priest did not run his hands on the horse as he followed Elijah into the stall. His hand was wrapped around the handle of a shovel that had been leaning against the wall outside of the stall. " Tell me, my Son. Your St Francis, he cared for animals, do you know how he died?"

Elijah ran his other hand down the length of the mare's leg, practiced fingers searching for signs of impairment or injury. "No Father," he murmured to the priest, the old rancher's focus remaining on the task at hand.

"He was blessed by the Father for his life of faithful service. Francis was blessed with the Five Wounds of Christ. It is said he was singing a psalm when the Lord took him." As the rancher was lifting the mare's leg with care, so was the shovel being lifted. " Psalm 141 I believe."

"Let my prayer be set before You an incense..." Elijah murmured as he leaned down to inspect the mare's hoof and shoe.

"Yes. And the fifth verse?"

Elijah paused, bowing his head in momentary reflection. "Let the righteous strike me; It shall be a kindness. And let him rebuke me;..." A calloused fingers traced over the edges of the hoof and shoe. "Let my head not refuse it. For still my prayer is against the deeds of the wicked."

"It shall be a kindness." Echoing part of the verse. The bland mien of a man of the cloth shattered. Cold eyes wide, snarl at his lips as the shovel came driving down. Crushing through the battered stetson to strike a blow to the gray head beneath it. Enough strength lent to the blow to bring darkness of unconsciousness to the old rancher.

The man's 'Amen' remained arrested in his throat as the world around him exploded then enveloped him in inky darkness, the old rancher crumbled into a heap in the stall. The old mare tossed her head up high and shied away from the crumpled man and the shovel.

"May my prayer be set before you like incense; may the lifting up of my hands be like the evening sacrifice. " Finishing a verse for the old rancher. Michael could still hear the old heart beating slowly and the rasp of breath from the crumpled form. The shovel was cast aside as he exited the stall.

The inspiration was there. Now the tools were needed. A rummage through the small stable produced all he needed. An hammer and spikes from a cross the church used during the Easter feasts. Michael grabbed one of Elijah's wrists and started walking. The burden of man slide easily out the back of the stable. Past the near naked body of the priest whose robes and face Michael wore. Michael bent and moved the sewer grate easily to topple the rancher down into the dark.

The only thing remaining behind was the nearly flattened stetson in the stall of a frightened old mare.


Michael Maleficio

Date: 2009-07-09 23:54 EST
Faith: not wanting to know what is true. Friedrich Nietzsche


Consciousness for the old rancher was like a bothersome fly to one of his cattle. It would alight for a moment before being shooed away with the flick of a tail. For Elijah those moments of lucidity were fragments of sound, smell and feel. Darkness robbed him of sight but there was a dank foul smell surrounding him. The sound of splashing and the feel of water soaking him to the skin and there was pain. The flare of sickening pain in his head and shoulder as he was being dragged along. In the old ranchers case the swat to chase his consciousness away was the strike of a hand to that throbbing part of his head.

For an instant a sound reached through the fog of semi-consciousness to the old rancher. The ring of metal striking metal. Reminiscent of the sound of a farrier shaping a shoe to fit a hoof. That instant passed as the iron spike drove through the calloused palm of the old rancher. The first blow had driven the spike through his hand and into the painted brick behind his hand. The second blow pinned that hand to the wall. A cry was strangled in his throat as his chest was unable to rise and provide it a breath because of the knee pressing him in place.

"First wound." The voice seemed far away though the rancher's eyes were wide upon the man who had his knee pressed against his chest.

Michael stretched the old rancher's other arm out. This time he studied the wrinkled face as a blow from the hammer to the spike drove it through skin, cutting through muscle and tendons. The girth of the spike forcing the bones in the hand to shift and spread as the point passed through to pierce out of skin again and bury itself into brick. A scream did wrench from the grizzled old man. Michael smiled. "Second wound."

Even Michael was unsure why he had given the old rancher the small dignity of fastening the man's shirt around his waist as a makeshift loincloth. A small modicum of respect or a whim. Michael considered this for only a moment as his feet touched the ground again and he looked up at the work in progress. The old rancher's wrinkled skin was already wet with sweat from the adrenaline rush of pain. "Breathe." A mocking suggestion. Elijah was already trying to breath but already the weight of his body was limiting his ability to exhale. He could gulp all the air he wanted but there was no way to dispel it adequately.

Elijah was panting small breaths by the time Michael took hold of one ankle and placed the foot flat on the wall. The muscles on his sinewy arms already cramping and sending jolts of excruciating pain towards his shoulder and chest. One foot placed on top of the other flush against the wall, Michael looked up to meet the old rancher's pained eyes. "Third and Fourth wounds." The first blow rang out like a missed time tolling of the bell at Perp Miz. The second drove the spike the rest of the way through both feet and into the wall.

Michael stepped back from the wall to take his role of watcher.


"Beyond the excruciating pain....." The words came to mind from one of the many texts Michael had read over the years on crucifixion. Beyond the excruciating pain there would be a marked interference in normal respiration. Exhalation would become harder and harder. The weight of the body pulling down on the outstretched and fixed arms would slowly hinder even passive inhalation. The build up of gases in the blood would cause further cramping. The old rancher might be able to take a deeper breath by pushing up with his legs but those muscles would soon be failing as well even if he could withstand the agony of the fiery pain shooting through his legs. Michael remained silent as the ordeal played out across Elijah's body while he sank closer to his end.


Hours later the tall watcher rose into the air until he was face to face with the crucified. His fingers tangled into the mop of sweat damp salt and pepper hair and pulled the man's head back sharply. Those brown eyes that had seen a long life were glazing over. Michael could hear the old rancher's heart stuttering. It was time.

Michael leaned closer, cool lips pressed a kiss to the dying man's cheek before they whispered the words to his ear. A biblical quote. " It is finished." Michael leaned back. The fingers of one hand held straight and rigid like the head of a spear. The arm drew back. " Fifth wound." With the words Michael's arm thrust forward and up with the strength of the beast that he was. The old rancher's eyes widened as his whole body shuddered, his stuttering heart stilling as fingertips brushed against it.

No proper crucifixion would be complete with out a titulus above the crucified declaring his crime. Michael lifted his blood covered hand to the wall above Elijah's head and painted a single word.

Fides

Now there was more than a mote in the West End Eye. The tall figure walked away, whistling.



*Fides is the latin word for faith

Ali al Amat

Date: 2009-07-26 21:30 EST
?The Romans had a saying: Punica fides, the reliability of a Carthaginian, which for them represented the highest degree of treachery. The word of a Carthaginian like Hannibal was not to be trusted?? ? John P. Adams

It was the quality of her silence that alerted him to the horror, even before Fionna moaned, ?That poor man.?

Ali closed his arms around her and looked out their front window at the atrocity revealed by the opened blinds, and was not surprised. There was a man staked to the front wall of the Studio, his limbs arranged in a crucifixion pose. Blood and foulness dripped down his body, down the wall. More of it was smeared over his head. Ali was not surprised. Why was he not surprised?

He was only human. He was unquestionably dead.

?I don?t know him,? she said, as he closed his arms around her, and looked out their window at the dead man. Her tone was perfectly reasonable, utterly calm. They might have been discussing the weather. ?Rekah. We can?t let her see this.?

?We have to get the Watch,? he replied, and wondered why he was not surprised. Time seemed to be melting and pooling in his blood, coagulating in his sluggishly beating heart. Premonitions, hints of insight danced like razor blades along his skin. Was it shock?

He was a man, and nothing more.

?Better let Sinjin know. He?ll want to know,? she murmured.

?If I can. Reception was out again last night.? Something was coming together in his head like a revelation in reverse, like one of his old noir films played backward to the critical moment when the detective?s gun fires.

?He must hate me so much,? she breathed.

And in his head, the gun went bang. The name was spoken. The revelation played out.

Michael.

Ali dressed: jeans, socks, boots, shirt, gloves. He walked down the four flights of stairs, crossed the street, walked the half-block to the Studio wall. All the while he was in a fever, hardly aware of what he was doing. The revelator was singing prophecies in his blood. He understood Fionna?s stalker for the very first time, and it was joy and agony in his heart.

This was his revelation song. He imagined it, himself as Michael: meeting Fionna all in one piece, before she came apart. (In his head Lucien whispered, ?before it happened she was vivacious, mischievous, she commanded a room from the very moment she walked into it.?) She had just come from Antony damaged, fearing men, hating men, and he had so much love to give her, if only she could see it. But no, she seemed willfully determined not to see it, not to care. Marry her, he thought. Divorce her from this madhouse of Rhydin. Take her away. The children belong to the bastard she married before; they will only remind her of him, and he wanted no part of the man's leavings anyway. Abandon them.

He looked at his own past, as a man who could never have imagined bedding a vampire, much less marrying one, never getting any closer than was required to trade barbs and blades. That sort of repugnance, perhaps, was what the Church felt for vampires. Pietr and Amisoz seemed certainly to feel it; in a lesser role, it might be something like what they felt for women. It must have been what Michael felt, or close. To be so young and strong and sure, full of responsibility, full of himself. To have all of that undercut by wanting someone tainted in more ways than one. To try to take her away from the source of the taint...and have it denied him. To be so capable and so helpless to effect this change, and it was all her fault, why couldn't she just see?and then she murdered him. When the letter opener was still sticking out of his chest, when he was telling her with his last breath that he loved her, she saved him by making him a vampire and damning his very soul.

And she promised to come for him, and she locked him up, down in the dark.

And she never, ever came.

In Ali?s head was an eerie disconnect. He could feel Michael?s imagined rage intertwining with his own. At the same time, the forensics training he had received as a field agent was coming forward, looking out through his eyes, speaking coolly to him. It would take greater than human strength to hold a man against the wall and drive metal stakes through him into the brick, it said. Apparent blunt trauma to the head. Blood and feces still fresh. Rigor mortis not yet set in. Few flies in appearance. Time of death within the hour, then. Blunt instrument driven into the man?s torso and removed, at or just after death. Without the man being alive to push up on the stake driven into the feet, the internal structure of the hands were being forced to support his weight. They were not up to the task, and the hands were slowly tearing apart.

He was a dockworker, a day laborer, a farmer. He was not a priest.

Ali drew close enough to look up into the stranger?s bearded face. Mid-fifties, perhaps. Face, neck and hands were tanned, but the torso was pale. He leaned in, closer, closer?

?What the hell?? Lucien Mallorek said from somewhere behind him.

Well. Mallorek already knew he was not human. Now was hardly the time to try to lie about it. Ali leaned in another few inches, his face hovering just over the body and its lost blood, and breathed in through his mouth and nose. No smell of smoke, no drug taint or illness, no alcohol. There lingered the faintest stench of the sewers.

?Do you know him??

?No. Neither does Fionna. Lucien,? he murmured. ?Does it not remind you of the passage in the Christian Bible about the mote in one?s brother?s eye??

Lucien?s voice came closer. ?I was never one to follow such things, Ali. We have to get him down.?

?Will the Watch not consider it to be destroying evidence??

The only response was a harsh and humorless laugh. As Ali returned with a pair of bolt cutters and two ladders from the construction within the Studio, the barrister shifted his wolf?s eyes from a disbelieving contemplation of the dead man. ?Where the hell was the Watch when this was happening? Where the hell are they now??

Together they surveyed the street, empty of a Sunday morning. Together they looked up at the body. Together they brought him down, Ali cradling the dead man in his arms as Lucien wielded the cutters. Lucien flagged down a runner and sent him after the Watch, and together they waited.

He was a stranger, and alone.

Why had Michael killed this man? Why was he not surprised by it, though the man was not a priest, and had no ties to them? The reason became clear as he laid the man out on the sidewalk. Lucien looked up and read the word writ in the blood on the wall:

?Fides.?

NorseLady

Date: 2009-07-29 07:59 EST
Faith is not belief in spite of evidence, but life in scorn of consequences. ~Kirsopp Lake

'Tis said that keeping busy helps distract from ones burdens. That can be true for a little while, I suppose. The need for a diversion is upon me once again, for I am sorely troubled. The missing Rancher and the upcoming voyages are constantly playing in my thoughts, but my mind is mostly on Elijah. And the knowledge that some poor, unknown male has been crucified in the West End not long ago has me sick to my stomach. So I make the decision to take a stroll through the Marketplace, seeking that distraction; every now and then I pause to gaze upon the wares offered in the window displays of each shoppe.

Gerald starts toward the center aisle of booths of the Marketplace, searching through the crowd. The Sergeant sends two of his men down flanking aisles to look for the tall Norse lady. It is one of the younger men that spots a woman who seems to fit the physical description given and approaches the woman window shopping.

"Excuse, Ma'am?"

My weary gaze slides off the pretty display, to land upon the male addressing me. "Ja?" I give him the 'once over,' taking note of his attire and any visible weaponry. The young man, who is barely hitting manhood stands in the Watch's uniform, weapon sheathed at his side. "Ma'am, my name is Jeb. Would you mind coming with me please?"

Narrowing my eyes and frowning at him I ask, "Hvorfor? I have done nought wrong." Not that he could possibly be aware of, at least.

"Oh no, Ma'am" The young man shakes his head. "No it isn't anything like that," he stammers out quickly. Luckily for Jeb, the Sergeant is approaching from behind. My gaze drifts away from the lads face to look at the older male who is nearing. Oh, another of the Watch. Never have I completely trusted those who wear such uniforms.

"Ma'am, I am Sergeant Gerald Hartwell." Introducing himself. At the nod from the Sergeant, the younger man quickly leaves with a bow of his head to the Norse lady.

"And hva is your point?"

"Is your name, Shylah, Ma'am?"

A deep inhale is drawn in, to be held briefly before exhaling. "I am called by that navn, ja." Nodding curtly to Sergeant Gerald Hartwell and preparing to do battle, if necessary.

"Ma'am, I was wondering if you would mind coming down to the station with me." Weighing his words carefully before continuing, "We recovered a victim who is yet unidentified, but, I believe it is someone I've seen in your company before."

My brow furrows as I listen to what he has to say; that huge knot in my stomach tightens with each spoken word. That feeling of dread grows stronger by the minute. 'Tis best to hold onto that stoicism; to show no emotion. "Very well." Words clipped when I finally respond.

The Sergeant nods down the street. "This way, Ma'am." And then starts toward the station where the body is being kept. Hesitant are my strides, at first, but I do follow him. All the while I am recalling what Petar said to me earlier in the day, and holding onto the hope that the victim is not the cowboy. The building is not far away and the Sergeant didn't say anything more to me until we reached the establishment. Being chivalrous, Hartwell holds open the door for me. Without a word or a look at Gerald, I cross over the threshold and enter; the Sergeant follows me inside.

"This way please." He continues past the front desk with a nod to the officer on duty there, and heads down a long corridor. The further I move down the hallway in his wake, the greater my trepidation. My heart is pounding so hard that I swear the male in front of me can hear it. An ache begins to nag at my temples. He moves past several doors, then stops in front of the third door on the left and then and only then, does he turn to address me. "If you would wait here just a moment please."

With a small bob of my head, I acknowledge that I will do as he requests; no words pass my lips. My stomach hurts. The stroking of that scar above my left eyebrow commences. I truly despise this feeling of impending doom. Upon my assent, Hartwell ducks through the door into the room. A few moments later the door swings open, the Sergeant beckoning, "Ma'am, please come in."

For one brief moment I want to flee; my gaze darts down the hallway to the main door where we recently entered. My hand lowers from the scar-caressing habit, a bit shaky, but I soon have that under control. Forcing myself forward I reluctantly move into the morgue, the smell of death attacking my senses. After closing the door behind me, Sergeant Hartwell quietly ushers me over to an examination table in the center of the room. Upon the table a sheet is drawn up over the body. A woman, serious in demeanor, but kind-looking, dressed in a long white coat stands beside the table and waits for us to draw closer.

"Ma'am," Gerry speaks softly, nodding to the sheet. "As I indicated earlier, we do not know who this man is, and it is our hope that you will be able to provide an identification. However, you are not required to do so."

I glance to the woman first, then to the covered body. Their hope? What about my hope? But, I know that if I do not look I will forever wonder if the dead man on the table is the old Rancher. I am extremely apprehensive, yet it must be done. Motioning for them to continue, Gerry nods to the doctor, who reaches over and slowly draws back the sheet up off the victim's head, revealing the face.

'Tis as if everything is suddenly in slow motion for me as I watch the sheet being pulled back; and then it seems as if time itself stands still for a moment, once I see Elijah's countenance. Reaching out toward the table to steady myself as my knees go weak I feel a deep, stabbing pain to my heart; a solid blow to my gut; a buzzing in my ears. That warrior's mask of mine slips away now that I know who the victim is ... indeed, 'tis my cowboy. I begin to weep. My hopes are shattered. I am living my nightmare.

Unable to stop myself, I lightly stroke my fingers through Elijah's salt-and-pepper coloured hair, to delicately brush back a few strands off his forehead. My voice is barely above an anguished whisper, "Oh, Buttah!" The words almost stick in my throat. Wrapping my arms around him, I choke out my apology to the old man, "I am so sorry that I was not there to hjelp and protect you." My entire body trembles as waves of sorrow and pain keep crashing over me. Without reservation, I gently lay my head upon his sheet-covered chest while my tears continue to unabashedly flow.

Neither the doctor nor the Sergeant speak a word, but instead stand silent and somber vigil. Eventually, 'tis the doctor who breaks her silence first, whispering her condolences, "I am very sorry, Ma'am." The Sergeant remains silent and averts his gaze to the floor.

Ever-so-slowly I raise my tear-stained face to look at the woman, "Takk." Too overwhelmed with grief to say much more. However, I am aware that I must identify the Rancher by name. "Eel-eye-ja Torp." 'Tis all that I softly utter before resting my head against my dear Buttah's chest once again.

Sergeant Hartwell nods, looking up at the doctor, who wordlessly notes the deceased man's name in a chart. I feel Gerry's hand touch lightly upon my shoulder. "Ma'am?" Lifting up my head I look lovingly upon Elijah's pale visage. Knowing that he died by crucifixion brings forth my fury. The roller coaster of emotions I am experiencing is evident as I turn sad, tear-filled eyes upon the Sergeant, but my question holds unbridled anger, "Who did this?"

"We don't know, Ma'am." He answers honestly. "He was found by a couple of citizens that live in the area and we were notified."

"If I find whoe'er did it, I shall kill them!" My gaze returns to the cowboy, my vision blurring. "I want ... him." I am unable, perhaps unwilling, to voice the words, "the body." The Sergeant seems unsure of what I mean, but the woman immediately understands and quietly speaks up, "Of course, Ma'am. There will be some paperwork that needs to be signed first."

"Then I shall sign it."

The doctor moves to the desk in the room and pulls out a form. "Ma'am, what is your relation to the deceased?"

A soft whimper accompanies my whispered reply, "I am his betrothed." Fresh tears form and fall while I caress the old man's weathered cheek and whiskered jaw; he always did adore my loving touch.

She nods somberly to my answer and continues to fill out the form. Sergeant Hartwell then speaks quietly, "Ma'am. I am sorry for your loss." A moment of deafening silence passes before he asks, "Would you know of anyone who would have wanted to do him harm?"

Needing to compose myself, I take a few minutes before responding. "Nei. I kann not tenke of anybody."

The Sergeant falls back into silence. The doctor finally approaches the examination table and sets the form down on the smaller task table that is nearby. "Ma'am. You need to sign here." Pointing to the bottom of the form.

Feeling the need to apologize to Elijah again, I whisper, "I am so very sorry, Kj?reste." I straighten up from my gentle lean against my sweetheart, swiping at my tears before grabbing the pen and quickly signing the required paper. "Is that all?"

The kind doctor gently eases the pen from my grasp and nods. "Yes Ma'am. That is all."

"I shall have someone komm as soon as possible for Eel-eye-ja." I refuse to say, "the remains."

Again 'tis the doctor who answers, "Yes Ma'am. We will have....your loved one prepared."

"Hva do you mean?" My suspicious gaze directed at the woman.

After placing the form into the chart, she looks at me. "We will have him properly wrapped and in a coffin box."

I feel ill. "Oh." I do not want to leave the old Rancher's side, even for a second. And though his arm is covered I reach down to gently touch his wounded hand. Then I turn and storm out of the room, suddenly needing fresh air as I swallow my bile. If I stay, they shall need to pry me away from the one I love, and that will not do at all ... not for any of us.

The Sergeant rushes out of the room. "Ma'am."

More brushing away of tears as I make haste down the hallway. But I pause in my strides as Hartwell calls out. Slowing down as he comes up beside me, he reiterates quietly, "I am sorry, Ma'am. Do you need an escort home or somewhere else?"

"Takk for your condolences." I consider having him as an escort at least part of the way Northward, then decide against it. "Nei." Adding, "The mann who shall komm and get Eel-eye-ja ... his navn is George." Standing there, I am unable to meet Gerald's gaze as my sorrow increases to the point of wanting to sob and wail; somehow I garner the strength to refrain from doing such, at least for this moment in time.

"I must go na." With those four words quietly spoken, I jog to the door and exit as quickly as possible.

Once outside I begin to run ... never stopping until I am in the woods, where the Wild can share in my grief and heartache ... and take up the mournful Call.


(from live RP, w/consent)