Let me watch by the fire and remember my days
And it may be a trick of the firelight
But the flickering pages that trouble my sight
Is a book I'm afraid to write
It's the book of my days, it's the book of my life
And it's cut like a fruit on the blade of a knife
And it's all there to see as each section reveals
There's some sorrow in every life
If it reads like a puzzle, a wandering maze
Then I won't understand 'til the end of my days
I'm still forced to remember,
Remember the words of my life
There are promises broken and promises kept
Angry words that were spoken, when I should have wept
There's a chapter of secrets, and words to confess
If I lose everything that I possess
There's a chapter on loss and a ghost who won't die
There's a chapter on love where the ink's never dry
There are sentences served in a prison I built out of lies.
Though the pages are numbered
I can't see where they lead
For the end is a mystery no-one can read
In the book of my life
Journal entry
12 Feb '10
At first, I thought perhaps coming back to Rhydin had been a mistake. I was searching crowds for Rhys, scanning faces, memorising scents. I kept thinking, maybe like me, he'd had enough of the never-ending battle for Humanity. Maybe he'd come to a place where Humanity was in the minority, a place where the repercussions of Armageddon would never reach, a place where maybe at last, he could find peace.
After a week of aimless, unproductive searching, I finally came to the conclusion that Rhys was not in the city. Sure, there was a close call ? a black Mustang driven by someone who could have been Rhys's doppelg?nger ? but after sprinting through the streets following the car, I caught the driver's scent. No matter how much the man looked like Rhys, he didn't smell anything like him. Rhys was...God alone knew where. It was time to let go of him and to move on...somehow.
So, what does a newly-arrived, potential citizen of Rhydin do when she discovers that any shred of her former life is just a fabrication of a fevered mind? Well, if that person is me, she liquidates her accounts on Earth, finds a killer loft in a cool part of the city, and fills that killer loft with Earth-stuff ? an Alienware laptop, iPod Touch, Bose sound system, Afghani carpets, Turkish kilims, Mid-century furniture, and a CD collection to rival the best college radio station. Then she spends weeks and weeks alone in the killer loft, never venturing outside, never speaking to another soul, learning control again.
Rhydin takes a lot of getting used to. Not only is it peopled with creatures from Asimov, Lovecraft, Rice, and Shelley, there are two moons riding high in the sky. Two freaking moons. Since the Cat is tied intimately to the moon, she's been a real pain to live with. She wants control, she wants to roam the streets unfettered by her Human co-habitant. She wants freedom and that is the one thing she cannot have. Sure, she was a pain to live with on Earth, but she's grown exponentially since then.
My life, since I was five years old and learning ballet for the first time, has been about control. I worked to control my body, to force it into the unnatural positions deemed beautiful by ballerinas. Then I began school, and was forced to learn a different form of control ? social control. I had to learn to be civilised. I had to learn to control my instinct to beat the snot out of the little boys who pulled my hair and the little girls who kicked dirt at me. I had to learn to control the urge to blow off studying in favour of hanging out with my friends. I had to learn to control my memory and have near-perfect recall of facts and figures memorised weeks before a big test. Then I began my legal career and had to learn an entirely different sort of control ? I had to control my emotions when a witness was purposefully being obtuse on the stand, or when the opposing counsel was tearing apart my case with objection after objection, petty motions and ridiculous briefs.
Oh, god...and then there's the control I had to learn so I could keep the Cat in her cage until it was the appropriate time to let her loose. I couldn't risk shifting in the middle of a crowded shopping mall at Christmastime. I couldn't run the risk of changing into a beast in the courtroom and devouring the judge's face...no matter how satisfactory that might have been. And I certainly couldn't lose control enough that the Cat came out and did something that got us both killed.
So, I learned to stuff away emotions, shove them down into the basement of my subconscious and deal with them in my dreams. My dreams have, since I was ten years old, been nightmarish worlds of pain and suffering. Those dreams have only been amplified by the Cat's desires. She revels in the bloodshed, the pain, the anguish. She laps it up and rolls around in it, covering her body with the scent of suffering.
And these dreams have only gotten worse since coming to Rhydin.
And it may be a trick of the firelight
But the flickering pages that trouble my sight
Is a book I'm afraid to write
It's the book of my days, it's the book of my life
And it's cut like a fruit on the blade of a knife
And it's all there to see as each section reveals
There's some sorrow in every life
If it reads like a puzzle, a wandering maze
Then I won't understand 'til the end of my days
I'm still forced to remember,
Remember the words of my life
There are promises broken and promises kept
Angry words that were spoken, when I should have wept
There's a chapter of secrets, and words to confess
If I lose everything that I possess
There's a chapter on loss and a ghost who won't die
There's a chapter on love where the ink's never dry
There are sentences served in a prison I built out of lies.
Though the pages are numbered
I can't see where they lead
For the end is a mystery no-one can read
In the book of my life
Journal entry
12 Feb '10
At first, I thought perhaps coming back to Rhydin had been a mistake. I was searching crowds for Rhys, scanning faces, memorising scents. I kept thinking, maybe like me, he'd had enough of the never-ending battle for Humanity. Maybe he'd come to a place where Humanity was in the minority, a place where the repercussions of Armageddon would never reach, a place where maybe at last, he could find peace.
After a week of aimless, unproductive searching, I finally came to the conclusion that Rhys was not in the city. Sure, there was a close call ? a black Mustang driven by someone who could have been Rhys's doppelg?nger ? but after sprinting through the streets following the car, I caught the driver's scent. No matter how much the man looked like Rhys, he didn't smell anything like him. Rhys was...God alone knew where. It was time to let go of him and to move on...somehow.
So, what does a newly-arrived, potential citizen of Rhydin do when she discovers that any shred of her former life is just a fabrication of a fevered mind? Well, if that person is me, she liquidates her accounts on Earth, finds a killer loft in a cool part of the city, and fills that killer loft with Earth-stuff ? an Alienware laptop, iPod Touch, Bose sound system, Afghani carpets, Turkish kilims, Mid-century furniture, and a CD collection to rival the best college radio station. Then she spends weeks and weeks alone in the killer loft, never venturing outside, never speaking to another soul, learning control again.
Rhydin takes a lot of getting used to. Not only is it peopled with creatures from Asimov, Lovecraft, Rice, and Shelley, there are two moons riding high in the sky. Two freaking moons. Since the Cat is tied intimately to the moon, she's been a real pain to live with. She wants control, she wants to roam the streets unfettered by her Human co-habitant. She wants freedom and that is the one thing she cannot have. Sure, she was a pain to live with on Earth, but she's grown exponentially since then.
My life, since I was five years old and learning ballet for the first time, has been about control. I worked to control my body, to force it into the unnatural positions deemed beautiful by ballerinas. Then I began school, and was forced to learn a different form of control ? social control. I had to learn to be civilised. I had to learn to control my instinct to beat the snot out of the little boys who pulled my hair and the little girls who kicked dirt at me. I had to learn to control the urge to blow off studying in favour of hanging out with my friends. I had to learn to control my memory and have near-perfect recall of facts and figures memorised weeks before a big test. Then I began my legal career and had to learn an entirely different sort of control ? I had to control my emotions when a witness was purposefully being obtuse on the stand, or when the opposing counsel was tearing apart my case with objection after objection, petty motions and ridiculous briefs.
Oh, god...and then there's the control I had to learn so I could keep the Cat in her cage until it was the appropriate time to let her loose. I couldn't risk shifting in the middle of a crowded shopping mall at Christmastime. I couldn't run the risk of changing into a beast in the courtroom and devouring the judge's face...no matter how satisfactory that might have been. And I certainly couldn't lose control enough that the Cat came out and did something that got us both killed.
So, I learned to stuff away emotions, shove them down into the basement of my subconscious and deal with them in my dreams. My dreams have, since I was ten years old, been nightmarish worlds of pain and suffering. Those dreams have only been amplified by the Cat's desires. She revels in the bloodshed, the pain, the anguish. She laps it up and rolls around in it, covering her body with the scent of suffering.
And these dreams have only gotten worse since coming to Rhydin.